The Academy of Music Opera House: A Seating Guide

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Contributors: Andranick Tanguiane, Fred Lerdahl,

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Looking to snag some great seats at the upcoming opera performance at the Academy of Music Opera House? Check out our comprehensive guide to the best (and worst) seats in the house!

The Academy of Music Opera House: A Seating Guide

The Academy of Music is an opera house in Philadelphia and is one of the most popular opera houses in the United States. If you’re planning on attending a show here, you’ll want to know about the different seating options. In this guide, we’ll go over the different sections of the theater and what you can expect from each one.

The Main Floor

The Main Floor of the Academy of Music Opera House is the largest and most populous floor in the venue. It is where most of the action takes place, and as a result, it can get quite crowded. Despite this, it is still one of the best places to see a performance, as you will be right in the thick of things. The Main Floor is also where you will find the majority of the restrooms and concessions.

The Dress Circle

The Dress Circle is the first level of seating in the Academy of Music Opera House and offers some of the best views in the theater. This section is located just above the Orchestra Pit and has a total of 36 rows of seats, numbered from front to back. The front row in the Dress Circle is known as Row A, while the back row is Row LL.

The Boxes

The Boxes offer seating for up to four people and are located on either side of the stage. Boxes A through L are on the right side of the stage when looking at it from the audience, and Boxes M through V are on the left side. These sections provide a more intimate setting for enjoying the opera, and patrons in these seats will have a clear view of the stage.

The Academy of Music: A Seating Guide

The Academy of Music is one of the most famous concert halls in Philadelphia. The main entrance is on Broad Street, between Locust and Spruce. The hall has four levels of seating, and the balconies are very steep.

The Main Floor

The Main Floor of the Academy of Music Opera House offers four levels of seating, each with their own advantages. The Parterre Level is the section closest to the stage, offering an intimate experience for patrons. The Dress Circle is a good option for those who want to be close to the action but don’t want to be right in the thick of things. The Upper Circle provides a bird’s eye view of the stage, and is perfect for those who want to take in the entire production. Finally, the Gallery Level offers an affordable option for patrons who want to enjoy the show from a less expensive seat.

The Dress Circle

One of the most popular places to sit at The Academy of Music is in the Dress Circle. The six Boxes located in the front of the Dress Circle offer some of the best views in the house, and are often considered some of the most prestigious seats in the opera house. However, tickets in the Dress Circle can be quite expensive, so if you’re on a budget, you may want to consider sitting in one of the back rows.

The Dress Circle is located on the second level of the opera house, and provides a great view of the stage. If you’re looking for an intimate experience, this is definitely not the place for you — but if you want to see all the action on stage, then this is a great option.

The Boxes

The four boxes on each side of the orchestra level are the best places to sit if you want an intimate experience and don’t mind being slightly removed from the action on stage. These are the most expensive seats in the house, but they offer a unique vantage point from which to take in a performance. Boxes seat four people and tickets are sold individually.

The two boxes closest to the stage are referred to as the “parterre boxes.” These boxes have excellent sightlines and are very popular with opera goers. The two boxes further back from the stage are known as the “balcony boxes.” These seats offer a more panoramic view of the stage, but may be less ideal for opera due to their distance from the action.

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