Folk Music of Tamil Nadu

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Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

The folk music of Tamil Nadu is a rich and diverse tradition that has been passed down through the generations. Join us as we explore the different styles and influences that make this music so special.

Introduction to folk music of Tamil Nadu

Folk music is the music of the people, performed by the people, and made available to everyone. It is typically created and performed in everyday life and reflects the life experiences and culture of the people.

Folk music has been an important part of Tamil Nadu’s culture for centuries. The state has a rich tradition of folk music, which has been passed down from generation to generation. The folk music of Tamil Nadu is played on a variety of instruments, including the nadaswaram (a wind instrument), flute, veena (a plucked string instrument), yazh (a plucked string instrument), and mridangam (a percussion instrument).

The folk songs of Tamil Nadu are typically about love, loss, and separation; they are also about social issues such as caste and religion. The songs are often sad and haunting, but they can also be joyful and upbeat.

The folk music of Tamil Nadu is an important part of the state’s cultural heritage. It is a source of pride for the people of Tamil Nadu and a way to connect with their past.

The history of folk music in Tamil Nadu

The folk music of Tamil Nadu is the traditional music of the Tamil people of Tamil Nadu, India. The music is primarily vocal-based with minimal instrumental accompaniment, and often features a more conversational style of singing rather than the complex ragas of Carnatic music. The songs are typically based on rural themes and subjects, and are often written in the local Tamil language.

Folk music has been a part of Tamil culture for centuries, and has seen a resurgence in recent years thanks to the efforts of groups like the Folk Art Society of Tamil Nadu. Although most folk songs are relatively unknown outside of Tamil Nadu, some have become popular among Carnatic music fans, such as “Metti Oli” and “Kunjari Mala.”

The different types of folk music in Tamil Nadu

Folk music is an integral part of Tamil musical culture. The different types of folk music in Tamil Nadu include ballads, work songs, love songs, and wedding songs. Ballads are often about heroes or historical events, while work songs are sung while performing manual tasks such as farming or carpentry. Love songs are usually about the pain and joy of young love, and wedding songs are sung during marriage ceremonies.

The instruments used in folk music of Tamil Nadu

The folk music of Tamil Nadu is mostly percussion-based. The music is usually accompanied by several instruments, including the mridangam (a double-sided barrel drum), ghatam (a clay pot), shehnai (a conical brass instrument) and flute. The music often has a fast tempo and is designed to get the audience moving.

The lyrics and meaning of folk music in Tamil Nadu

Folk music is the traditional and typically anonymous music that is an expression of the life of people in a particular region or country. Folk music has been passed down orally from one generation to the next and has been constantly evolving over time. In Tamil Nadu, there is a rich tradition of folk music that has been passed down for centuries.

The lyrics of folk songs in Tamil Nadu often deal with themes such as love, loss, religion, and social commentary. The music is typically very melodic and uses a lot of repetition, which makes it easy to remember and sing along to. Folk songs are often performed at festivals, weddings, and other special occasions.

One of the most popular types of folk music in Tamil Nadu is known as “kuthu” music. This style of music is characterized by its fast tempo and drum-heavy beats. Kuthu songs are often about everyday life and love, and they are often danced to by both men and women.

Another popular type of folk music in Tamil Nadu is known as “bhavageethe”. This style of music is softer and more lyrical than kuthu music, and it often features beautiful melodies sung by female vocalists. Bhavageethe songs are typically about love, loss, or nature.

If you want to experience the rich tradition of folk music in Tamil Nadu, there are many ways to do so. You can attend a live performance, listen to CDs or MP3s, or even watch videos online. No matter how you choose to experience it, folk music is sure to give you a glimpse into the lives of the people who have long called Tamil Nadu home.

The role of folk music in Tamil Nadu culture

Folk music has always been an important part of Tamil culture. It is the music of the people and it reflects the life, culture and traditions of the people of Tamil Nadu.

Folk music is usually passed down from generation to generation, and it is often used to tell stories or to express the emotions of the people. Folk music is usually very simple and easy to listen to, and it is often played on traditional instruments such as the veena, nadaswaram, mridangam and ghatam.

Tamil folk music is very different from Carnatic music, which is the classical music of Tamil Nadu. Carnatic music is more complex and often uses more instruments, but it still retains some elements of folk music.

Some popular Tamil folk songs include “Amarar Kalki”, “ Kurinji Malar”, “ Vaarayo Vaarayo” and “ Thaai Naadu”.

The influence of folk music of Tamil Nadu

The folk music of Tamil Nadu is developed and performed primarily by the villages of Tamil Nadu. It is sung in parts of Tamil Nadu, Puducherry, Kerala, Andhra Pradesh and Karnataka. There are more than 800 different types of songs in this genre. Its origins can be traced back to the ancient times when folk songs were sung to pierce through the night.

The folk music of Tamil Nadu has been influenced by a number of factors over the years. One of the most significant influences has been that of film music. Numerous popular film songs have been inspired by folk tunes, and vice versa. Folk music has also been influenced by Carnatic music, which is a classical genre that originated in South India. As a result, many Carnatic musicians have incorporated elements of folk music into their compositions.

The future of folk music in Tamil Nadu

Folk music has been an important part of the Tamil Nadu cultural landscape for centuries. Today, however, the future of folk music in Tamil Nadu is uncertain. With the rise of popular music, folk music has been increasingly marginalized. Young people in particular are losing interest in folk music, and traditional musicians are struggling to find gigs and make a living.

There are a number of reasons for this decline. One is that folk music is generally passed down from generation to generation within families, and there are fewer and fewer families who maintain this tradition. Another reason is that folk music is often seen as old-fashioned and not as trendy or exciting as popular music. And finally, many traditional instruments and styles of folk music are simply not suited to contemporary taste.

Despite these challenges, there are still some people who are passionate about keeping Tamil Nadu’s rich folk music traditions alive. There are a number of organizations working to promote and preserve folk music, and there are still some young people who are interested in learning and performing traditional songs. As long as there are people who care about Tamil Nadu’s musical heritage, there is hope that folk music will continue to be a part of the state’s culture.

Conclusion

In conclusion, the folk music of Tamil Nadu is rich and varied, with each region having its own unique style and sound. The music is an important part of the culture of Tamil Nadu and provides a glimpse into the lives of the people who live there.

References

A. B. Keith: “The Sanskritisation of Tamil country”, Journal of the Royal Asiatic Society, 1909
B. S. Baliga: “Caste and Sect in a Tamil Village”, University of Madras, 1952
C. J. Fuller and D. Q. Hall: “Religious Boundaries in a Tamil Village”, Anthropos, 1981
Eck, Devamani: “Folk deities of Tamil Nadu”, Economic and Political Weekly, Volume 21, 1986

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