New Met Opera Music Director Yannick Nézet-Ségu

Yannick Nézet-Ségu has been announced as the new Met Opera Music Director. Get to know him through his story and music.

Met Opera Music Director Yannick Nézet-Ségu

Yannick Nézet-Ségu, the new music director of the Metropolitan Opera, is a French-Canadian conductor and pianist. He began his term as music director in September 2016. He was born in Québec City and educated in Montréal.

Met Opera Music Director Yannick Nézet-Ségu’s career

Yannick Nézet-Ségu is a Canadian conductor and music director of the Metropolitan Opera. He is also the music director of the Philadelphia Orchestra.

Born in Montreal, Quebec, Nézet-Ségu began his musical training as a violinist. He later studied conducting at the Juilliard School and the Aspen Music Festival.

Nézet-Ségu made his professional debut as a conductor in 1999 with the St. Louis Symphony Orchestra. He went on to serve as assistant conductor of the Boston Symphony Orchestra and associate conductor of the Cleveland Orchestra.

In 2006, Nézet-Ségu was named music director of the Ensemble Intercontemporain, a position he held until 2013. He made his Metropolitan Opera debut in 2008, conducting a production of Gioachino Rossini’s La damnation de Faust.

In 2016, Nézet-Segu became the first music director of the Metropolitan Opera to be born outside of Europe. He is currently contracted with the Met Opera through 2025.

Met Opera Music Director Yannick Nézet-Ségu’s music

Yannick Nézet-Ségu is a Canadian conductor and the current music director of the Metropolitan Opera. He has also served as music director of the Orchestre Philharmonique de Lyon and the San Francisco Symphony.

Nézet-Ségu was born in Montreal, Quebec, Canada. His father is from Martinique and his mother is from French Guiana. He began his musical studies at the Conservatoire de musique du Québec à Montréal, where he won first prize for conducting in 1998. He continued his studies at The Juilliard School, where he earned his bachelor’s and master’s degrees in music.

Nézet-Ségu made his operatic debut in 2006, conducting La Bohème at the Lyric Opera of Chicago. He made his Metropolitan Opera debut in 2009, leading a production of Bizet’s Carmen. He has since conducted several productions at the Met, including Wagner’s Der Ring des Nibelungen, Verdi’s Don Carlo, and Puccini’s Turandot.

In 2016, Nézet-Ségu was named music director of the Metropolitan Opera, succeeding James Levine. He has been described as “one of the most talented conductors of his generation.”

New Met Opera Music Director Yannick Nézet-Ségu

Yannick Nézet-Ségu is the new Music Director of the Metropolitan Opera, one of the world’s most prestigious opera companies. He is the first Canadian to ever hold this position. In addition to his work at the Met, Nézet-Ségu is also a professor of music at Yale University.

New Met Opera Music Director Yannick Nézet-Ségu’s career

Born in Montreal, Canada, of French and Swiss parents, Yannick Nézet-Séguin studied piano, composition, and conducting at the Conservatoire de Musique du Québec à Montréal. He later pursued studies in choral conducting with Joseph Flummerfelt at Westminster Choir College in Princeton, New Jersey. In 1999, he was appointed Principal Guest Conductor of the Rotterdam Philharmonic Orchestra, a position he held until 2002. In 2006, he became Music Director of the Orchestre Métropolitain du Grand Montréal. During his tenure there, which ended in 2016, he toured Europe and Asia with the orchestra and released a number of highly acclaimed recordings on the ATMA label.

New Met Opera Music Director Yannick Nézet-Ségu’s music

Yannick Nézet-Séguin, the new music director of the Metropolitan Opera, is one of the most exciting and talked-about conductors in the world today. He has a huge fan base, particularly among those who love beautiful music played with passion and conviction.

Nézet-Séguin’s music is characterized by its lyrical melodies, engaging rhythms, and opportunities for singers to show off their vocal virtuosity. He is also known for his carefully crafted interpretations of the great works of opera, which often bring new insights to familiar classics.