The Funky Music Machine: 12 Super Rare Original Funk Killers from the Late

In honor of Funk Music Day, we’re counting down the twelve best, rarest, and most original funk songs from the late 60s and early 70s.

Introduction

Funk is a type of music that originated in the African-American community in the United States in the mid-1960s. It is characterized by a heavy, groove-oriented sound and often features horns, rappers, and/or vocals. Funk songs are often based on a simple riff or groove that is then elaborated upon by the musicians.

Funk was popularized by James Brown and Parliament-Funkadelic in the 1970s, and it has since been adopted by other artists and genres, including disco, hip hop, and electronic dance music. Some of the best-known funk songs include “I Got You (I Feel Good)” by James Brown, “Super Freak” by Rick James, ” sexually transmitted ?” Alive”By Parliament-Funkadelic, and “Can You Feel It” by The Jackson 5.

The Funky Music Machine: 12 Super Rare Original Funk Killers from the Late is a compilation of some of the rarest and most innovative funk recordings from 1960s and 1970s. These tracks showcase the evolution of funk from its earliest days as a raw and minimal style of music to its heyday as a highly polished and popular genre. Featuring both well-known artists like James Brown and lesser-known acts like Chocolate Milk, this compilation is essential for any fan of funk music.

The Funky Music Machine

Super rare original funk killers from the late 60s and early 70s, obscure singles, and tracks that have never been reissued – until now. The Funky Music Machine is a compilation of some of the rarest and most sought-after funk tracks ever assembled.

What is the Funky Music Machine?

The Funky Music Machine is a compilation album of 12 rare original funk killers from the late ’60s and early ’70s. The album was released in 2003 by BGP Records.

The Funky Music Machine features tracks by James Brown, Sly & the Family Stone, Parliament-Funkadelic, The Isley Brothers, and more. These tracks are rare and hard-to-find gems that are sure to get your groove on. If you’re a fan of funk music, then this album is a must-have for your collection.

How does the Funky Music Machine work?

The Funky Music Machine is a rare original funk machine that was used by some of the biggest names in music. It was created by James Brown and his team of engineers and producers in the late 1960s and early 1970s, and it was used on some of the most popular funk songs of all time.

The machine worked by using a set of six drums, each tuned to a different note. The drums were played with sticks, and the notes were recorded on tape. The tapes were then played back at different speeds, which created different rhythms.

The machine was used on many famous funk songs, including James Brown’s “Cold Sweat” and “Get Up (I Feel Like Being a) Sex Machine.” It was also used on George Clinton’s “Flash Light” and Parliament’s “Give Up the Funk (Tear the Roof Off the Sucker).”

The 12 Super Rare Original Funk Killers

Funk music is a genre of music that is characterized by a strong rhythmic groove. It is often based on a repeating 12-bar chord progression and is often played with a horn section. Funk songs often have a call-and-response structure, and they often feature clip-clop rhythms.

“Ain’t No Sunshine” by Bill Withers

“Ain’t No Sunshine” is a soul song written by Bill Withers from his 1971 album Just As I Am, produced by Booker T. Jones. The record featured musicians Donald “Duck” Dunn on bass guitar, Al Jackson Jr. on drums and Stephen Stills on guitar. String arrangements were done by Curtis Amy. The song was released as a single in September 1971, becoming a breakthrough hit for Withers, reaching number six on the Billboard Hot 100 chart and number three on the R&B chart. It won a Grammy Award for Best R&B Song in 1972.

“Superstition” by Stevie Wonder

Superstition” is a song by Stevie Wonder, released as the lead single from his album Talking Book in October 1972. The song reached number one on the Billboard Hot 100 chart for four weeks, starting on February 3, 1973, making it Wonder’s seventh top-ten hit and his first number-one hit. It was certified gold by the Recording Industry Association of America.

“I Wish” by Stevie Wonder

“I Wish” is a song by Stevie Wonder from his 1976 album Songs in the Key of Life. The song is a celebration of African-American culture, and peaked at number one on the Billboard Hot 100 chart and number two on the Hot R&B/Hip-Hop Songs chart. The song won a Grammy Award for Best Male R&B Vocal Performance.

“Cold Sweat” by James Brown

“Cold Sweat” is a song performed by James Brown and written with his bandleader Alfred “Pee Wee” Ellis. Brown recorded it in May 1967, and released it as a single that June, credited to James Brown and the Famous Flames. It was the first song on the album Cold Sweat, which was released in August 1967. The single reached number one on Billboard’s R&B chart and number seven on the pop chart.

The song is notable for its use of a “stop-time” funk rhythm, with horns punctuating the incessant groove every two measures. It also features innovative use of guitar feedback by Bernard Odum, which gives the song a distinctive sound. The song’s structure has been influential in the development of hip hop and techno music.

“Get Up (I Feel Like Being a) Sex Machine” by James Brown

“Get Up (I Feel Like Being a) Sex Machine” is a song recorded by James Brown with Bobby Byrd on backing vocals. Released in 1970, it reached No. 1 on the R&B charts and No. 2 on the Billboard Hot 100, and remains one of Brown’s signature tunes. It was rated the 96th greatest song of all time by Rolling Stone magazine and ranked number five in Digital Dream Door’s “The 100 Greatest Funk Songs”. In 2004, it was inducted into the Grammy Hall of Fame.

“The Payback” by James Brown

“The Payback” is a song by American musician James Brown, released as a double A-sided single with “Woman”. The song was recorded on March 8, 1973, and released on May 20, 1973 as a two-part single by Polydor Records. The song was written by James Brown and Harry Reynolds. The song’s musical style is based on the Type of Roasts – (Coffee Roast Guide) dance and funk genres of music. It is notable for its use of fast tempo, syncopation, staccato instruments, and Brown’s “rapping” lyrics.

The song peaked at number one on the Billboard Hot 100 chart in the United States and number three in the United Kingdom. It has been certified Gold by the Recording Industry Association of America (RIAA). In 1974, it was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals.

“Give Up the Funk (Tear the Roof Off the Sucker)” by Parliament

“Give Up the Funk (Tear the Roof Off the Sucker)” is a song recorded by Parliament that hit number one on the US R&B chart and peaked at number seven on the Billboard Hot 100 in 1976. The song was written by George Clinton, Bootsy Collins, and Bernie Worrell. It was released as a single from Parliament’s album Mothership Connection. The song’s hook, “We want the funk, give up the funk / Ooh we need the funk, we gotta have that funk”, became one of Parliament’s most popular and often-sampled lines.

“Flash Light” by Parliament

This song was written by Parliament frontman George Clinton, and released as a single in 1977. The song became one of Parliament’s biggest hits, reaching #1 on the R&B charts and #16 on the Billboard Hot 100. The song is built around a funk groove with a pulsing bassline and driving rhythm guitar. The song also features a prominent horn section, which gives the song its distinctive sound.

“Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)” by Parliament

“Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)” is a funk song by Parliament. It was released as a single in 1978 and reached number one on the U.S. R&B chart. The song is included on the album Funkentelechy vs. the Placebo Syndrome (1977).

The song starts with a synthesizer arpeggio played by Bernie Worrell, followed by a bass guitar line played by Bootsy Collins. The main vocalist, George Clinton, sings the opening verse in a high-pitched voice: “I’m gonna aqua boogie/ I’m gonna aqua boogie/ I’m gonna aqua boogie ’til I just can’t boogie no more.” Clinton’s vocals are backed by two female singers who sing the chorus: “Aqua boogie/ Psychoalphadiscobetabioaquadoloop.”

The instrumental section of the song features a solo by guitarist DeWayne McKnight. The solo is followed by another verse sung by Clinton, after which the instrumental section is repeated. The song ends with a crescendo of synthesizers and drums.

“Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)” is considered to be one of Parliament’s classic funk songs. It was ranked number eight on VH1’s list of the 100 Greatest Songs of the 1970s.

“One Nation Under a Groove” by Funkadelic

“One Nation Under a Groove” is a song by Funkadelic from their 1978 album of the same name. The song was written by George Clinton, Bernie Worrell, Bootsy Collins and Garry Shider, and became one of the band’s most popular and signature tunes. It was released as a single in 1978 and reached number 28 on the Billboard Hot 100 chart, making it the band’s only top 40 hit in the United States. The song was ranked number 365 on Rolling Stone magazine’s list of the 500 Greatest Songs of All Time.

“(Not Just) Knee Deep” by Funkadelic

“Knee Deep” is a song by the American funk band Funkadelic. The song was released as a single in 1979 and reached number one on the US Billboard Hot Dance Club Play chart. The song was included on the band’s album Uncle Jam Wants You (1979).

“Knee Deep” is a funk song with elements of disco. The song’s lyrics are about dancing and having fun. The song’s music video features the band members dancing in a nightclub.

The 12 Super Rare Original Funk Killers is a compilation album by the American funk band Funkadelic, released in 2001. The album contains 12 previously unreleased tracks recorded between 1974 and 1981.

“Atomic Dog” by George Clinton

“Atomic Dog” is a song by George Clinton from the 1982 album Computer Games. The song was released as a single in 1982 and peaked at number one on the R&B singles chart in early 1983, becoming Clinton’s only solo chart-topper. “Atomic Dog” was later featured in the films Ghostbusters II (1989), Men in Black (1997), Charlie’s Angels (2000) and Anchorman 2: The Legend Continues (2013).

Conclusion

In conclusion, The Funky Music Machine: 12 Super Rare Original Funk Killers from the Late is a great album for funk lovers. It is filled with rare tracks that are sure to get your feet moving. So if you are looking for a fun, funky album to add to your collection, this is the one for you!