Metamodern Sounds in Country Music

A critical exploration of how metamodernity is articulated through the sounds of contemporary country music.

Introduction

In recent years, there has been a resurgence of interest in so-called “metamodern” sounds in country music. This refers to a style of music that blends traditional country sounds with more modern, experimental elements. Think of it as a cross between the classic country of Hank Williams and the cutting-edge country of Sturgill Simpson.

The metamodern sound first gained prominence in the early 2010s with artists like Simpson, Jason Isbell, and Miranda Lambert. Since then, more and more country artists have begun to experiment with the style, resulting in some truly innovative and exciting music.

So if you’re looking for something new and different in the world of country music, be sure to check out some of the metamodern sounds that are out there!

What is metamodernism?

Metamodernism is a post-postmodern movement in philosophy, art, and culture characterized by a synthesis of elements of both modernism and postmodernism. The term “metamodern” has been in use since at least the 1970s, but the concept only gained significant attention in the 2010s.

Some commentators have argued that the metamodernist synthesizes modernist and postmodernist approaches, while others contend that it goes beyond this binary opposition. One common thread running through metamodern thought is a rejection of grand narratives and an embrace of irony, parody, and pastiche.

Metamodernism has been associated with fields such as philosophy, politics, art, music, and literature. In music, metamodernism has been linked to genres such as country and hip hop.

Critics of metamodernism argue that it is impossible to create a synthesis of modernism and postmodernism, or that the attempt to do so results in a confusion of genres and styles. Supporters maintain that metamodernism represents a legitimate new phase in the development of Western thought.

Metamodernism in country music

Metamodernism is a term used to describe a recent cultural, literary, and artistic movement. The term “metamodern” was coined in 2010 by a group of writers and artists who felt that there was a need for a new term to describe the cultural moment. Country music, like all forms of music, is always evolving. In the last decade, there has been a surge in metamodern sounds in country music.

The metamodern sound

Characterized by a mix of modern and traditional elements, the metamodern sound of country music is a perfect reflection of the contradictions and complexities of 21st century life. From the catchy hooks and polished production values of mainstream hits to the twangy authenticity of underground scenes, this genre has something for everyone.

And while the term “metamodern” may be new, the music itself is anything but. In fact, many of today’s biggest stars are drawing inspiration from the same sources as their predecessors. Whether it’s adding a touch of pop to their sound or putting a fresh spin on a classic style, these artists are constantly pushing the boundaries of what country music can be.

If you’re looking for a taste of the metamodern sound, here are some great examples to get you started:

“Die a Happy Man” by Thomas Rhett
A perfect example of how mainstream country music is embracing metamodernism, this 2015 hit interpolates elements of pop, R&B, and even gospel into its radio-friendly sound. But despite its commercial success, there’s still a strong sense of tradition in Rhett’s songwriting and performance.

“My House” by Flo Rida
A rapper best known for his club bangers, Flo Rida unexpectedly found himself in the country world with this 2016 crossover hit. Combining his signature Auto-Tuned flow with a twangy banjo accompaniment, “My House” is an infectious slice of pop-country that perfectly encapsulates the genre’s metamodern spirit.

“Humble and Kind” by Tim McGraw
A heartfelt tribute to small-town values, this 2016 single from Tim McGraw strikes a perfect balance between modern and traditional elements. While its message may be old-fashioned, the song’s production values are decidedly 21st century, with soaring strings and gospel-inspired backup singers adding plenty of contemporary polish.

The metamodern lyrics

Metamodernism is a reaction to and parody of Modernism. It is characterized by a mix of irony, sincerity, and hope. Metamodernists believe in progress and rejects the cynicism of postmodernism.

In country music, metamodernism can be seen in the lyrics of many songs. For example, the song “I Will Always Love You” by Dolly Parton is a metamodern love song. Parton uses both irony and sincerity to express her love for her partner. The song is also full of hope, as expressed in the line “I will always love you.”

Another example of a metamodern country song is “High Hopes” by Tim McGraw. In this song, McGraw expresses his hope for the future, despite the challenges of the present. This optimistic outlook is characteristic of metamodernism.

Conclusion

So what is metamodernism, and how can it be found in country music? Metamodernism is a post-postmodern artistic and cultural movement that is characterized by a mix of modern and postmodern styles and ideas. This mix can be found in country music today, as the genre has moved away from its traditional sound and incorporated more pop and rock elements. While some purists may not like this change, it has allowed country music to reach a wider audience and stay relevant in the 21st century.