Electronic Music Concerts in Chicago

A comprehensive guide to electronic music concerts in Chicago. Find out when your favorite DJs are playing and get tickets today!

Introduction

Looking for the best electronic music concerts in Chicago? Look no further! We’ve got the lowdown on all the hottest shows, from massive arena tours to intimate club gigs. Whether you’re a fan of house, techno, drum and bass, or anything in between, there’s sure to be a show that’s perfect for you.

So what are you waiting for? Check out our list of the top electronic music concerts in Chicago, and get ready to dance the night away!

Background

Electronic music, also known as EDM, has become one of the most popular genres in the past decade. According to a study by the International Music Summit, EDM festivals have grown by 500% since 2006. This genre of music is known for its use of electronic instruments and electronic dance music. Chicago is one of the most popular places for electronic music concerts. In this article, we will discuss the background of electronic music and how it has become so popular.

History of electronic music

Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means (electroacoustic music), and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electronic elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electroacoustic instruments include the theremin, Hammond organ, and the electric guitar. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer and computer can produce electronic sounds.

The first electronic devices for performing music were developed at the end of the 19th century. Instruments such as the telharmonium, thérémine and Hammond organ were originally intended for making sound effects or playing background music in theatres or other venues where a live band was not practical. These instruments were not well suited to playing melodies or chords; they were improved by adding keyboards in the early 20th century. In the 1920s some composers began experiment with electrical or electromechanical instruments such as the Theremin Company’s Rhythmicon (1921–1932), which generated tones based on an incomplete set of natural harmonic overtones. These ideas led to another category of electroacoustic instrument which used tone generators to produce sounds that were then amplified acoustically: these were known as loud speakers or public address systems. The first complete electro-acoustic system was possibly this entirely electronic device built by Russian engineer Vladimir Zworykin in 1929: it combined a keyboardwith paper rolls containing envelope shapes that modulated an oscillator frequency to produce melody notes whenkeys were pressed; it was capable of storing and reproducing forty seconds of continuous sound.[1]

During the 1930s research beyond pure electronic approaches began with attempts to use electromechanical means to generate musical tones directly; these included mechanical relieves (such asfdisklavier)[2]and player pianos controlled by punched paper rolls.[3][4] Other research groups around this time[which?]were also investigating electromagnetic pickups for acoustic guitars[5][6]and Building de Lyons in Paris patented what appears to be one of the first microphone/pickup systems intended specificallyfor amplified electric guitars,[7][8] while Joseph Longbotham filed patents covering microphone/pickup combinations on steel string acoustic guitars in 1934.[9][10] Musical signals can also be generated directly using electronics without mechanical vibrating structures using devices suchas ring modulators[11][12]and frequency mixers[13][14](such devices had been present in some patented violin designs since 1912″:[15]). These coupled several oscillators together at different frequencies allowing complex wave forms to be created which could betuned by adjusting component values; one well known design from 1934 was Harry Olson’s “Voltage Controlled Oscillator”.[16] These various techniques led directly into synthesis during the late 1940s[17]and 1950s where composers increasingly explored systems under direct electronic control,[18]:p.158 often via voltage-controlled filters,[19]”low frequency othes”, ring modulators,[20]”voltage controlled phase shifters”[21]:p.160 voltage-controlled amplifiers,”voltage controlled reverb units”, delay lines reached audio rates during this period with Robert Moog citing Harry Olson’s VCO design when he invented his own Voltage Controlled Oscillator modules for his Moog Modular synthesizer.[22]:p.30 This work culminated in modular synthesizers fashionable duringthe 1960s–70s where each module performed a specific function although some modules might be “patched” together to interact with each other more flexibly: these modular connectivity possibilities along with sonic variation ensured that no two performances would generate exactly equal results allowing each performance tomaintain a degree of improvised spontaneity despite strict control over individual note pitches observable within them.[citation needed] As commercial Voltage Controlled Oscillators became available from 1966 onwards their cost rapidly fell within affordable limits for amateurs sounding rather less bizarre than many founding composers might have anticipated meaning that it became possiblefor personal studios to develop almost independently of any external funding bodies duringthe late 1960s–1970s giving rise eventuallyto what was variously termed bedroom recording,[23]:p 80 independent music ,:[24][25]) Do It Yourself culture ,:[26]:pp 181–183 lo-fi music ,:[27]”outsider house’, :[28]’ experimental techno’ :[29][/30]:pp 37–38′ DIY house’ :[31]:pp 359f,’ wonky pop’, :33:’blip hop’, ,’ witch house ‘, .

The rise of electronic music festivals

In the past decade, electronic music festivals have become increasingly popular, particularly among young people. These events usually feature a lineup of DJs and producers playing a mix of genres, including house, techno, trance, and bass music.

In the United States, electronic music festivals began to gain popularity in the early 2010s. One of the first and most successful was Electric Daisy Carnival (EDC), which was founded in 1997 and is now held in several cities around the world. In 2010, EDC expanded to Los Angeles, where it drew an estimated 185,000 attendees.

Other popular US festivals include Ultra Music Festival (UMF) and Tomorrowland. UMF began in Miami in 1999, and Tomorrowland is a Belgian festival that started in 2005. Both UMF and Tomorrowland have since expanded to multiple locations around the world.

In recent years, electronic music festivals have also become popular in Asia and Africa. In 2018, for example, the first ever electronic music festival was held in Johannesburg, South Africa. The two-day event featured local and international DJs and attracted over 20,000 people.

Chicago’s electronic music scene

Chicago has a long and rich history of electronic music. From the early days of house music to the present day, the city has always been at the forefront of the genre. Today, there are a number of electronic music concerts and events taking place in Chicago on a regular basis.

Clubs

Clubs in Chicago that feature electronic music range from the huge warehouses to more intimate basement venues. No matter what your taste, you can find a club to suit your needs. Some of the most popular clubs in Chicago include The MID, Smart Bar, and Primary.

The MID is one of the most popular clubs in Chicago, and it features three different rooms with different music genres. Smart Bar is located underneath The MID and is known for its cutting-edge music. Primary is a smaller club that has a more intimate feel.

Festivals

Chicago is home to a number of electronic music festivals, including the annual Spring Awakening Music Festival and the popular North Coast Music Festival. In addition to these large-scale events, there are also a number of smaller festivals and music events that take place throughout the year.

If you’re looking for a more intimate setting, there are also a number of clubs and venues that host electronic music concerts on a regular basis. Some of the most popular places to see electronic music in Chicago include the Smart Bar, the Mid, and React Presents’ newest venue, the Bindery.

Conclusion

In conclusion, there are many different types of electronic music concerts in Chicago, ranging from intimate club shows to large-scale festivals. No matter what your taste in music, there is sure to be an event that will suit your needs. So get out there and enjoy the best that the city has to offer!