The Best Psychedelic Rock Pedals to Use

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,


In this post, we’ll take a look at some of the best psychedelic rock pedals that you can use to create interesting and unique sounds.


Psychedelic rock, also referred to as psych rock or garage rock, is a genre that became popular in the mid-1960s. It is characterized by distorted guitars, mind-bending lyrics, and a trippy, drug-induced atmosphere. The genre was pioneered by bands like The Beatles, The Rolling Stones, and The Doors, and it continues to be popular today with bands like Tame Impala and The Black Keys.

If you’re looking to add a little bit of psychedelia to your sound, there are a few essential pedals that you’ll need. Here are some of the best psychedelic rock pedals to use:

-The Fuzz Face: This classic pedal was used by Jimi Hendrix to create his signature sound. It produces a thick, distorted sound that is perfect for psychedelic rock.

-The wah pedal: A wah pedal can be used to create a number of different sounds, but it’s often used to simulate the sound of a guitar solo. When used in conjunction with a fuzz face or overdrive pedal, it can create some truly mind-bending sounds.

-The octave pedal: An octave pedal can be used to create a range of different sounds, but it’s especially effective at creating the sounds of psychedelic rock. When combined with other effects pedals, an octave pedal can help you recreate the sounds of classicpsychedelic songs.


Fuzz was one of the first types of effects that guitar players used to create psychedelic rock sounds. Fuzz pedals recreate the sound of overdriven tube amplifiers by clipping the signal before it reaches the amps’ preamp stage. This results in a “fuzzy”, distorted sound. Fuzz pedals are still widely used by guitarists who want to create a psychedelic rock sound.

There are many different types of fuzz pedals available on the market, but some of the best fuzz pedals for creating a psychedelic rock sound include:
-The Maestro FZ-1A Fuzz Tone
-The Vox Tone Bender
-The Electro-Harmonix Big Muff Pi
-The Zvex Fuzz Factory


The overdrive is the bread and butter of psychedelic rock pedals. It gives your sound that extra edge that can take it from good to great. When combined with other effects, it can create a truly unique sound. Here are some of the best overdrive pedals for psychedelic rock:

-Ibanez Tube Screamer: This pedal is a classic for a reason. It has been used by some of the biggest names in rock, and it can definitely help you get that psychedelic sound.

-MXR Blue Box: This pedal is perfect for getting those strange, spacey sounds that are so characteristic of psychedelia.

-Boss Super Overdrive: If you want an overdrive pedal that will really give you a lot of options, this is the one for you. It has multiple settings that allow you to get just the right sound.


Psychedelic rock is one of the most popular and enduring genres of rock music, and it’s no surprise that guitarists want to get in on the action. While you could go out and buy a vintage amp or effects pedal to get that authentic ‘60s sound, there are plenty of modern options that will do the job just as well.

In this article, we’re going to take a look at some of the best psychedelic rock pedals on the market today. From distortion and delay to reverb and modulation, we’ve got you covered.

So whether you’re looking to add some spice to your sound or you want to go full-on psychedelic, we’ve got the perfect pedal for you.


Reverb is one of the most important and commonly used effects in psychedelic rock. It creates a sense of space and depth in your sound, and can make even the most basic chord progressions sound otherworldly.

There are many different types of reverb, but the two most popular are spring and digital. Spring reverb is created using physical springs, which are then recorded using microphones. This type of reverb has a very natural, organic sound that is perfect for creating psychedelic textures. Digital reverb, on the other hand, uses computer algorithms to create a sense of space. This type of reverb can be very versatile, but can sometimes sound artificial or clinical.

The best psychedelic rock pedals will have a combination of both spring and digital reverbs to give you the best of both worlds. Here are our top three picks:

1. The Strymon BigSky is one of the most versatile and comprehensive reverb pedals on the market. It offers 12 different types of reverbs, including both spring and digital options. With its high quality algorithms and easy-to-use controls, the BigSky is perfect for creating any type of psychedelic soundscape you can imagine.

2. The Eventide Space is another great option for those looking for a pedal with high quality reverbs. It offers 12 different types of reverbs, including both spring and digital options. The Space also includes a number of other powerful features such as delay, pitch shifting, and modulation effects. This makes it perfect for creating complex psychedelic sounds.

3. The TC Electronic Hall Of Fame 2 is a great choice for those who want a simple yet effective reverb pedal. It offers 10 different types of reverbs, including both spring and digital options. With its easy-to-use controls and affordable price, the Hall Of Fame 2 is perfect for beginner and intermediate guitarists who want to experiment with Psychedelic Rock sounds.


The Echoplex was first released in the 1960s, and quickly became an iconic piece of gear for psychedelic rock. The Echoplex is a tape-based delay pedal that can produce a wide range of delays, from simple echoes to chaotic, feedback-drenched noise. The Echoplex is also capable of producing reverse and looping effects, making it a truly versatile pedal.

Today, there are many different pedals that can replicate the sound of the Echoplex, but few can match its pedigree or its sheer power. If you’re looking for an Echo pedal that will help you create the most psychedelic sounds imaginable, look no further than the Echoplex.


Delay is one of the most essential effects for psychedelic rock. By creating a echoed effect, delay can make your guitar sound like it’s floating in space. The best delay pedals will have a warm, organic sound that doesn’t sound too digital. We recommend the MXR Carbon Copy for its ability to create warm, lush echoes.


Chorus pedals add depth and fullness to your sound by splitting your signal and slightly delaying one copy of it. This creates the illusion of two guitarists playing the same thing in unison, which can help fill out a band’s sound. The best chorus pedals can make your guitar sound huge, and they’re a staple of ‘90s alternative rock.

If you’re looking for a classic chorus pedal, the Boss CH-1 Super Chorus is a great option. It’s affordable and it produces a warm, clear chorus effect. If you want something with more features, the Electro-Harmonix Small Clone is a good choice. It has controls for depth and rate, so you can fine-tune your sound. If you want a high-end option, the Strymon Lex is an excellent choice. It’s built for versatility, with three different chorus modes and a host of other features.


A flanger is an effects pedal that produces a whooshing, swooshing, or jet plane-like sound. It’s one of the most enduring — and perhaps most ill-defined — of pedals, and has been used by everyone from Jimi Hendrix to U2’s The Edge.

The flanger effect is created by feeding part of the signal back into the input, which is then combined with the unaltered signal. This creates a series of interference patterns called “constructive and destructive interference.” These interference patterns create the swooshing sound that is characteristic of the flanger effect.

There are many different ways to create a flanger effect, but most pedals use either a delayed signal or a modulated signal to create the desired effect. Delayed signals are created by using a delay line, which can be either an analogue bucket brigade device (BBD) or a digital delay line. Modulated signals are created by using either an analogue LFO (low-frequency oscillator) or a digital algorithm.

The term “flanging” comes from the original tape-based effect, which was created by running two tape machines in sync and passing one of the tapes through a flange device. This would cause the two tapes to interact with each other, creating the whooshing sound that became synonymous with psychedelic rock.

Nowadays, there are many different types of flanger pedals available, from classic analogue pedals to digital multi-effects units. Here are some of our favourites:

##MXR M234 Analog Chorus Pedal:
The MXR M234 Analog Chorus Pedal is a classic analog chorus pedal that uses Bucket Brigade technology to create rich, swirling chorus effects. It features controls for Rate, Level, Depth, and Tone, as well as a three-way Mode switch that lets you choose between Classic Chorus, Modern Chorus, and 10ms Delay modes.

##Boss BF-3 Flanger Pedal:
The Boss BF-3 Flanger is one of Boss’s most popular pedals, and it’s easy to see why. It offers four different modes (Standard Mode, Ultra Mode1&2; Enhancer Mode), each with its own unique character. Plus, it has separate feedback and depth controls so you can really dial in your sound. If you’re looking for versatility in a flanger pedal, the BF-3 is hard to beat.
TC Electronic Stereo Chorus+Flanger Guitar Pedal: The TC Electronic Stereo Chorus+Flanger Guitar Pedal offerstwo classic effects in one pedal – chorus and flanging – each with its own dedicated set of controls. Plus, it has True Bypass switching so your tone stays clean when the pedal is off.


A phaser creates a swirling, whooshing effect by splitting your guitar signal into two and then recombining it after both signals have passed through a series of all-pass filters. The result is a shifting, undulating waveform that can make your guitar tone sound almost like it’s spinning orphasing in and out of focus. Phasers are often used to simulate theDoppler effect, which is when an object (like a car) moves past you and the pitch of its sound seems to rise and fall.

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