Mississippi Records Releases Anthology of American Folk Music

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

Mississippi Records is excited to announce the release of an anthology of American folk music. This set features a wide variety of artists and styles, representing the rich history of folk music in the United States.

American Folk Music

Mississippi Records is excited to announce the release of an anthology of American Folk Music. This collection features a wide variety of music from the early 20th century, including songs from the Carter Family, Blind Lemon Jefferson, and Lead Belly.

Origins of American Folk Music

The term “folk music” can have a number of different meanings, depending on who you ask. For the purposes of this article, we’ll be using the definition put forth by the Library of Congress: “traditional music that is typically learned orally and passed down from generation to generation.”

With that in mind, let’s take a look at the origins of American folk music and how it has evolved over the years.

American folk music can trace its roots back to the music of the English, Irish, and Scottish settlers who arrived in North America during the seventeenth and eighteenth centuries. This early folk music was typically rooted in traditional ballads and dances, and it often told stories about real-life events (such as battles or shipwrecks).

As the United States began to grow and expand, so did its folk music. New genres and styles began to emerge, including country music, blues, gospel, and bluegrass. This increased cultural diversity led to a rich tapestry of American folk music that is still being woven today.

One of the most important moments in the history of American folk music occurred in 1952, when folklorist Harry Smith released his Anthology of American Folk Music. This six-album set contained eighty-four songs that were recorded between 1927 and 1932, including classics like “No Depression in Heaven” by The Carter Family and “In The Pines” by Blind Lemon Jefferson.

The Anthology proved to be hugely influential, helping to spark a renewed interest in American folk music among both musicians and listeners. Today, this landmark release is widely considered to be one of the most important documents of twentieth-century American culture.

The Anthology of American Folk Music

The Anthology of American Folk Music is a six-album compilation released in 1952 by Folkways Records (catalog FP251, FP252, and FP253), comprising eighty-four American folk, blues and country music recordings that were originally issued from 1927 to 1932.

The anthology was compiled by folklorist Harry Smith from his personal collection of 78 rpm records. It is one of the most influential releases in the history of American folk music, helping to spark the folk revival of the 1950s and 1960s. The selections were culled from various commercial discs issued by nineteen labels. The Anthology was assembled during a period when it was difficult to find commercial recordings of traditional music; although some performers, like Ernest V. Stoneman and Dock Boggs, had already recorded for mainstream labels such as Columbia and Victor, many others had not.

TheAnthology was released on three double-LP volumes, with each disc devoted to specific musical genres: blues; country music; and gospel music. liner notes written by Smith were included with each volume. The albums were designed to be played on a conventional phonograph equipped with an auxiliary generator to produce 78 rpm records; a “slip cue” system allowed for automatic return to the beginning of each side after it had been played.

Mississippi Records

History of Mississippi Records

Mississippi Records is an American independent record label based in Portland, Oregon.

The label was founded in 2001 by Eric Isaacson and Warren Defever. Mississippi Records releases music in a variety of genres including punk, psychedelia, garage rock, country, blues, and gospel. In addition to music, the label also releases films and books.

Mississippi Records was started as a way to document and preserve the musical history of America. The label’s first release was an anthology of American folk music called “The Alan Lomax Collection.” The label has since released over 100 albums, including compilations of country music, blues, gospel, and garage rock.

In addition to releasing music, Mississippi Records has also released a number of films. These include “The Story of Anabelle,” a documentary about a girl who was born with no eyes; “The Immortal Jukebox,” a film about the history of jukeboxes; and “You Are My Sunshine,” a documentary about the life and work of musician Jimmie Davis.

Mississippi Records is committed to releasing high quality music and preserving the history of American music. The label has been praised by critics and fans alike for its dedication to underground and overlooked music.

The American Folk Music Revival

Mississippi Records is proud to release The American Folk Music Revival, a 2xLP anthology of recordings from the mid-20th century folk music revival. This collection features some of the most important and influential artists of the folk revival, including Woody Guthrie, Lead Belly, Pete Seeger, The Weavers, Hedy West, and many others.

The American Folk Music Revival was a movement that sought to revive and promote traditional American folk music in the mid-20th century. It was led by a group of young musicians who were inspired by the music of Woody Guthrie, Lead Belly, and other folk musicians from the 1920s and 1930s. These musicians began performing and recording their own versions of traditional folk songs, as well as original songs about their own experiences.

The American Folk Music Revival was an important part of the wider countercultural movement of the 1960s and 1970s, and its legacy can still be seen in the work of contemporary folk musicians such as Bob Dylan, Emmylou Harris, and Gillian Welch. The American Folk Music Revival is a must-have for any fan of Americana orroots music.

The Anthology of American Folk Music Released by Mississippi Records

Mississippi Records has released The Anthology of American Folk Music, a six-album set documenting the folk music revival of the 1950s and 1960s. The collection includes 84 songs by 74 artists, ranging from country and blues to gospel and rock.

Track List

1. “Oh Death” – Doc Watson
2. “East Virginia Blues” – The Carter Family
3. “In the Pines” – Lead Belly
4. ” John the Revelator” – Blind Willie Johnson
5. “I’m Alabama Bound” – Dock Boggs
6.he”Cuckoo Bird” – Clarence Ashley
7. “Keep On the Sunny Side” – The Carter Family
8. “Worried Man Blues” – The Carter Family
9.”Bury Me Under the Weeping Willow” – The Carter Family
10.”Lonesome Valley” – The Goes family
11.”Midnight Special” – Lead Belly
12.”Salty Dog Blues” – Bascom Lamar Lunsford
13.” Nine-Pound Hammer Is Too Heavy for Me”- Merle Travis
14.”Ida Red Likes the Boogie”- Ernest Tubb

Critical Reception

The Anthology of American Folk Music is a six-album compilation released in 1952 by Folkways Records (catalogue FP 251, FP 252, and FP 253), credited to editor Harry Smith. It is famous for being one of the most influential releases in the history of folk music, and for inspiring the American folk music revival of the 1950s and 1960s. The Anthology was compiled by Smith while working at the library of the Museum of Modern Art in New York City, and draws primarily from commercial folk music recordings made in the 1920s and 1930s.

Critical reception to the Anthology was initially mixed; some early reviewers accused Smith of cherry-picking songs that fit his own personal taste, while others praised him for his eclectic taste and pioneering work in compiling such a diverse range of American folk music. In subsequent years, however, critics and scholars have increasingly come to view the Anthology as one of the most important releases in the history of American music, both for its role in popularizing previously obscure musical traditions and for its influence on subsequent generations of musicians.

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