The Best of 1970 Funk Music
Contents
A blog dedicated to the best funk music of 1970. Find tracks, artists, and albums that defined the genre and influenced generations to come.
Introduction
1970 was an incredible year for funk music. A new sound was emerging that would change the course of popular music forever. Funk was a fresh and exciting style that blended elements of soul, R&B, and jazz to create a whole new sound. The best funk artists of 1970 were pioneers who paved the way for future generations of musicians.
TheBest of 1970 Funk Music includes some of the most influential and important funk songs of all time. This collection features classics like “Super Bad” by James Brown, “Thank You (Falettinme Be Mice Elf Agin)” by Sly and the Family Stone, and “Funky Drummer” by Clyde Stubblefield. These songs laid the foundation for what would become one of the most popular genres of music in the world.
If you’re a fan of funk music, or if you’re just curious about this genre, then this collection is a must-have. The Best of 1970 Funk Music is a essential part of any music library.
The Funk of 1970
1970 was a great year for funk music. The genre was really starting to take off, and many great artists were putting out some of their best work. George Clinton and Parliament Funkadelic were at the forefront of the funk movement, and their music was heavily influential in the genre. Other great funk artists of 1970 include James Brown, Sly and the Family Stone, and Funkadelic.
James Brown
James Brown was an American singer, songwriter, dancer, musician, and bandleader. The first black artist to achievement crossover success on the pop charts in the 1960s, he was nicknamed “The Godfather of Soul” and “Soul Brother Number One”. Brown’s success continued throughout the 1970s with such hits as “Get Up (I Feel Like Being a) Sex Machine” and “The Payback”.
Parliament-Funkadelic
Parliament-Funkadelic was a group of funk musicians formed in the late 1960s by George Clinton. The group blended elements of psychedelic rock, soul, and R&B to create a unique sound that was influential on subsequent generations of funk and hip-hop artists. Parliament-Funkadelic is considered one of the most important bands in the history of funk music, and their concerts were wild, party-like affairs featuring elaborate costumes and stage theatrics. The band released a string of successful albums throughout the 1970s, including ” Uncle Jam Wants You,” “One Nation Under a Groove,” and “Mothership Connection.”
Sly and the Family Stone
Sly and the Family Stone was an American rock, soul, and funk band from San Francisco, California. Active from 1966 to 1983, the band was pivotal in the development of several music genres. They are credited with influencing the sounds of soul, funk, psychedelic rock, and protopunk.
The band’s top-selling songs include “I Want to Take You Higher”, “Everyday People”, and “Thank You (Falettinme Be Mice Elf Agin)”. The work of Sly and the Family Stone greatly influenced subsequent soul artists such as Marvin Gaye, Curtis Mayfield, Gamble & Huff’s Philadelphia International Records sound, Earth Wind & Fire, as well as hip hop music through sampling. The band was inducted into the Rock & Roll Hall of Fame in 1993.
Sly Stone’s innovative production work – most notably on their 1968 A Whole New Thing LP – caught George Clinton’s attention while Funkadelic was opening for the Family Stone that year; Clinton soon recruited several members of Sly’s backing band to play on Parliament-Funkadelic records.
The Legacy of 1970 Funk
Funk music first gained popularity in the 1970s with bands like Parliament-Funkadelic and James Brown. The genre is a mix of R&B, soul, and African-American music. Funk songs are often characterized by their catchy beats and groove-oriented basslines. The popularity of funk music continued into the 1980s and 1990s with artists like Prince and Maceo Parker. Today, funk music is still popular and continues to influence other genres of music.
The Influence of 1970 Funk
The term “funk” was first coined in the early 1970s by music critic Lester Bangs. He used it to describe the work of James Brown and Parliament-Funkadelic, who were making a new kind of music that was based on rhythm and blues but had a heavier, more extreme sound. This new style of music became known as “funk.”
Funk was originally a black musical genre, but it quickly gained popularity with white audiences as well. In the 1970s, funk bands like Parliament-Funkadelic and Funkadelic became some of the most popular groups in the world. They influenced not only other Funk bands, but also many Rock and Hip Hop artists who would come later.
The 1970s was the golden age of Funk music, and many of the tracks released during this decade have become classics. Some of the most famous 1970 Funk songs include “Super Bad” by James Brown, “Flash Light” by Parliament-Funkadelic, and “Get Up (I Feel Like Being A) Sex Machine” by James Brown. These songs are still being played today, 40 years later, and they continue to influence new generations of musicians.
The Resurgence of 1970 Funk
By the early 1970s, the music known as Funk had been around for a few years, but it was about to take on a new life. The style had its roots in R&B, soul, and jazz, but it was developing into something with a more syncopated, driving sound. The popularity of James Brown and other funk artists was on the rise, and soon the style would explode onto the mainstream charts.
In 1970, Funkadelic released their debut album, which included the brilliant single “I Got a Thing, You Got a Thing.” This song epitomized the funky sound that was starting to gain traction at the time. The following year, Parliament released their debut album as well, which included the timeless classic “Give Up the Funk (Tear the Roof Off the Sucker).” This song would become one of the most iconic funk tracks of all time.
As funk continued to evolve and grow in popularity throughout the 1970s, artists like Bootsy Collins and Sly & The Family Stone would help to cement its place in music history. The legacy of 1970 funk is still being felt today in many different genres of music.