The Many Genres of Soul Music
Contents
The Many Genres of Soul Music
When you think of soul music, what comes to mind? Chances are, you’re thinking of a specific genre – R&B, Motown, Gospel, etc. But the truth is, soul music is so much more than that.
At its core, soul music is about emotion. It’s about connecting with the audience on a deeper level and speaking to their hearts. That’s why it
R&B
Rhythm and blues, often abbreviated as R&B, is a genre of popular music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed towards African American audiences. In the 1970s, soul and funk artists began to experiment with the genre, blending it with other styles like pop, rock, and disco. This led to the creation of subgenres like quiet storm, new jack swing, and neo-soul.
The Motown Sound
The Motown Sound is a style of R&B music that was developed in the late 1950s and early 1960s at the Motown record label, which was located in Detroit, Michigan. The Motown Sound is characterized by a heavy use of electric bass, a strong backbeat, melodic hooks, and a high level of vocal harmony. The style became extremely popular in the 1960s, and it had a major influence on the development of soul music.
Contemporary R&B
Contemporary R&B is a genre of music that combines elements of soul, hip hop, pop and dance. It emerged in the early 1990s and became commercialized in the mid-1990s with the release of hits such as Marvin Gaye’s “Sexual Healing” and Michael Jackson’s “Remember the Time”.
In the early 2000s, contemporary R&B experienced a rebirth with the rise of artists such as Usher, Alicia Keys and Beyoncé. This new generation of R&B artists blended soulful vocals with modern production techniques to create a sound that was both fresh and familiar. Contemporary R&B has since become one of the most popular genres of music, spawning hits such as Rihanna’s “Umbrella” and Flo Rida’s “Low”.
Funk
Funk is a style of music that was popularized in the 1970s. It is a mix of African-American music styles such as gospel and rhythm and blues. Funk is characterized by a strong bass line and a percussive groove.
James Brown
As the self-proclaimed “Godfather of Soul,” James Brown was incomparable in his influence over funk, soul and R&B. His pyrotechnic performances, dynamic dancing and unique style of dress earned him the nicknames “Mr. Dynamite” and “Soul Brother No. 1.” Through his hit songs and electrifying stage presence, Brown helped bring black music to the mainstream in the 1960s and ’70s.
Born in Barnwell, South Carolina, on May 3, 1933, James Brown was raised by his Aunt Hattie after his parents split up when he was 4 years old. Unable to read or write, he quit school in the seventh grade to help with Hattie’s income by shining shoes, selling newspapers and working in a local factory. A creative and ambitious young man, he also dabbled in illegal activities like petty theft. In 1949, one such escapade landed him in a juvenile detention center where he found an outlet for his passions through singing and playing sports.
When he was released from reform school several years later, Brown moved to Augusta, Georgia, where he formed a band called The Famous Flames. They recorded their first song,”Please Please Please,” in 1956; it became a modest hit but failed to make them household names. It wasn’t until 1963 that the group finally struck commercial gold with the release of their fourth album,, Live at the Apollo; it included their breakout single “I Got You (I Feel Good).” From that point on, James Brown and The Famous Flames were top stars on the R&B circuit.
With hits like “Papa’s Got a Brand New Bag,” “Cold Sweat” and “I Got the Feelin’,” James Brown continued to cross over into the pop charts throughout the 1960s. As the decade came to a close, however, changes in musical taste—coupled with personal issues like drug addiction—began to take their toll on Brown’s career. In 1969, he was arrested for interfering with a police officer following a car chase through Georgia; this incident preceded a series of financial problems and run-ins with the law that would dog him throughout much of the 1970s.
Despite these challenges,, James Brown regained control of his career in 1973 with the release of ,The Payback; it featured one of his most successful singles ,”Say It Loud—I’m Black and I’m Proud.” He capitalized on this momentum by creating an influential Funk Jam band,, which toured extensively throughout America and Europe over the next few years.. In 1985,, he scored another hit album with Living in America,, which featured its title track as its lead single.. The song was featured prominently in ,Rocky IV,, helping to usher James Brown back into the spotlight.. He continued touring until his death on December 25,, 2006.,
Sly and the Family Stone
Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, the band was pivotal in the development of soul, funk, rock, and psychedelic music. Headed by Sly Stone and featuring songs written by him and bandmate Freddie Stone, the group’s output ranged from hard-hitting soul tracks (“Don’t Call Me Nigger, Whitey”, “I Want to Take You Higher”) to drugs-laced psychedelic pop (“Everyday People”, “Stand!”).
The band was the first major American rock group to have an “interracial” lineup. All seven members were black, but despite their success with both black and white audiences, they faced difficulties due to racist reactions from both sides. In addition, Sly Stone’s often eccentric behavior led to increased tensions within the group, which culminated in several lineup changes and periods of inactivity. The band’s final album wasreleased in 1983; since then, Sly Stone has sporadically toured with new incarnations of the band bearing little resemblance to the original lineup.
Gospel
Gospel music is a subgenre of soul music that originated in the African-American church. It is a form of Christian music that combines elements of blues, jazz, and R&B. Gospel music is typically characterized by a call and response between the lead vocalist and the choir.
Mahalia Jackson
As the preeminent gospel singer of her generation, Jackson popularized a form of the music that was rooted in the black church tradition and capable of transcending its sectarian origins. Jackson’s voice—deep, rich, flexible, and controlled—conveyed the range of human emotion, from the sacred to the secular. In addition to performing gospel music, Jackson sometimes sang blues and pop standards on secular occasions. Her soaring rendition of “I Been ’Buked and I Been Scorned” (1952), for example, is widely regarded as one of the finest moments in recorded American music.
The Edwin Hawkins Singers
The Edwin Hawkins Singers were an American gospel group led by pianist, choir master and composer Edwin Hawkins. They are best known for their arrangement of “Oh Happy Day” (1968), which was a million-selling record and a Top 40 hit in several countries. The group recorded for numerous labels over the years, including Kinetic, Balkanton, Motown, Metro-Goldwyn-Mayer and Columbia.
The Edwin Hawkins Singers were formed in Berkeley, California in 1966 as the Northern California State Youth Choir. The group’s early repertoire consisted mostly of traditional gospel standards and hymns. In 1968, the group recorded a live album entitled Let Us Go Into the House of the Lord at Berkeley’s City Hall. The album featured a 20-minute gospel medley entitled “Oh Happy Day” which featured solos by Dorothy Morrison and Gloria Scott.
Hip Hop
Hip hop is a style of music that was created in the 1970s by African American and Latino teens in New York City. It is a mix of rap, jazz, and R&B. Hip hop is a style of music that is often very angry and aggressive.
Run DMC
POSSE CUT (CO-FEATURING MANY RAPPERS ON ONE SONG)
A posse cut is a hip hop song featuring many rappers. The term has also come to mean anything featuring a large number of people.
The first posse cut is generally considered to be “Six in the Mornin'”, a track from the 1986 album Raising Hell by Run-DMC. The song featured rappers DMC, Run, Jam Master Jay, and new member Reverend Run (DMC’s brother). It was one of the first songs to feature all four members of the group on one track.
Other early posse cuts include “The Symphony” (1988) by Marley Marl featuring Rakim, Big Daddy Kane, Kool G Rap, and Masta Ace; “Self Destruction” (1989) by the Stop the Violence Movement featuring KRS-One, Boogie Down Productions, Public Enemy, Stetsasonic, and Doug E. Fresh; and “Flava In Ya Ear” (1993) by Craig Mack featuring Notorious B.I.G., LL Cool J, Busta Rhymes, and Rampage.
In the 1990s and 2000s, posse cuts became increasingly commonplace, appearing on albums by mainstream artists such as Jay-Z, Eminem, 50 Cent, and OutKast. They are often used as a way to showcase the different talents of a rapper’s friends and colleagues, or to create a sense of unity among different groups within the hip hop community.
Public Enemy
Public Enemy is an American hip hop group from Long Island, New York, consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, Dj Lord, and the S1W group. Their debut album Yo! Bum Rush the Show was released in 1987 to critical acclaim. The group is known for their politically charged lyrics and rhetoric, which criticized the American government’s policies regarding race, as well as their criticism of the Rap industry itself.
The group began receiving death threats and was subjected to intense media scrutiny after releasing their single “Shut ‘Em Down” in 1990. Their 1991 album Apocalypse 91…The Enemy Strikes Black peaked at number one on the Billboard 200 chart and was certified platinum by the Recording Industry Association of America (RIAA). Their following albums Fear of a Black Planet (1990) and Greatest Misses (1992) were also both certified platinum. In 1999, Public Enemy was honored with two Grammy Hall of Fame Awards for their work In 1998 they were inducted into the Rock and Roll Hall of Fame.