European Turbo Folk Music

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

European Turbo Folk Music is a type of music that is a mix of traditional folk music and modern pop music.

What is turbo folk?

Turbo folk (Serbian: Турбо фолк / Turbofolk) is a fusion genre of pop music[1][2] and folk music[3] that developed in Serbia and other Balkan countries during the late 1980s and early 1990s. turbo folk’s roots are based on Serbian folk music mixed with elements of pop, rock, electronic dance music, and hip hop.

The style originally developed as a blend of Serbian folk music with Yugoslav pop music from the 1960s and 1970s. The first turbofolk acts emerged in the late 1980s, with bands like Ivana Selakov, Piloti, Siluete, Dža ili Bu and Lepa Brena. By the early 1990s, turbofolk had become one of the most popular genres in Serbia,[4] and would remain so throughout the decade.

In the 2000s, turbofolk continued to be popular in Serbia, although its popularity has declined somewhat since the peak of the genre in the 1990s. The style has also spread to other countries in the Balkans, such as Bosnia and Herzegovina,[5][6][7] Croatia,[8] Kosovo,[9][10] Montenegro,[11][12] North Macedonia[13] and Slovenia.[14][15]

Where did turbo folk originate?

Turbo-folk (Serbian: Турбо фолк/Turbo folk) is a music genre that originated in Serbia. It is a mixture of folk music with electronic dance music. The name “turbo folk” was coined in the 1990s by Serbian journalist Dušan Kovacevic when he noticed the trend of traditional Serbian folk songs being turbocharged with modern production values. Turbo folk reached the height of its popularity in the 2000s, when it became one of the most popular genres of music in Serbia.

The early 2000s were the peak years for turbo folk, with many turbo folk artists achieving mainstream success. Some of the most popular turbo folk artists include Ceca, Lepa Brena, Domenico, Severina, and Dragana Mirkovic. In recent years, turbo folk has become less popular in Serbia, but it remains an important part of Serbian musical culture.

The exact origins of turbo folk are difficult to pinpoint, but it is generally agreed that the genre developed out of a combination of traditional Serbian folk music and electronic dance music. Turbo folk initially gained popularity in rural areas of Serbia, where it was seen as a way to modernize traditional folk songs. As turbo folk became more popular, it began to spread to urban areas and eventually became one of the most popular genres of music in Serbia.

What are the defining characteristics of turbo folk music?

Turbo folk music is a popular music genre in the Balkans that emerged in the early 1990s. It is a combination of traditional folk music with modern pop and electronic music. Turbo folk artists typically sing in local languages and dialects, and the lyrics often deal with themes such as love, patriotism, and religion. The music is heavily influenced by traditional Balkan folk music, as well as by contemporary pop and rock. Turbo folk originated in Serbia but has since spread to other Balkan countries, such as Croatia, Bosnia and Herzegovina, Montenegro, and Macedonia.

Turbo folk is a popular genre of music in the Balkans, and some of the most popular turbo folk artists include Ceca, Jelena Karleusa, and Lepa Brena. Turbo folk is characterized by its use of traditional folk music influences with modern pop and electronic music.

What is the appeal of turbo folk music?

Turbo folk music is a type of music that emerged in the 1990s in the former Yugoslavia. It is a fusion of traditional folk music with electronic dance music and often has a nationalistic or patriotic theme.

Turbo folk music became popular in the 1990s in the former Yugoslavia as a fusion of traditional folk music with electronic dance music. The style often has a nationalistic or patriotic theme. Turbo folk is generally seen as having a negative connotation due to its association with the Yugoslav Wars, but it continues to be popular in the Balkans.

What are some of the criticisms of turbo folk music?

Turbo-folk music has been accused of promoting nationalism, racism, sexism, and violence. The music is often criticized for its simple, repetitive lyrics and catchy melodies which are easy to remember and sing along to. In addition, turbo-folk music often depicts women as sexual objects and promotes the use of alcohol and drugs.

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