Electronic Classical Music: The Future of the Genre?

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,


By 2040, it is estimated that electronic music will make up for over half of the music industry. What does this mean for the future of classical music?


In recent years, classical music has been evolving. With the advent of new technology, composers have been able to create new sounds and experiment with different ways of creating music. As a result, a new genre of music has emerged: electronic classical music.

This type of music combines classical elements with electronic sounds, often resulting in a more accessible and modern sound. While some purists may balk at this new genre, it seems clear that it is here to stay. In this article, we will explore the history and evolution of electronic classical music, as well as its future prospects.

What is electronic classical music?

Electronic classical music is a genre of music that combines classical music with electronic music. It can be created using a variety of instruments, including synthesizers, drum machines, and computers. This type of music has been around for centuries, but it has gained popularity in recent years.


The first electronic classical music was composed in the early 1920s, long before the advent of commercially available electronic instruments. Russian composer Alexander Mosolov created “The Iron Foundry” in 1927, using only sound effects that were recorded onto gramophone disc. Italian futurist Luigi Russolo wrote “The Art of Noises” in 1913, which proposed the use of electronic instruments to create “noise music”. However, it was not until after World War II that electronic music began to be taken seriously by composers and performers.

Some of the earliest commercial electronic musical instruments were introduced in the 1950s, including the Theremin, Electronic Sackbut (an electrified version of the trombone), and the Ondes Martenot (a keyboard-like instrument that produces timbres using vibrating wires). In the 1960s, Moog synthesizers and other voltage-controlled analog synthesizers were introduced, making it possible for composers to create new sounds that had never been heard before. This opened up a whole new world of possibilities for electronic music.

One of the first classical composers to experiment with electronic music was Luciano Berio, who used tape recorders and other electronics in his pieces “Thema (Omaggio a Joyce)” (1958) and “Sinfonia” (1968-69). Other notable early works include Karlheinz Stockhausen’s “Kontakte” (1960), Pierre Boulez’s “Le marteau sans maître” (1955), and György Ligeti’s “Atmosphères” (1961). In the 1970s and 1980s, many composers began to incorporate digital synthesis into their music, often using computers to generate sounds. This allowed for even more complex and interesting soundscapes to be created.

Today, there are many different types of electronic classical music being created by composers all over the world. Some use traditional acoustic instruments along with electronics, while others focuses solely on creating pieces using electronics. The genre is constantly evolving as new technologies are developed and new sounds are discovered.


Electronic classical music is a genre that combines classical music with electronic elements. It can be either purely electronic or a combination of electronic and acoustic elements.

This type of music often makes use of classical instruments, but they may be processed or played in new ways. For example, a piano might be played with electronic effects such as reverb or delay. Or, an orchestra might be recorded and then manipulated using electronic techniques.

This genre is often seen as being experimental, and it can be hard to define its boundaries. In general, though, electronic classical music will have some or all of the following characteristics:

-It will use classical instruments, either played in their traditional way or processed electronically.
-It will often incorporate other sounds from nature or from man-made objects.
-It will make use of new technologies, such as computers or synthesizers.
-It may have a minimalist aesthetic, with simple repeated patterns being built up over time.
-It may make use of chance procedures or non-traditional compositional techniques.

The future of electronic classical music

It is safe to say that the future of electronic classical music is looking very bright. More and more people are beginning to appreciate the genre and its many benefits. Electronic classical music has the ability to evoke emotions and create atmospheres that traditional classical music simply cannot. In addition, it is much more accessible to a wider audience.


As electronic music becomes increasingly popular, composers are beginning to experiment with incorporating elements of classical music into their pieces. This fusion of genres is often referred to as electronic classical music, and it is slowly but surely gaining popularity among listeners of all ages.

One of the most appealing aspects of electronic classical music is the way in which it combines the best of both worlds. On the one hand, you have the traditional elements of classical music, such as intricate melodies and beautiful harmonies. On the other hand, you have the exciting beats and cutting-edge production values of electronic music. This combination can result in some truly unique and innovative soundscapes.

In terms of its future prospects, electronic classical music looks set to enjoy a bright future. As more and more people become exposed to this genre, they are likely to become increasingly open to its many charms. Additionally, as technology advances, composers will have ever more opportunities to experiment with new sounds and ideas. So, if you’re a fan of either classical or electronic music, make sure to keep your eye on this exciting genre – it’s sure to be making waves for years to come!


It is difficult to make definitive statements about the future of any genre, but it seems safe to say that electronic classical music will continue to grow in popularity. This is due in part to the fact that it is a relatively new genre, and as more people become exposed to it, they are more likely to appreciate its unique qualities. In addition, the technology involved in creating and performing electronic classical music is constantly evolving, which means that there are always new possibilities for this type of music. Finally, classical music fans are generally open to new and innovative ways of enjoying their favorite genre, so the future looks bright for electronic classical music.

The future of electronic classical music is very exciting. More and more composers are embracing technology and using it to create new and innovative works. Here are some of the trends we are seeing in the genre:

1. More use of live instruments: While electronic music has traditionally been created using synthesizers and other electronic instruments, more and more composers are now incorporating live instruments into their music. This gives the music a more organic sound and allows for more collaboration between performers.

2. More use of visual media: Many composers are now creating works that combine music with visual media such as video or projection. This can create a truly immersive experience for the audience.

3. More use of alternative genres: We are seeing more and more electronic classical works that incorporate elements from other genres such as pop, rock, or jazz. This helps to make the music more accessible to a wider audience.

4. More use of technology: With the ever-growing capabilities of technology, composers are able to do things that were previously impossible. This has led to some truly innovative works being created in the genre.


So is electronic classical music the future of the genre? It’s hard to say. While it’s true that electronic music has been incredibly influential in the development of classical music, it’s also true that classical music has been around for centuries and is still going strong. Only time will tell what the future holds for the genre, but one thing is for sure: electronic classical music is definitely an important part of the classical music world, and it’s here to stay.

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