The Best of Synth-Pop in the 80s
Contents
Looking for a blast from the past? Check out our list of the best synth-pop hits from the 1980s! From Depeche Mode to New Order, these songs will take you back to a simpler time.
Introduction
synth-pop was one of the most influential genres of music in the 1980s. The genre dominated the charts and produced some of the most iconic songs of the decade. This guide will explore the best synth-pop songs of the 1980s, as well as the artists who defined the genre.
What is Synth-Pop?
Synth-Pop is a subgenre of pop music that uses the synthesizer as the dominant musical instrument.It was developed in the late 1970s and became widely popular in the 1980s.
The best Synth-pop songs of the 80s are:
1) “Blue Monday” by New Order
2) “Just Can’t Get Enough” by Depeche Mode
3) “Tainted Love” by Soft Cell
4) “Cars” by Gary Numan
5) “Don’t You (Forget About Me)” by Simple Minds
6) “Nothing’s Gonna Stop Us Now” by Starship
7) “Everybody Wants to Rule the World” by Tears for Fears
8) “Hungry Like the Wolf” by Duran Duran
9) “Save a Prayer” by Duran Duran
10) “(Feels Like) Heaven” by Fiction Factory
The Birth of Synth-Pop
The 1980s was the decade when synth-pop music first gained popularity. This new form of music, which blended synthesizer sounds with traditional pop music, quickly became one of the most successful genres of the decade.
Synth-pop bands like Depeche Mode, New Order, and Erasure were some of the most popular acts of the 80s, and their influence can still be heard in today’s pop music. If you’re a fan of 1980s synth-pop, then check out our list of the best songs from the genre.
The Golden Age of Synth-Pop
Synth-pop is a subgenre of new wave music that first became popular in the late 1970s and early 1980s. The term is an abbreviation of “synthetic pop” or “synth-popular music.” This genre was originally called “electropop,” but was later renamed to reflect its synthesizer-based sound.
Synth-pop was defined by its use of synthesizers, drum machines, and sequencers, all of which were new technologies at the time. These instruments were used to create catchy, hook-laden pop songs with a robotic or artificial feel. The genre was also notable for its relationship to fashion and visual culture; many synth-pop bands were known for their stylish visual images as much as their music.
The golden age of synth-pop is generally considered to be the 1980s, when the genre reached its commercial and critical peak. Many of the decade’s biggest pop hits were synth-pop songs, including Michael Jackson’s “Billie Jean,” Duran Duran’s “Rio,” and Madonna’s “Like a Virgin.” Synth-pop was also a major influence on art pop, dance music, and other genres that emerged in the 1980s.
Despite its commercial success, synth-pop was always somewhat cultish and underground; it never achieved the level of mainstream popularity enjoyed by other genres such as rock or hip hop. In the 1990s, synth-pop began to decline in popularity, although some bands (such as Depeche Mode) continued to enjoy success. The genre made something of a comeback in the 2010s thanks to the popularity of ’80s nostalgia and retro aesthetics in popular culture.
The Legacy of Synth-Pop
The 1980s marked a golden age for synth-pop music, with a new generation of artists taking the genre in exciting new directions. The best of these artists pushed the boundaries of what synth-pop could be, creating timeless classics that are still beloved by fans today.
In this article, we’ll be discussing some of the most important and influential synth-pop artists of the 1980s. From early innovators like Kraftwerk to new wave icons like Duran Duran, these are the artists who defined an unforgettable decade of music.
Conclusion
So there you have it, our list of the best synth-pop songs of the 1980s. We hope you enjoyed reliving some of your favorite synth-pop tunes from yesteryear. As always, we’d love to hear your thoughts and feedback, so feel free to leave a comment below. And be sure to check back often for more lists of the best music from specific genres and decade
