Cleveland Institute of Music Opera Workshop
Contents
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Introduction
Welcome to the Cleveland Institute of Music Opera Workshop. Our program is designed to give you a comprehensive education in all aspects of opera. In this workshop, you will have the opportunity to learn about the history of opera, the different types of opera, and the various roles that make up an opera production. You will also gain practical experience by working on your own opera project.
What is the Cleveland Institute of Music Opera Workshop?
Under the direction of Scott Skiba, the Cleveland Institute of Music Opera Workshop is a production company that is dedicated to producing new, innovative, and exciting opera. The company was founded in 2010 and has produced four full-length operas, three one-act operas, and numerous scenes and workshop performances. CIM Opera Workshop strives to provide opportunities for young artists to experience the entire process of creating and performing new opera.
What is the history of the Cleveland Institute of Music Opera Workshop?
The Cleveland Institute of Music Opera Workshop was founded in 1979 by Thomas Osoka, then Director of CIM’s Opera Program. In 1981, it became one of the first programs in the country to offer a Master of Music in Opera. The program has produced more than 60 full-length operas, 20 American opera premiers, and 10 world premiers. It has been cited as “one of America’s preeminent training grounds for young opera singers” by The New York Times.
The Cleveland Institute of Music Opera Workshop Today
Considered one of the best music conservatories in the United States, the Cleveland Institute of Music has a long and accomplished history. The school was founded in 1920 by Adella Prentiss Hughes with the help of several other notable Clevelanders. From its humble beginnings in the basement of the Cleveland YMCA, the Institute has grown to become an internationally recognized institution, attracting some of the brightest young musical minds from around the world. The Cleveland Institute of Music Opera Workshop is just one of the many ways the school continues to foster and develop the talent of its students.
What are the current programs offered by the Cleveland Institute of Music Opera Workshop?
Since its inception in 1971, the Cleveland Institute of Music Opera Theater has been an important part of the music school’s training program. The annual season consists of three mainstage productions, including at least one opera, as well as a number of student-directed chamber operas and recitals. Recent productions have included “The Marriage of Figaro,” “Tosca,” “Don Giovanni,” “The Barber of Seville,” and “Hansel and Gretel.”
The Cleveland Institute of Music Opera Workshop is led by director Jonathan Fielding and assistant director Sarah Case. They are assisted by a team of vocal coaches, music directors, and accompanists. The workshop provides students with opportunities to participate in all aspects of produc tion, from stage managing to performing in the chorus. Students also have the opportunity to work with world-renowned guest artists in master classes and private coaching sessions.
What are the current facilities and resources of the Cleveland Institute of Music Opera Workshop?
The Cleveland Institute of Music Opera Workshop comprises two state-of-the-art performance venues, the Harris Theater and the Mixon Hall. The Opera Workshop also has a music library, which contains more than 36,000 volumes and 8,000 sound recordings.
The Future of the Cleveland Institute of Music Opera Workshop
In May of 2017, the Cleveland Institute of Music Opera Workshop produced its final main-stage opera. This was the culmination of over fifty years of training some of the nation’s finest young opera singers, and it was the last time that the program would be under the artistic direction of Dr. Gerald Corey. Though the Opera Workshop is gone, the future of the Cleveland Institute of Music is still very much in question.
What are the future plans for the Cleveland Institute of Music Opera Workshop?
The Cleveland Institute of Music Opera Workshop was founded in 1975 by the late Doris White and has been under the direction of Dr. Gregory Weaver since 2006. The Opera Workshop provides an opportunity for CIM students to work with local and regional opera companies on productions while also receiving training from CIM faculty. The program typically accepts 12-16 singers each year.
In recent years, the Opera Workshop has partnered with Ohio Light Opera, Opera Circle Cleveland, Pittsburgh Festival Opera, and Cleveland Opera Theater. These relationships allow students to gain valuable experience working with professional directors, conductors, and stage managers in fully-staged productions. In addition, students receive coaching from CIM voice faculty and have the opportunity to perform in masterclasses given by world-renowned opera singers.
The future plans for the Cleveland Institute of Music Opera Workshop include continuing to provide opportunities for students to work with professional opera companies while receiving training from CIM faculty. The program also plans to continue partnering with local and regional organizations to provide students with as many performance opportunities as possible.
What are the future challenges for the Cleveland Institute of Music Opera Workshop?
As the Cleveland Institute of Music Opera Workshop looks to the future, it faces a number of challenges. First and foremost among these is the need to secure funding. The workshop has been primarily funded by tuition fees and donations from alumni and other supporters, but this is not a sustainable model in the long term. The workshop also needs to find ways to attract more students, as enrollment has been declining in recent years. Additionally, the opera world is undergoing a period of change, and the workshop must adapt its program to meet the new demands of the profession.
Despite these challenges, the future of the Cleveland Institute of Music Opera Workshop looks bright. The workshop has a strong reputation in the opera world, and its alumni have gone on to have successful careers at major opera houses around the world. With dedication and creativity, the workshop will continue to training new generations of opera singers for many years to come.
