Electronic Music That Relies on Natural Sounds is Called ________
If you’re a fan of electronic music, you might be wondering what the term “________” means. It’s actually a pretty simple concept – it’s music that relies on natural sounds to create its effects.
This type of music can be pretty relaxing, and it’s often used in meditation and yoga classes. It can also be pretty energizing, making it perfect for a workout playlist. If you’re looking for some new tunes to add to your collection, check out our list
Ambient music is a genre of music that emphasizes sound quality over traditional musical structure or progressions. This type of music often uses environmental sounds or recorded noises from nature as its primary source material. Ambient music is not designed to be listened to in the background, but is meant to be absorbed and experienced fully by the listener.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. Ambient music is said to evoke a wide range of emotions, from calm and relaxing to uneasy and disconcerting. It is often created with synthesizers and drum machines, but can also incorporate other instrumentation such as vocals, piano, and guitar.
The term “ambient music” was coined by British composer Brian Eno in the 1970s to describe his experimental, minimalist recordings, which he made using a variety of electronic devices. These early ambient pieces were intended to be listened to as opposed to danced to, and Eno often compared them to “paintings of sound.” In the 1980s and 1990s, ambient music became increasingly popular, with artists such as the Orb, Aphex Twin, Biosphere, and Global Communication creating celebrated albums within the genre. Today, ambient music continues to evolve, with new artists emerged who are pushing the boundaries of what ambient music can be.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. Ambient music is intended to induce a sense of relaxation, or near-sleep, in the listener. It often features long, sustained notes or lightly varying melody and harmony played on electronic instruments, and relies heavily on synthesizers to produce ethereal pads and sound effects. Many ambient pieces are purely instrumental, while others include environmental sounds such as rain or birdsong.
The earliest examples of ambient music were in the form of tapes looped endlessly to create a droning sound, such as Brian Eno’s 1972 album Discreet Music. The style was further developed in the late 1970s and early 1980s by German musicians Klaus Schulze and Dieter Moebius, British musician David Cunningham, Japanese musician Hiroshi Yoshimura, French musician Pierre Henry and American musicians Steve Roach and Robert Rich. In the 1980s ambient music began to be represented more clearly by artists such as Hiroshi Yoshimura, Brian Eno (whose album Ambient 1: Music for Airports is often seen as a landmark work in the genre), Erik Satie (whose Gymnopédies are sometimes considered an important early work), Autechre and Aphex Twin.
Field recordings are sounds that are captured in their natural environment and then used in electronic music. This can be anything from the sound of rain on a window to the sound of waves crashing on the shore. Field recordings can give your music a more natural and organic feel.
Natural sounds or field recordings can be defined as any sound captured outside of a studio setting. This can include everything from the sound of waves crashing on a beach to the chatter of birds in a forest.
This type of electronic music often relies heavily on these recordings, using them as the main focus or foundation of the track. Field recordings can be manipulated and processed in a variety of ways, giving the music a unique and sometimes otherworldly feel.
If you’re interested in exploring this type of music, there are a few key artists you should check out. William Basinski is one of the most well-known and respected field recordists, and his compilation album “The Disintegration Loops” is considered a classic in the genre. Another great artist to check out is Chris Watson, who has released several albums of beautifully immersive field recordings.
Field recordings are made with the intention of capturing a particular soundscape or natural ambiance, often in remote locations. The sounds captured can range from entire ecosystems to single elements within them, such as animal calls or weather. This type of recording is often used by electronic musicians as source material for creating new pieces of music.
There are no hard and fast rules for making field recordings, but there are some common characteristics that many of them share. First, they are usually made with portable recording devices such as handheld recorders, laptops, or even smartphones. This allows the recorder to be brought to wherever the desired sound is located. Second, field recordings often capture a wide range of frequencies, from very low bass tones to high pitches. This gives the recording a richness and fullness that can be lacking in other types of recordings. Finally, field recordings typically have a long duration, sometimes lasting for hours or even days. This allows the listener to really immerse themselves in the soundscape and get a sense of its ebb and flow over time.
Hauntology is a subgenre of electronic music that relies on natural sounds. It is named after the book Hauntology (2010) by Derrida. The book is about the philosophy of the haunt, which is the return of the repressed. In hauntology, the repressed is the past that is coming back to haunt the present.
Hauntology is a genre of electronic music that relies on natural sounds or field recordings as its primary source material. This can include anything from the sound of raindrops falling on leaves to the buzz of insects in a forest. The goal of hauntology is to create a feeling of nostalgia or longing for a time and place that may never have existed.
The term “hauntology” was first coined by French philosopher Jacques Derrida in his 1993 book Of Grammatology. In it, Derrida discusses the concept of “hauntology” as it relates to the study of history and memory. He argues that our understanding of the past is always haunted by what we can never know for sure, and that this sense of loss is what gives history its power over us.
Hauntology has been used to describe everything from traditional folk music to modern electronic soundscapes. In recent years, the term has become increasingly associated with a specific style of ethereal, atmospheric music that often features elements of drone and ambient soundscapes. This type of hauntological music often contains references to pop culture, literature, and film; and is often much slower and more meditative than other genres of electronic music.
Some well-known examples of hauntological music include the works of Brian Eno, Coil, The Caretaker, The KLF, and Burial.
Hauntological music is a type of electronic music that relies on natural sounds to create a ghostly, ethereal atmosphere. This style of music often uses field recordings of natural sounds such as rain, wind, or birdsong, and combines them with synthesizers and other electronic effects to create a sense of loss or nostalgia. Hauntological music often has a slow, melancholy feel to it, and can be used to evoke feelings of sadness, longing, or regret.