The Best of 1940s Pop Music
Contents
The Best of 1940s Pop Music is a compilation of the greatest hits from the 1940s. This blog includes a track list, artist information, and links to purchase the album.
The Big Bands
The 1940s was the Golden Age of big bands and their musicians. The biggest and most popular bands of the time were those led by Benny Goodman, Glenn Miller, Tommy Dorsey, and Harry James. These bands were the pioneers of a new style of music that would come to dominate the pop charts for years to come.
The Swing Era
The Swing Era was a period of time in the late 1920s and early 1930s when big band swing music was the most popular type of music in the United States. It is also sometimes referred to as the Golden Age of American Popular Music. Big bands usually had between 10 and 25 musicians and they played songs that were written specifically for them. Some well-known big bands from the Swing Era include Benny Goodman, Glenn Miller, and Duke Ellington.
The Birth of Bebop
Bebop or bop is a style of jazz characterized by fast tempos, complex harmonic structures, and propelled by the rhythm section. Bebop was developed in response to the constraints of the swing style of jazz. It found expression in a more free exchange of ideas among musicians. In bebop, as well as in other subsequent jazz styles,irt is common for phrases to be rhythmically phrased free from the barline. This gives the music a sense of “being in two places at once”, i.e., being “off-time”.
Bebop arose during World War II when many young Americans were drafted into the military. The war put a stop to the Swing Era and its big bands. Musicians were dispersed across the country and ended up in different places. They had to find work wherever they could, often playing with whomever happened to be around. This led to a more open exchange of ideas and musical styles among musicians. Bebop can be seen as an attempt to bring back some of the structure and discipline of Swing while still allowing for more personal expression.
The first bebop recordings were made in 1945 by saxophonist Charlie Parker and trumpeter Dizzy Gillespie. They created a new sound that was exciting and fresh, full of energy and invention. Their music was complex and at times dissonant, with fast tempos and irregular rhythms. But it was also highly accessible and swinging, with strong melodies and catchy rhythms
The Crooners
The 1940s was the era of the crooner. The term “crooner” was first used in the early 1920s to describe male vocalists who sang in a sentimental, intimate style. Some of the most popular crooners of the 1940s were Bing Crosby, Frank Sinatra, and Perry Como. Their songs were often about love and heartache, and they had a smooth, easy-listening sound.
The King of Crooners
If there is one voice that epitomizes the sound of the 1940s, it is the smooth, mellow voice of Bing Crosby. Crosby was one of the first pop stars to cross over from radio to movies, and his easygoing, intimate style made him immensely popular with audiences of all ages. He remains one of the best-selling recording artists of all time, with over half a billion records sold.
Crosby was born in 1903 in Tacoma, Washington. His parents were both professional musicians, and he began singing in public at the age of six. He made his first professional recording in 1926 with Paul Whiteman’s orchestra, and he quickly became a star attraction on radio shows throughout the country. In 1931, he signed a contract with Paramount Pictures and made his film debut in “The Big Broadcast.” Over the next few years, he appeared in a number of successful musical comedies, including “Too Much Harmony” (1933), “She Loves Me Not” (1934), and “Mississippi” (1935).
In 1941, Crosby starred in the first of his Road movies with co-stars Bob Hope and Dorothy Lamour. The Road pictures were hugely popular with audiences, and they helped to cement Crosby’s status as one of Hollywood’s top box-office draws. He continued to appear in hit films throughout the 1940s, including “Going My Way” (1944), which earned him an Academy Award for Best Actor, and “The Bells of St. Mary’s” (1945), which was another box-office smash.
Crosby’s recordings were also extremely popular during the 1940s. He had a number of best-selling singles, including “Only Forever” (1940), “I Don’t Want to Set the World on Fire” (1941), “Skylark” (1942), and “Swinging on a Star” (1944). In 1943, he teamed up with fellow crooner Frank Sinatra for a highly successful duet recording of “White Christmas,” which has become an enduring Christmas classic.
Crosby continued to enjoy success in both film and music throughout the 1950s and 1960s. He appeared in such classics as “High Society” (1956) and “The entertainer” Arabella Churchill(1960) , while also maintaining a busy recording schedule. His last major hit came with his 1971 recording of “My Way,” which became an anthem for a generation.
Bing Crosby passed away in 1977 at the age of 74, but his music continues to entertain and inspire listeners around the world. He was truly the king of crooners, and his influence can still be heard in many of today’s pop vocalists.
The Queen of Crooners
Bing Crosby was one of the most popular entertainers of the 20th century. He was a major recording artist, movie star, radio personality, and television pioneer. Crosby’s trademark warm bass-baritone voice made him one of the best-selling recording artists of all time, with more than half a billion records in circulation. He is also one of the best-known crooners of all time.
The Birth of Rock ‘n Roll
The 1940s was a time when the pop music scene was changing rapidly. A new type of music called “rock ‘n roll” was starting to gain popularity. This new genre would go on to change the course of popular music forever.
The Kings of Rock ‘n Roll
The Kings of Rock ‘n Roll were a group of singers and musicians who popularized the genre of rock ‘n roll in the 1950s. They were led by Elvis Presley, who is often referred to as the “King of Rock ‘n Roll.” The other members of the group were Jerry Lee Lewis, Chuck Berry, and Little Richard. These artists created a new style of music that combined elements of blues, country, and rhythm and blues. This new style of music became extremely popular with young people, and it soon spread around the world.
The Queens of Rock ‘n Roll
Though there were many popular songs in the 1940s, a few female artists emerged as clear leaders in the rock ‘n roll genre. These women – known as the “Queens of Rock ‘n Roll” – broke barriers and paved the way for future female artists in the music industry.
The first of these ladies was Sister Rosetta Tharpe. Born in 1915, Tharpe was a gospel singer who incorporated elements of blues and jazz into her music. She was one of the first artists to use electric guitar in her performances, and her recordings influenced a generation of musicians. Unfortunately, Tharpe’s career was cut short by her untimely death in 1973.
The second Queen of Rock ‘n Roll was Peggy Lee. A versatile artist, Lee sang Jazz, Pop, and even Country music. She is best remembered for her work with The Benny Goodman Orchestra, with whom she recorded hits like “Why Don’t You Do Right?” and “Fever.” Lee continued to perform and record until her death in 2002.
The third and final Queen of Rock ‘n Roll was Patsy Cline. Cline is best known for her emotionally charged performances of songs like “Crazy” and “I Fall to Pieces.” Though she died tragically in a plane crash at the age of 30, Cline left behind a lasting legacy as one of the most influential country singers of all time.
The Jazz Singers
The jazz singers of the 1940s were a class all their own. Many of the songs they recorded have become classics, and their names are still famous today. Frank Sinatra, Ella Fitzgerald, Billie Holiday, and Nat King Cole were just a few of the greats who made their mark on the music world in the 1940s.
The First Lady of Jazz
The First Lady of Jazz, Ella Fitzgerald was a legendary singer with a career that spanned over 50 years. She is known for her distinctive voice and for her ability to scat sing. Fitzgerald was born in 1917 in Newport News, Virginia and got her start singing in Harlem night clubs in the 1930s. In 1940, she made her first recordings with the big band leader Chick Webb and his orchestra. She went on to have a string of hits with Webb’s band, including “A-Tisket, A-Tasket” and “Food Will Win the War”.
In 1942, Fitzgerald signed with Decca Records and began working with the legendary producer Milt Gabler.Gabler helped to refine her sound and she had a series of hit records, including “Into Each Life Some Rain Must Fall” and “It Don’t Mean A Thing (If It Ain’t Got That Swing)”.In 1946, Fitzgerald began working with orchestra leader Norman Granz and she made a series of live recordings at the New York club Carnegie Hall which showcased her incredible range and virtuosity. These recordings are now considered to be some of the greatest live jazz performances ever captured on tape.
Fitzgerald continued to perform and record throughout her life and she worked with some of the biggest names in jazz, including Duke Ellington, Count Basie, Dizzy Gillespie, and Oscar Peterson. She won 13 Grammy Awards during her career and was awarded the Presidential Medal of Freedom in 1992. Fitzgerald died in 1996 at the age of 79 but her music continues to inspire musicians and fans around the world.
The Second Lady of Jazz
Sarah Vaughan was one of the most influential jazz vocalists of the 1940s. She was nicknamed “Sassy” and “The Divine One” for her unique style and sound. Sarah Vaughan’s career began in the early 1940s when she was discovered by bandleader Harlem Hamfats. She soon began touring with the band and recording for the Continental label. Her first hit single, “Tenderly”, was released in 1945.
Sarah Vaughan’s career took off in the late 1940s when she signed with Columbia Records. She released a string of successful singles, including “It’s Magic”, “He’s My Guy”, and “Black Coffee”. In 1949, she won the Grammy Award for Best Pop Vocal Performance for her single “It’s Magic”. Sarah Vaughan also had success as a live performer, appearing at Carnegie Hall and the Royal Festival Hall. She toured Europe with Duke Ellington in 1950 and performed at the Newport Jazz Festival in 1957.
In the 1960s, Sarah Vaughan transitioned to pop music and released several successful albums, including Dreamy (1961), Sassy Swings The Tivoli (1963), and You’re Mine You (1965). She also continued to perform live, appearing at Atlantic City’s Steel Pier and Las Vegas’ Flamingo Hotel. In 1966, Sarah Vaughan won a Grammy Award for Best Performance by a Top 40 Artist for her single “Ain’t No Mountain High Enough”.
In addition to her musical career, Sarah Vaughan also appeared in a number of films, including Cabin in the Sky (1943), Stormy Weather (1943), and New Orleans (1947). She retired from performing in 1971 but continued to make occasional appearances on television and at nightclubs until her death in 1990.