Why Did Many Folk-Music Enthusiasts of the Mid-1960s

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Many folk-music enthusiasts of the mid-1960s were disappointed when Dylan “went electric” at the 1965 Newport Folk Festival. Why did this happen?

The folk music scene in the mid-1960s

In the mid-1960s, there was a surge of interest in folk music, primarily in the United States and Great Britain. This was partly due to the popularity of music groups such as The Beatles and The Rolling Stones, who incorporated elements of folk music into their own work. It was also due to the political climate of the time, with the civil rights movement and the Vietnam War providing a backdrop for many folk songs that were critical of government policies.

The appeal of folk music to young people in the 1960s

There are many reasons why folk music appealed to young people in the 1960s. For one, folk music was seen as a way to connect with and preserve the cultural heritage of America. At a time when the country was undergoing tremendous social and political change, folk music provided a sense of stability and tradition.

In addition, many young people in the 1960s were attracted to the simple, honest style of folk music. Folk songs often told stories about the everyday lives of ordinary people, and this resonated with many young people who were tired of the slick, commercial sounds of popular music.

Finally, folk music was also seen as a form of protest against the mainstream culture. By singing about social issues like poverty and war, folk musicians were able to raise awareness and inspire change. For many young people in the 1960s, folk music represented a new way of thinking about the world.

The rise of the singer-songwriter in the 1960s

The early 1960s saw the rise of the singer-songwriter in folk music. This was partly due to the popularity of folk music at the time, and partly due to the fact that many folk musicians were tired of the traditional folk song structure. Singer-songwriters would write their own songs, often about personal experiences, and perform them solo or with a small group.

Some of the most famous singer-songwriters of the 1960s include Bob Dylan, Joan Baez, and Phil Ochs. Dylan’s song “Blowin’ in the Wind” became an anthem for the civil rights movement, while Baez’s “We Shall Overcome” was adopted as a protest song by many different groups. Ochs wrote many political songs, including “I Ain’t Marching Anymore” and “What’s That I Hear,” which became an anthem for the anti-Vietnam War movement.

The rise of the singer-songwriter in folk music led to a new era in popular music, where artists would write their own songs and have more control over their careers. This change would have a profound effect on popular music for decades to come.

The influence of Bob Dylan on the folk music scene

In the early 1960s, Bob Dylan was one of the most popular folk singers on the scene. His songs had a major influence on the folk music scene, and many other folk singers began to emulate his style. Dylan’s success helped to bring about a resurgence of interest in folk music, and many folk-music enthusiasts of the mid-1960s became interested in his work.

The popularity of folk music festivals in the 1960s

The popularity of folk music festivals in the 1960s was part of a larger trend of interest in traditional and vernacular music forms among young people. This trend was fueled by a number of factors, including the commercial success of artists like Bob Dylan and the Beatles, who were influenced by American folk music. The social and political turmoil of the times also played a role, as young people sought out music that was seen as authentic and reflective of their own experiences. The folk music festival circuit provided an important outlet for this new wave of performers and helped to bring traditional music to a wider audience.

The folk music revival in the United States

The folk music revival in the United States was a phenomenon in the mid-1960s that saw a renewed interest in the country’s musical roots. It led to the rediscovery of artists such as Woody Guthrie, Pete Seeger, and Lead Belly, and to the creation of new folk music groups such as The Byrds and Simon and Garfunkel. The revival had its roots in the work of scholars such as Alan Lomax, who had been collecting folk songs since the 1930s, and in the popularity of jug bands and bluegrass groups in the 1940s and 1950s. It was also fueled by a growing interest in world music, particularly in Eastern Europe and Asia. The folk revival was strongest on college campuses, where it was often associated with the political movements of the time, including civil rights and opposition to the Vietnam War.

The influence of the British folk music scene on American folk music

In the early 1960s, American folk music was enjoying a renaissance, fueled in part by the success of artists like Bob Dylan and Joan Baez. But many folk-music enthusiasts of the mid-1960s were also influenced by the British folk music scene, which was flourishing at the time.

The British folk music scene was very different from its American counterpart. In Britain, folk music was often seen as a vehicle for social and political change, whereas in America it was more often seen as a form of entertainment. This difference was reflected in the two scenes’ respective musical styles. British folk music tended to be more folky and traditional sounding, while American folk music often incorporated elements of other genres, such as rock and roll or blues.

The influence of the British folk music scene can be heard in the work of many American folk musicians of the 1960s, including Dylan, Baez, and Judy Collins.

The rise of political folk music in the 1960s

Many folk-music enthusiasts of the mid-1960s were drawn to the music’s potential for political expression. The genre had a long history of being used for protest, and artists like Bob Dylan and Phil Ochs were using their music to comment on social and political issues of the day. The popularity of political folk music coincided with a time of great social upheaval in the United States, as the country was grappling with issues like civil rights and the Vietnam War. For many young people, folk music provided a way to express their dissatisfaction with the status quo and their desire for change.

The influence of folk music on popular music in the United States began in thelate 1940s and early 1950s. At that time, the American folk-music revival movement was just beginning to have an impact on the country’s mainstream pop music. Folk music had long been popular in the United States, but it was mostly sung and played by professional entertainers in hotels, restaurants, and nightclubs. In the late 1940s and early 1950s, however, a growing number of middle-class Americans became interested in the music of their ethnic and regional heritage. They started to perform and record this music for a wider audience.

While the American folk-music revival was taking place, a new style of popular music was also developing. This style, which came to be known as rock ‘n’ roll, was a fusion of black rhythm-and-blues and white country-and-western. It was originally aimed at young people from all racial backgrounds. However, rock ‘n’ roll soon became associated with black performers such as Chuck Berry and Fats Domino.

In the mid-1960s, many folk-music enthusiasts turned their attention to rock ‘n’ roll. They felt that this style of music had been unfairly overshadowed by pop music. Folk fans began to see rock ‘n’ roll performers as modern troubadours who were carrying on the tradition of earlier folk singers such as Woody Guthrie and Leadbelly. As a result of this new attitude toward rock ‘n’ roll, many folk fans started to listen to and appreciate this style of music.

The legacy of the folk music scene of the 1960s

The mid-1960s saw a revival of interest in folk music, sparked in part by the success of Bob Dylan and the Beatles. Many young people were drawn to the music’s simple melodies and messages of peace and love.

The folk music scene of the 1960s had a lasting impact on popular culture. The songs of that era are still enjoyed today, and many of the performers went on to have successful careers in other genres. The folk music scene also helped to launch the careers of some of today’s most popular entertainers, includingBruce Springsteen, Joni Mitchell, and James Taylor.

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