The Best Double Bass Sheet Music for Jazz Lovers

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

If you’re a jazz fan who loves the double bass, then you’ll want to check out our list of the best double bass sheet music for jazz lovers. From classics to modern pieces, we’ve got you covered.

The Best Jazz Double Bass Sheet Music

Jazz double bassists have a wide range of sheet music to choose from. There are many different styles of jazz, and each one has its own unique flavor. The best way to find the right jazz double bass sheet music for you is to browse through a variety of different options. You can also ask other jazz bassists for their recommendations. In this article, we’ll give you a list of some of the best jazz double bass sheet music for different styles of jazz.

“Mama Don’t Allow” by Jelly Roll Morton

“Mama Don’t Allow” is a classic jazz double bass solo piece by Jelly Roll Morton. This composition is often called the first jazz bass solo. It was recorded in 1926 and released on Morton’s album, The Immortal Jelly Roll Morton.

This piece is considered to be one of the most important early examples of jazz double bass playing. It influenced many subsequent generations of bassists and continues to be performed today.

“The Entertainer” by Scott Joplin

One of the most popular pieces of American music, “The Entertainer” by Scott Joplin was originally published in 1902. It has been played by countless musicians over the years and has been featured in many movies, most notably “The Sting.” This ragtime classic is a great choice for any jazz bass player.

“Ain’t Misbehavin'” by Fats Waller

“Ain’t Misbehavin'” is a song co-written by Fats Waller and Harry Brooks. It was recorded in 1929 and released in 1930. The song was inducted into the Grammy Hall of Fame in 1984. The lyrics are written in a playful, happy-go-lucky style, and the music has a light, upbeat swing rhythm.

This tune is perfect for beginning jazz bassists. It’s a great opportunity to work on your swing feel, and the melody is easy to remember. The lead sheet includes chord symbols, so you can experiment with different chord voicings.

If you’re looking for a fun, easy-to-play jazz standard that you can use to work on your double bass chops, “Ain’t Misbehavin'” is a great choice!

The Best Classical Double Bass Sheet Music

If you’re a jazz lover, you’ll want to check out the best double bass sheet music for jazz lovers. This type of sheet music can provide you with the perfect way to enjoy your favourite jazz tunes. We’ve put together a list of some of the best classical double bass sheet music for you to check out.

“Concerto for Double Bass” by Giovanni Bottesini

One of the most popular concertos among double bass players, this work by Giovanni Bottesini was composed in 1846 and is in three movements. The first movement, Allegro moderato, is in sonata form and features a beautiful melodic line that is mostly played by the soloist with occasional accompaniment from the orchestra. The second movement, Andante cantabile, is a lyrical slow movement that highlights the soloist’s ability to play both with feeling and technical precision. The final movement, Allegro vivace, is a fast-paced Rondo that showcases the soloist’s virtuosic abilities.

“The Swan” by Camille Saint-Saëns

“The Swan” is a cello composition by French composer Camille Saint-Saëns. The piece is from “Carnival of the Animals”, a Zoological Fantasy in 12 parts. “The Swan” is the 13th and final part of the suite, and is scored for two pianos, two first violins, viola, cello, and double bass.

This particular arrangement is for double bass and piano. The double bass part is very simple, making it an excellent choice for beginning bassists. The piano part is also relatively easy, making this a good choice for beginners or intermediate bassists who are looking for a fun duet to play.

“Concerto in B-Flat Major” by Domenico Dragonetti

This concerto by Domenico Dragonetti is one of the best known and most popular works in the classical double bass repertoire. It was composed in 1819 and is considered to be one of the finest examples of early Romantic era bass concerti. The work is in three movements and is approximately 12 minutes long.

The Best Pop/Rock Double Bass Sheet Music

Jazz and rock have always been two genres that have had a close relationship. Jazz influenced rock and vice versa. It’s no wonder, then, that some of the best double bass sheet music would be for a combination of the two genres. Here are some of our favorites.

“Come Together” by The Beatles

“Come Together” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by John Lennon and credited to Lennon–McCartney. The song reached the top of the charts in several countries and has since become one of the band’s most covered songs. Paul McCartney said that the rhythm of the opening guitar riff was inspired by Chuck Berry’s “You Can’t Catch Me”.

The Beatles began recording “Come Together” on 26 September 1969, during the second day of Abbey Road’s Get Back/Let It Be sessions. The opening verse was improvisationally sung by Lennon over an electric guitar played by him, with Ringo Starr adding drums; McCartney then played bass. As they worked on the song, they experimented with various other instruments and sounds, including textures created by vari-speed tape loops. backwards recordings, and close harmonic analysis to create new musical ideas; in total, 38 takes were required before they felt they had captured an acceptable performance.

“I Can’t Get No) Satisfaction” by The Rolling Stones

This song was released in 1965 and became an instant classic. The opening bass line is one of the most iconic and influential pieces of music ever written. The riff is so simple that even beginners can learn to play it.

“Smells Like Teen Spirit” by Nirvana

“Smells Like Teen Spirit” is a song by American rock band Nirvana, released on their second album, Nevermind (1991). The song became a surprise hit, reaching number one on the Billboard Alternative Songs chart and number six on the Billboard Hot 100. It was Nirvana’s breakthrough single, propelling them to international fame.

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