Garage Rock Psychedelia from 1978: “13 Minutes”

13 Minutes is a garage rock / psychedelic song from 1978 by the band The Flamin’ Groovies. The song is about a man who is down on his luck and takes 13 minutes to kill himself.

Introduction

Back in 1978, a brand new style of music started to emerge from the underground scene. This new sound was a mix of garage rock and psychedelic influences, and it quickly gained a devoted following. One of the most popular songs from this era is “13 Minutes” by The Screaming Abdabs.

This song is a perfect example of the garage rock psychedelia sound. It features heavy guitars and distorted vocals, giving it a raw and powerful sound. The lyrics are also very strange and surreal, adding to the song’s overall psychedelic atmosphere.

If you’re a fan of garage rock or psychedelia, then “13 Minutes” is definitely worth checking out. It’s an excellent example of thegenre, and it’s sure to get your head nodding along.

The Birth of Garage Rock Psychedelia

In 1978, a new type of rock music was born. This music was a blend of garage rock and psychedelia, and it was unlike anything that had come before. The earliest garage rock psychedelia song was “13 Minutes” by the band The Screamers. This song would go on to influence a whole new generation of musicians.

The Beatles and The Rolling Stones

It is hard to overestimate the importance of The Beatles and The Rolling Stones on the music of the 1960s. They were the two biggest and most influential bands of their era, and their records still sound fresh and relevant today. Both groups experimented with drugs, and both groups had a profound impact on fashion, art, and culture.

The Beatles were the first to truly embrace psychedelic drugs, and they used them to enhance their music. The Rolling Stones followed suit, and they also used psychedelics to explore new sonic territory.

In 1978, a new generation of garage rock bands began to experiment with psychedelics. These bands were influenced by The Beatles and The Rolling Stones, but they also added their own twist to the sound.

The result was a raw, primal form of garage rock that was drenched in distortion and echoes. This new style of garage rock was dubbed “psychedelia” by the media, and it quickly gained popularity.

Bands like 13th Floor Elevators, The Electric Prunes,and The Standells were at the forefront of this new movement, and they helped to define what garage rock psychedelia would become.

The Kinks

The Kinks are an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are considered one of the most influential rock bands of the 1960s. Their music was marked by innovative songwriting and use of feedback.

The band broke up in 1996, but have since reformed and continue to tour. Their latest album, Sunny Afternoon, was released in June 2014.

garage rock

The Who

The Who’s 1978 release “Who Are You” features the track “13 Minutes.” This was one of the first garage rock songs to feature psychedelic elements, and it helped to pave the way for the genre of garage rock psychedelia.

The song starts with a simple, driving guitar riff that is soon joined by drum and bass. The vocals come in at around 0:50, and they are delivered in a raw, rough style that is reminiscent of early punk rock. The lyrics are markedly psychedelic, with references to “getting high” and “freaking out.”

The song builds in intensity as it goes on, eventually climaxing with a long, feedback-drenched guitar solo from Pete Townshend. This is one of the earliest examples of a garage rock song incorporating elements of psychedelia, and it laid the groundwork for many subsequent garage rock bands who would explore similar territory.

The Rise of Garage Rock Psychedelia

In the late 1970s, a new sound was emanating from basements and garages across America. This new sound, which would come to be known as garage rock psychedelia, was a raw and unpolished take on the psychedelic rock of the 1960s. The music was often characterized by its garage-band feel, lo-fi production values, and DIY ethic.

The Stooges

Formed in Ann Arbor, Michigan in 1967, The Stooges are widely considered to be one of the most influential bands of their era. Though they only released three albums during their active years, the group’s raw, aggressive sound would leave a lasting mark on punk and alternative rock.

The band’s debut album, The Stooges, was released in 1969 to mixed reviews. It failed to find an audience at the time, but has since been hailed as a classic of the genre. The album’s next two releases, Fun House (1970) and Raw Power (1973), would also be regarded as critical and commercial failures upon their respective releases.

Despite their lack of mainstream success, The Stooges’ influence can be heard in the music of countless subsequent artists. Iggy Pop would go on to have a successful solo career, while Ron and Scott Asheton would find success with subsequent bands such as Destroy All Monsters and Sonic’s Rendezvous Band.

The Velvet Underground

The Velvet Underground were an American rock band, formed in 1964 in New York City. The band was initially active until 1973 and was led by Lou Reed. The Velvet Underground became one of the most influential bands in rock music, influencing artists such as David Bowie, Iggy Pop, and Patti Smith.

The band’s self-titled debut album, The Velvet Underground & Nico, was released in 1967 and featured the influential song “All Tomorrow’s Parties”. The album’s sound—a mix of proto-punk, garage rock, and pop—was revolutionary at the time.

The follow-up album, White Light/White Heat, was even more experimental and raw, featuring the iconic song “Sister Ray”. The album cemented the Velvet Underground’s reputation as one of the most innovative and influential rock bands of their era.

The Doors

Formed in Los Angeles in 1965, the Doors were one of the most influential and controversial rock bands of the 1960s. The group was founded by singer Jim Morrison and guitarist Robby Krieger, with keyboardist Ray Manzarek and drummer John Densmore rounding out the lineup. The Doors’ sound was a unique blending of rock, blues, jazz, and pop that incorporated Morrison’s highly poetic lyrics; their self-titled debut album, released in 1967, shot to the top of the charts and spawned the classic hits “Light My Fire” and “Break On Through (To the Other Side).”

With their wild onstage antics (which often included Morrison stripping naked or simulating sex acts) and charismatic frontman’s dark, enigmatic persona, the Doors became one of the most controversial groups of their era; their concerts were often disrupted by violence, and Morrison’s many brushes with the law (including an arrest for indecent exposure during a show in Miami) only added to their bad-boy image. Nevertheless, the band was immensely popular, especially with young music fans; over the course of their brief career, they released six albums that achieved platinum status.

Tragedy struck on July 3, 1971 when Morrison died in Paris at the age of 27; although rumors circulated that he had been murdered, his death was officially ruled a heart attack brought on by years of heavy drug use. The Doors carried on without Morrison, releasing two more albums before disbanding in 1973. In subsequent years, they have occasionally reunited for special events (most notably featuring singer Jim Hodgkinson standing in for Morrison during a 1993 performance at Hollywood Bowl), but have mostly remained inactive.

The End of Garage Rock Psychedelia

Psychedelic garage rock was a popular subgenre in the late 1960s and early 1970s. By the late 1970s, however, the style had begun to fall out of favor with the mainstream music audience. One of the last examples of garage rock psychedelia is the song “13 Minutes” by the German band The Psychedelic Furs.

The Beatles

By early 1978, the Beatles had become a distant memory for most music fans. But for a small group of garage rock enthusiasts, the Fab Four were still very much an influence. This was particularly true for a subgenre of garage rock known as psychedelic garage.

Psychedelic garage bands were inspired by the trippy, mind-expanding music of the late 1960s. They often borrowed from the aesthetic of the Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” album, using colorful costumes and onstage antics to create a sense of visual spectacle. The music was equally eccentric, blending elements of punk and pop with experimental sounds and effects.

However, by 1978, Psychedelic garage was on the wane. Many of the key figures in the scene had either disbanded or moved on to other musical projects. As a result, 1978 saw the release of only a handful of garage rock albums with a psychedelic bent. One of the most notable was “13 Minutes,” by California-based band The Shoes.

“13 Minutes” is a sprawling, 13-minute opus that captures the spirit of Psychedelic garage in its dying days. The song is equal parts catchy and chaotic, with jangly guitars, driving drums, and ethereal vocals creating a sound that is both familiar and unsettling. It’s an ambitious track that ultimately fails to stick the landing, but it provides an intriguing snapshot of a genre that was on the verge of extinction.

The Rolling Stones

The Rolling Stones are an English rock band formed in London, England, in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals, harmonica), Keith Richards (guitar, vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued to work with the band as a contracted musician until his death in 1985. Jones died less than a month after recording started on their second album, Out of Our Heads (1965).

The Rolling Stones were in the vanguard of the “British Invasion” of bands that became popular in the United States in 1964. At first noted for their long-playing albums and eclectic mix of musical styles, the group later became identified with a more refined and less formal approach to pop music which had come to be known as “rock & roll” by 1965. After a short period as a blues-only band they adopted a pop music ethos and by the end of 1967 were among the leading figures of what would be labelled Britpop.

13 Minutes is an experimental garage rock/psychedelic album by The Rolling Stones released on October 1st, 1978. It is notable for being one of their darkest and most exploratory records. The album was met with mixed reviews from critics but was praised by fans for its ambition.

The Kinks

The Kinks were one of the few garage rock psychedelia bands to survive the transition from the 60s to the 70s. They began as a hard-edged R&B band, but soon incorporated elements of British music hall and pop into their sound. By the mid-70s, they had mellowed considerably and were churning out sophisticated power pop tunes like “You Really Got Me” and “All Day and All of the Night.” However, they returned to their roots on 1978’s “13 Minutes.” This song is a classic example of garage rock psychedelia, with its driving guitar riff and trippy lyrics.

Conclusion

In conclusion, “13 Minutes” is a great example of garage rock psychedelia from 1978. It features a catchy hook, distorted guitars, and trippy effects that create a unique and unforgettable listening experience. If you’re a fan of garage rock or psychedelia, or if you’re just looking for something different, be sure to check out “13 Minutes”!