The Evolution of Country Music in the 1960s

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

The 1960s were a time of great change for country music. The sounds and styles of the genre evolved rapidly during the decade, influenced by a variety of factors. This blog post explores the evolution of country music in the 1960s, from its roots in the folk and blues traditions to its modern sound.

The Early 1960s

Country music in the early 1960s was a time of transition. The defining sound of country music at the time was the Nashville sound, a polished, pop-influenced style that emphasized string sections and featuring the work of producers like Chet Atkins. However, not all country artists were on board with this new sound.

The rise of Nashville

The early 1960s saw the rise of Nashville as the center of the country music industry. The city had always been an important hub for country music, but in the 1960s, it became the undisputed capital of the genre. The rise of Nashville was due in part to the success of country music radio station WSM, which began broadcasting the Grand Ole Opry in 1925. The Opry, a weekly country music show, quickly became one of the most popular radio programs in the United States. In addition to hosting live performances by many of country’s biggest stars, the Opry helped to launch the careers of artists like Jimmie Rodgers and Hank Williams.

Nashville’s status as a country music mecca was further cemented by the opening of Music Row, a group of Music publishers and recording studios on 16th Avenue South. Many of Nashville’s most famous musicians, including Rogers and Williams, got their start on Music Row. In addition to being home to some of country music’s biggest stars, Nashville also became known for its “Nashville sound,” a style of country music that was characterized by its smooth vocals and twangy guitars. The Nashville sound was developed in part by producer Owen Bradley, who worked with artists like Patsy Cline and Loretta Lynn to create hits like “Crazy” and “Coal Miner’s Daughter.”

The early 1960s were an important time for country music not only because of Nashville’s rise to prominence, but also because of the genre’s increasing popularity with mainstream audiences. In 1961, Patsy Cline became the first female solo artist to be inducted into the Country Music Hall of Fame. Three years later, Lynn became the first woman to win Country Music Association’s coveted Entertainer of the Year award. These milestones signaled that country music was no longer just for rural audiences; it was becoming a truly national phenomenon.

The influence of the British Invasion

With the British Invasion of the early 1960s, country music was influenced by the popularity of rock and roll. Artists such as the Beatles and Rolling Stones became extremely popular in the United States, and as a result, country music began to take on some of the aspects of their sound. This new type of country music became known as “country-rock.” Country-rock artists such as Gram Parsons and The Byrds were some of the first to meld country music with elements of rock and roll.

The Mid 1960s

In the mid-1960s, country music started to change. The Beatles came onto the scene and changed the face of popular music. Country music stars began to experiment with their sound, adding electric guitars and drums to their traditionally acoustic sound. This new sound, called the Nashville Sound, was a huge success and helped country music gain a wider audience.

The birth of country rock

In the mid-’60s, country music underwent a metamorphosis. Dylan’s Blonde on Blonde and Highway 61 Revisited had proved that electrified folk-based music could have both commercial and critical success. Nashville session musicians such as Charlie McCoy began playing more and more rock-oriented instruments on the records they were cutting in Music City, and country fans who had long been tolerant of pop singers such as Patsy Cline and bait companies such as Jim Reeves started getting curious about this new breed of country singer/songwriter who was beginning to emerge from Los Angeles and San Francisco.

The popularity of folk music

The early 1960s saw the renewed popularity of folk music, which had been mostly relegated to the underground circuit in the 1950s. The Kingston Trio’s 1958 hit “Tom Dooley” helped bring folk music back into the mainstream, and artists like Pete Seeger, Woody Guthrie, and Joan Baez became household names. The popularity of folk music continued to grow throughout the decade, culminating in the massive success of Bob Dylan’s album “The Freewheelin’ Bob Dylan” in 1963. Dylan’s lyrics, which often contained social and political commentary, struck a chord with many young people who were dissatisfied with the status quo.

The Late 1960s

The late 1960s saw the continuation of the previous decade’s trend of the Nashville Sound moving away from its country roots. This decade also saw the rise of country rock and the outlaw country subgenre. Let’s take a closer look at the evolution of country music in the 1960s.

The rise of Outlaw Country

The late 1960s were a time of great change for country music. At the beginning of the decade, the genre was largely divided between two camps: the so-called “Nashville Sound” and a rawer, more traditional style known as “outlaw country.” The Nashville Sound was typified by polished, string-laden productions and had been ascendant in country music for several years. Outlaw country, on the other hand, was a product of the countercultural movement sweeping across America. It was rougher around the edges, with an emphasis on twin guitar harmonies and a harder- rocking sound.

The most famous exponent of outlaw country was Texan singer-songwriter Willie Nelson. Nelson had been releasing records for over a decade by the time he recorded his groundbreaking album Red Headed Stranger in 1975. The album’s blend of country, folk and western styles was unlike anything that had come before it, and it helped to cement Nelson’s reputation as one of the most innovative and influential figures in country music.

Other important outlaw country artists included Waylon Jennings, Merle Haggard and Johnny Cash. These artists helped to redefine what country music could be, and their influence can still be heard in today’s music.

The influence of the counterculture

In the late 1960s, the counterculture movement had a profound effect on country music. According toremove**website**, “the counterculture’s hippie ethos influenced Willie Nelson, Jerry Jeff Walker, and other country-influenced singer-songwriters.” Singers like Bob Dylan and Joan Baez were heavily influenced by the Civil Rights Movement and began to incorporate elements of folk, blues, and country into their music. Dylan’s song “The Times They Are A-Changin'” (1964) contains elements of both folk and country music, while Baez’s cover of Dylan’s “Mr. Tambourine Man” (1965) features a twangy guitar solo that would later become a staple of country music.

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