The Real Folk Blues: Piano Sheet Music
Contents
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Introduction
“The Real Folk Blues” is a song written by Younger, Fuller and Dixon and recorded by Muddy Waters in 1965. It was released as a single (Chess Records 2061) and became a blues standard.
The song is in the twelve-bar blues format with an added bridge. The lyrics describe the singer’s feelings of depression and loneliness, and his desire for a return to happier times.
Piano sheet music for “The Real Folk Blues” is available online from a variety of sources. You can find it for purchase from online music stores, or you can download it for free from websites that offer sheet music downloads.
The Real Folk Blues
“The Real Folk Blues” is a song written by Muddy Waters. It was first recorded by Waters in 1955 and released as a single by Chess Records. The song is about the hard life of a musician and the difficulties of making a living playing the blues.
History
The Real Folk Blues is a compilation album by American blues musician Muddy Waters. Released in September 1966 by Chess Records, the collection consists of single- and EP-tracks recorded by Waters between 1947 and 1955, including some previously unreleased tracks.
The album features Waters on electric guitar and vocals backed by Little Walter Jacobs on harmonica, Big Crawford on bass, Elgin Evans or Francis Clay on drums, and Baby Face Leroy Foster or Lafayette Leake on piano. The sessions were recorded in Chicago for Chess Records and produced by Leonard Chess or his father Phil Chess. Among the released tracks are “I Can’t Be Satisfied” and “Rollin’ Stone”. The former peaked at number five on Billboard’s Race Singles chart in 1948 and became one of Waters’ best-known songs.
Lyrics
The Real Folk Blues is a song written by Chet Atkins and Merle Travis. The song was first recorded by Atkins and Travis in 1946, and was later recorded by various artists, including Ray Charles, B.B. King, Percy Sledge, and Willie Nelson.
The song is about a man who is down on his luck and has lost the woman he loves. He is talking to the blues, asking them to take away his pain. The lyrics of the song reflect the struggles of everyday life and the hope that things will get better.
The Real Folk Blues is a classic blues song that has been covered by many artists over the years. It is a sad, but hopeful song that speaks to the human condition.
The Real Folk Blues (Piano Version)
The Real Folk Blues is a song by American blues musician Muddy Waters. It was first recorded in 1955 and released as a single by Chess Records in 1956. The song was written by Waters and produced by Chess producer Leonard Chess.
Sheet Music
The Real Folk Blues is a compilation album by Chicago blues musician Muddy Waters, released in 1966 on the Chess Records subsidiary Checker. It compiled singles recorded by Waters for Chess Records and its subsidiaries between 1947 and 1963, including some previously unreleased recordings.
The album was released as a response to the success of the 1965 Folk Blues compilation on Vanguard Records. That album utilized master tapes that were previously owned by Mercury Records, which had acquired them as part of its purchase of the Vee-Jay label in the 1950s. Waters’ manager and producer Leonard Chess believed that an album of his hits would be successful, so he compiled tracks from various Chess subsidiaries for The Real Folk Blues. In contrast to Vanguard’s release, which focused on Waters’ more acoustic recordings, The Real Folk Blues included mostly electric tracks.
Analysis
This song was featured in the opening and ending credits of the Japanese anime series Cowboy Bebop, and became one of the show’s most iconic themes. Composed by Yoko Kanno, “The Real Folk Blues” is a slow, melancholy song that reflects the show’s themes of loss and nostalgia.
The Real Folk Blues is a beautiful piano piece that evokes a feeling of loss and nostalgia. Yoko Kanno’s composition is slow and melancholy, reflecting the themes of Cowboy Bebop. The song has become one of the show’s most iconic themes, and is sure to resonate with fans of the series.
Conclusion
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