The Instrumental Music of Gulabi Aankhen

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,


The Instrumental Music of Gulabi Aankhen is a 1971 album by R. D. Burman. The album was released by Saregama and features music composed by R. D. Burman and lyrics penned by Majrooh Sultanpuri.

The Gulabi Aankhen

The Gulabi Aankhen is a 1968 Hindi song from the movie The Train. The song is sung by Mohammed Rafi and picturised on Rajesh Khanna. The music is composed by R. D. Burman and the lyrics are written by Anand Bakshi. The Gulabi Aankhen was a huge commercial success and won several Filmfare Awards.

Who is Gulabi Aankhen?

Gulabi Aankhen is an Indian singer, composer, and lyricist. He is best known for his work in playback singing in Hindi cinema.

Born in Hyderabad, India, to a family of musicians, Gulabi began his career as a playback singer in the early 1960s. His first song was for the film Taj Mahal (1961), and he went on to sing for many other films throughout the 1960s and 1970s. In addition to playback singing, Gulabi also composed music for several films, including Sargam (1979) and Prem Rog (1982). He has also written lyrics for several songs, including “Tere Bina Zindagi Se” from Aandhi (1975) and “Mere Sapno Ki Rani” from Aradhana (1969).

Gulabi has been awarded the Padma Shri, the fourth highest civilian award of India, for his contributions to Indian cinema.

What is the music of Gulabi Aankhen?

Gulabi Aankhen is a Hindi song from the 1970 Bollywood film, The Train. The song is sung by Mohammed Rafi and composed by Rahul Dev Burman. Gulabi Aankhen was one of the most popular songs of the year and won several awards, including the Filmfare Award for Best Male Playback Singer.

The Instruments of Gulabi Aankhen

The song Gulabi Aankhen features a number of instruments, including the sitar, tabla, and shehnai. The sitar is a stringed instrument that is often used in Hindustani classical music. The tabla is a percussion instrument that is used in many different genres of music. The shehnai is a wind instrument that is commonly used in classical and folk music.

The sitar

The sitar is a plucked stringed instrument used mainly in Hindustani classical music. The sitar finds its origins in ancient India, and was known by many different names, including the setar (meaning “three-stringed”), the chitar (meaning “six-stringed”), and the dilrubā (derived from Persian). The sitar quickly rose to popularity under the Mughal Empire, and has since become an icon of Indian culture.

The sitar is typically made of teak wood, with a large resonating gourd attached to the neck. The body of the instrument is curved, and often decorated with intricate carving. The strings are usually made of steel or bronze, and are plucked with a plectrum called a mezrab.

The sitar is most commonly used in Hindustani classical music, but has also been adapted for use in Western classical music, film soundtracks, and popular music. Notable sitar players include Ravi Shankar, Annapurna Devi, Nikhil Banerjee, Vilayat Khan, and Shahid Parvez Khan.

The tabla

The tabla is a percussion instrument consisting of a pair of drums. It is the primary rhythm instrument used in Hindustani classical music. The name “tabla” is derived from the Sanskrit word “tāḍā”, meaning “to strike”.

The tabla is traditionally used to accompany vocalists and instrumentalists, and to provide a rhythmic accompaniment for dancers. The tabla is also used as a solo instrument, and in ensembles such as the dhun bandhan and the jugalbandi.

The tabla has two drumheads: the daya (left) drum and the bayan (right) drum. The daya drum is played with the right hand, while the bayan drum is played with the left hand. The daya drum is smaller than the bayan drum, and has a higher pitch. The bayan drum is larger than the daya drum, and has a lower pitch.

The tabla consists of two main drums: the daya (left) drum and the bayan (right) drum

The shehnai

The shehnai is a North Indian wind instrument. It is made of wood with a metal bell and a double reed. The player puts the double reed in his mouth and blows into the instrument to produce a sound. The shehnai is used in classical and folk music. It is often used in weddings and other celebrations.

The shehnai is believed to have originated in Persia. It was brought to India by the Mughals. Shehnai players were held in high esteem by the royal court. The instrument became popular in North India, particularly in the state of Uttar Pradesh. Shehnai players are still found in many North Indian cities.

The Music of Gulabi Aankhen

Gulabi Aankhen is a melodious and soulful song that has been popular since it was released in the 1970s. The lyrics are written by Anand Bakshi, and the music is composed by RD Burman. The song is sung by Mohammed Rafi and Asha Bhosle. Gulabi Aankhen is a classic example of how two of the most talented and popular singers of the time came together to create magic.

The raga

Gulabi Aankhen is based on the Hindustani classical raga Malhar. Malhar is a melodic mode used in Indian classical music. The word “raga” can be literally translated as “coloring, tingeing, dyeing” (according to Monier Williams’ Sanskrit dictionary); the term only began to be used metaphorically for “melodic mode” in medieval times. Aspects of raga are Pitch (Sa, Re, Ga, Ma, Pa, Dha, Ni), Arohana (ascent) & Avarohana (descent), Vadi (main note), Samavadi (second-main note), Jati (number of notes used), Thaat (parent scale), Pakad or Chalan.

The tala

The tala (rhythm cycle) is the most important element of Indian classical music. It is an abstract composition of beats which provides the framework for a composition or a performance. The term ‘tala’ originates from the Sanskrit word ‘tal’ which means ‘a clap of the hands’.

A tala consists of a fixed number of beats which are organized into matras (time-units). The number of beats in a tala can range from 3 to 128, but the most commonly used talas have 5, 7, 9 or 11 beats. The time-units can be subdivided into smaller units called ‘kala’ (lit. ‘small claps’).

The beat structure of a tala is indicated by its ‘laghu’ (beat 1), ‘drut’ (beat 2), and sometimes by its sam (beat 3). In Indian classical music theory, the laghu is considered to be the most important beat, and it is usually accented. The drut is usually unaccented, and the sam is usually barely audible.

The tempo of a tala can vary from very slow (vilambit) to extremely fast (drut). The choice of tempo is determined by the nature of the composition, the mood that the composer wishes to create, and the performer’s ability to execute the composition at different speeds.

The composition

The composition of Gulabi Aankhen is based on the instrumentals of the film. The main instruments used in the song are the Shehnai and Sitar. The Shehnai is a wind instrument which is popular in India and Pakistan. It is made out of wood and has a conical bore. The Sitar is a stringed instrument which originated from India. It has a long neck and a resonator. The composition also includes the use of the tabla, which is a percussion instrument originated from India.

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