The Best of Carolina Folk Music

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

For over 20 years, the Carolina Folk Music Society has been dedicated to the preservation and promotion of traditional and contemporary folk music of the Carolinas.

Introduction

Carolina folk music is a unique and varied musical tradition that has its roots in the musical traditions of Europe and Africa. The music of the Carolinas is a reflection of the state’s history, including the influence of both white and black cultures. Carolina folk music includes a wide variety of genres, including bluegrass, old-time music, gospel, blues, and more.

The Best of Carolina Folk Music is a compilation of some of the best-known and loved Carolina folk songs. This collection includes classics like “The House of the Rising Sun,” “Barbara Allen,” “Down in the Willow Garden,” and “Cindy.” These songs are sure to capture the hearts of both young and old alike.

The Piedmont Tradition

The Piedmont region of North Carolina is home to a rich tradition of folk music. This musical tradition is a reflection of the region’s history and the people who live there. The Piedmont tradition is a unique blend of African-American and European musical influences. This musical tradition is characterized by its use of the banjo, fiddle, and guitar.

The Piedmont Sound

The Piedmont tradition is a style of folk music that originated in the Piedmont region of the United States. The Piedmont region is located in the eastern part of the country, stretching from Virginia to South Carolina. This style of music is characterized by its use of the banjo, guitar, and fiddle. It also features a lot of improvisation and is known for its bluesy sound.

The Piedmont Players

The Piedmont Players is a folk music group from the Piedmont region of North Carolina. The group was founded in 1968 by Mike Seeger and John Cohen, two folk music enthusiasts who were interested in preserving and promoting the traditional music of the Piedmont region.

The Piedmont Players have released several albums of traditional Piedmont folk songs, including “Old-Time Music from the Piedmont” (1968), “Sounds of the South: Old-Time Music from the Piedmont” (1972), and “Piedmont Blues” (1975). The group has also performed at various festivals and concerts throughout the United States.

The Coastal Tradition

The Coastal Sound

Carolina folk music is some of the richest and most varied in the country. The coastal areas of North and South Carolina have been home to many different cultures over the years, and each has left its mark on the local music.

The coastal sound is a mix of African, Scottish, Irish, and English influences. You can hear it in the way the music swings from sweet to hard-driving, from soft and soulful to fast and furious. It’s a sound that’s both old and new, at once familiar and exciting.

If you’re looking for the best of Carolina folk music, you’ll find it on The Coastal Tradition. This essential collection features some of the most respected names in the genre, including Doc Watson, Arthur Smith, Etta Baker, The Blue Sky Boys, and many more. Whether you’re a longtime fan or just discovering this rich musical tradition, The Coastal Tradition is the perfect introduction to the best of Carolina folk music.

The Coastal Players

The Coastal Players are one of the most popular and celebrated Carolina folk music groups. Formed in the early 1990s, the group has been a mainstay of the Carolina music scene, playing at festivals and concerts across the state.

The Coastal Players are known for their tight harmonies and energetic performances. Their repertoire includes traditional folk songs, sea shanties, and original compositions. The group has released four albums, all of which have been well-received by critics and fans alike.

If you’re looking for a taste of the best of Carolina folk music, be sure to check out The Coastal Players!

The Mountain Tradition

The music of the Appalachian Mountains has been called the “oldest form of English-based folk music in the world.” Its roots can be traced back to the English, Scottish, and Irish ballads that were brought over by early settlers. The music has been shaped by the region’s geography and history, and it has been influenced by the music of other cultures, including African American and Native American music.

The Mountain Sound

The Appalachian Mountains stretch from Newfoundland to Alabama, and their slopes and valleys are home to a musical tradition that is as diverse as the region itself. The mountain sound is a product of the area’s many cultures, including Scots-Irish, English, African American, and Cherokee. Over the centuries, these cultures have blended together to create a unique type of folk music that is characterized by its use of stringed instruments, simple melodies, and mountain-inspired lyrics.

The mountain sound has been influenced by a number of different genres, including bluegrass, gospel, and country. In recent years, artists like The Avett Brothers and Carolina Chocolate Drops have helped to bring this distinctive style of music to a wider audience. If you’re looking for something truly unique, give the mountain sound a try. You’re sure to be charmed by its beauty and simplicity.

The Mountain Players

The Mountain Players are a traditional Carolina folk music group who have been playing together for over thirty years. They are based in the mountains of North Carolina, and their music reflects the rich cultural heritage of the region.

The group is composed of five musicians who play a variety of instruments, including fiddle, banjo, guitar, mandolin, and bass. Their repertoire includes traditional folk songs, fiddle tunes, bluegrass tunes, and original compositions.

The Mountain Players have a deep respect for the musical traditions of the Carolinas, and they strive to keep the music alive by passing it down to new generations. In addition to performing at festivals and concerts, the group also offers workshops and classes on Carolina folk music.

Conclusion

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