Ghana Gospel Music – 2013’s Best Hits

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,


Looking for the best Ghana gospel music of 2013? Look no further! We’ve got a great selection of the top hits from the year, sure to get you moving and praising.

2013’s Best Gospel Hits in Ghana

Looking for the best Ghanaian gospel music of 2013? Look no further! Here are some of the top hits from Ghanaian gospel artists this year:

1. “Mighty God” by Joe Mettle
2. “Somyea Wo” by Diana Hamilton
3. “Wonderful Merciful Savior” by Selah
4. “Bo Noo Ni” by Joyce Blessing
5. “Who Am I” by obstacles
6. “WYA (Where You At)” by Nii Okai featuring GHOne TV’s Belinda Dzattah
7. “Aseda” by Ohemaa Mercy
8. “Nkwa Abodwese” by Nacy
9. “Akwasidae Praise Medley” by various artists including Kwaku Gyasi, Francis Agyei, Evangelist Diana Asamoah, and more
10. “Nnwomkro mu nsuo mu” by Gifty Osei

The Popularity of Gospel Music in Ghana

Gospel music has become increasingly popular in Ghana in recent years. This is evident by the number of Ghanaian gospel artists who have broken into the mainstream music scene, as well as the increasing number of radio stations and TV networks that are devoted to gospel music.

There are many reasons for this increase in popularity. For one, Ghana is a very religious country, with Christianity being the dominant religion. This means that there is a large market for gospel music. Additionally, gospel music provides listeners with a message of hope and inspiration, which is something that people are increasingly looking for in these difficult economic times.

Whatever the reasons for its popularity, there is no doubt that gospel music is here to stay in Ghana. If you’re looking for some of the best Ghanaian gospel hits, be sure to check out the list below.

The Different Types of Gospel Music in Ghana

Ghanaian gospel music is full of life and energy, and it comes in many different styles. There are four main types of gospel music in Ghana: traditional, contemporary, urban, and spiritual.

Traditional Ghanaian gospel music is rooted in the country’s folk music tradition. It is typically very upbeat and lively, with a strong focus on drums and percussion. Contemporary Ghanaian gospel music is a more modern style of music that often incorporates elements of pop, hip hop, and R&B. Urban Ghanaian gospel music is a relatively new style of music that combines elements of traditional gospel with modern hip hop and R&B. Spiritual Ghanaian gospel music is a more somber and reflective type of music that typically features slower tempos and soulful vocals.

The History of Gospel Music in Ghana

Ghanaian Gospel music can be traced back to the 18th century with the arrival of the Methodist Church in Ghana. The genre has since developed and evolved over time, incorporating various styles and influences from around the world.

Today, Ghanaian Gospel music is a vibrant and popular genre that is enjoyed by many people across the country. This music is often upbeat and lively, making it perfect for dancing and celebrating. It is also frequently used in religious ceremonies and services, as well as in everyday life.

There are many famous Ghanaian Gospel musicians, such as Francis Ama, Diana Hamilton, Joe Mettle, Joyce Blessing, Moses Afful, Papa Kojo Antwi, and Ohemaa Mercy. These artists have helped to popularize Gospel music in Ghana and beyond, making it one of the country’s most beloved genres.

The Future of Gospel Music in Ghana

There is no doubt that Ghanaian music has come a long way. The past decade has seen an influx of new artistes and new genres of music, giving Ghanaian music a fresh and dynamic sound. Gospel music in Ghana is no exception.

In the past, gospel music in Ghana was largely confined to hymns and traditional church music. However, in recent years there has been a surge in the popularity of contemporary gospel music. This new wave of Ghanaian gospel music is characterised by its catchy melodies, powerful lyrics and pulsating rhythms. It is this fresh sound that has captured the attention of both young and old alike.

The future of gospel music in Ghana looks very bright indeed. With the continued rise in the popularity of contemporary gospel music, there is no doubt that more and more people will be drawn to the genre. As we move into a new era of Ghanaian music, it is exciting to think about what the future holds for gospel music in Ghana.

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