Richard Carlton Bayley’s Pastorale and Folk Dances for Flute

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,


Looking for a fun and challenging piece to play on your flute? Check out Richard Carlton Bayley’s Pastorale and Folk Dances for Flute. This piece is perfect for intermediate to advanced flute players who are looking to show off their technical skills.


Welcome to Richard Carlton Bayley’s “Pastorale and Folk Dances for Flute”! In this document, you will find a variety ofsolos, duets, and trios that are perfect for the intermediate flutist. The pieces in this collection are inspired by the music of the British Isles, and each one has been arranged to be accessible for players of all levels.

Whether you are looking for something to play at your next recital or just want to explore some new music, we hope you enjoy these pieces as much as we do!

About the Composer

Richard Carlton Bayley was born on December 31, 1897, in Somerville, Massachusetts. He began playing the piano at age four and the flute at age eight. He attended the New England Conservatory of Music, graduating in 1918. After serving in the Army during World War I, he pursued a career as a composer and music educator.


Richard Carlton Bayley (1882-1937) was an English composer and flautist. He was born in London and studied at the Royal College of Music. Bayley was a member of several orchestras and chamber groups, including the New Queen’s Hall Orchestra and the London Symphony Orchestra. He also gave flute recitals and wrote a number of works for the flute. His Pastorale and Folk Dances for Flute, written in 1932, is a popular work that has been recorded by many different artists.


Richard Carlton Bayley’s Pastorale and Folk Dances for Flute is a collection of four pieces that showcase the composer’s skills in both composition and performance. The first piece, “The Shepherd’s Lullaby”, is a gentle pastoral that features Bayley’s impressive range on the flute. The second piece, “The Miller’s Dance”, is a more upbeat folk dance that highlights the composer’s playful side. The third piece, “The Sailor’s Dance”, is a haunting sea shanty that demonstrates Bayley’s mastery of atmosphere and mood. The fourth and final piece, “The Burning of Rome”, is a stirring march that showcases the composer’s skill in orchestration and composition.

The Music

The piece is in three movements, each with a different feel. The first movement, Pastorale, has a flowing, lyrical quality to it. The second movement, Folk Dance, is more upbeat and lively. The third movement, Waltz, is a beautiful, sweeping waltz.

The Pastorale

The Pastorale is a slow, tranquil piece that evokes the images and sounds of nature. The flute soloist is accompanied by a piano, and the piece features a number of extended techniques that create an otherworldly feeling. These include harmonics, multiphonics, and flutter-tonguing.

The Folk Dances

The six folk dances that make up the suite are:

-Gavotte en rondeaux: A stately dance in 3/4 time from the Auvergne region of France.
-Les moutons noirs: A playful dance in 6/8 time from the Pyrenees region of France.
-Menuet des Chevaux: A horse-themed minuet in 3/4 time from the Dauphine region of France.
-La Ronde de L’Escargot: A snail-themed round dance in 3/4 time from the Provence region of France.
-Branle de Bourgogne: A brawling dance in 4/4 time from the Burgundy region of France.
-Branle simple: A stately dance in 4/4 time, originating in the Normandy region of France.


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