The Best PBS Folk Music CDs You Need in Your Collection

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

If you’re a fan of folk music, then you know that PBS has some of the best folk music CDs out there. Here are the ones you need to have in your collection.

The Weavers-Wasn’t That a Time

The Weavers-Wasn’t That a Time is a great PBS Folk Music CD that should be in your collection. The CD has twenty four tracks and a total playing time of seventy nine minutes and thirty seconds. The CD was released in nineteen ninety two by the Vanguard Recording Company.

The Weavers were an American folk music quartet

The Weavers were an American folk music quartet based in the Greenwich Village area of New York City. They popularized many traditional folk songs, earthy work songs, political anthems, and spirituals. Formed in 1948 by Pete Seeger, Lee Hays, Ronnie Gilbert, and Fred Hellerman, they were one of the most successful and influential groups of the postwar era. Their 1950 hit recording of Lead Belly’s “Goodnight, Irene” topped the charts for 13 weeks in 1950 and was awarded a gold disc by the RIAA.

They were one of the most commercially successful and influential folk groups of the 1950s

The Weavers were one of the most commercially successful and influential folk groups of the 1950s. They had top-ten hits with “On Top of Old Smokey” (1952) and “Kisses Sweeter than Wine” (1957), and charted twelve gold records. The group’s repertoire included many songs that had been popularized by other folk music singers, including Lead Belly, Woody Guthrie, Pete Seeger, and Cisco Houston.

This album was released in 1952 and was their first album

The Weavers were an American folk music quartet based in the Greenwich Village area of New York City. They popularized many songs of the Folk Revival of the 1950s and influenced both the musical style and sociopolitical attitudes of subsequent generations. Originally consisting of Pete Seeger, Lee Hays, Ronnie Gilbert, and Fred Hellerman, they were founded in 1948 and named after the British labor union.

Their signature song was Lead Belly’s “Goodnight, Irene”, which they popularized in a 1950 arrangement. Released as a single, it reached number one on Billboard magazine’s chart for 13 weeks in 1950-1951, ultimately selling almost three million copies and helping to make Lead Belly posthumously famous. With Seeger as their primary songwriter and singer, they had success with his compositions “Wasn’t That a Time” (1952) and “Kisses Sweeter than Wine” (1957), along with Woody Guthrie’s “So Long It’s Been Good to Know Yuh” (1950) and lead singer Ronnie Gilbert’s solo on Jacques Brel’s “Where Did I Go Wrong?” (1964).

The group was blacklisted during the McCarthy Era for allegedly having communist sympathies. In 1955, members of The Weavers were called to testify before the House Un-American Activities Committee (HUAC). Seeger refused to name names or take the Fifth Amendment plea against self-incrimination, but he did not directly deny being a communist. As a result of his testimony—and because HUAC chairman Parnell Thomas would not allow him to sing—he was fined $1,000 and sentenced to 10 years in prison (the sentence was later overturned on appeal). The other members of the group were not indicted.

The Kingston Trio-At Large

The Kingston Trio was an American folk group

The Kingston Trio was an American folk group from San Francisco, California, that helped launch the folk Revival of the late 1950s to early 1960s. The group started as a San Francisco Bay Area nightclub act with a lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to national prominence after two of its recordings (“Tom Dooley” and “MTA”) achieved top-ten status on the Billboard pop music chart in 1958 and 1961. The Kingston Trio then placed thirty-three songs on the Billboard Hot 100 chart between 1953 and 1975, many of which sold more than one million copies each.

They were one of the most commercially successful folk groups of the 1950s and 1960s

The Kingston Trio was one of the most commercially successful folk groups of the 1950s and 1960s, although their style was sometimes seen as appropriative by the growing counterculture of the time. The group’s musical repertoire included songs that were both traditional folk songs and contemporary pop hits.

The Kingston Trio was formed in 1957 by Bob Shane, Dave Guard, and Nick Reynolds. They recorded their first album, The Kingston Trio, in 1958. It included their signature song “Tom Dooley”, which became a number one hit single. The album was followed by a string of successful releases, includingAt Large (1959), String Along (1960), Here We Go Again! (1961), and Capitol Folklore Series Presents the Kingston Trio (1962).

The group’s popularity declined in the late 1960s, but they continued to tour and release albums throughout the 1970s and 1980s. Their final album, Back in Circulation, was released in 1989. Bob Shane retired from touring in 2004, and Dave Guard died in 1991. Nick Reynolds died in 2008.

This album was released in 1958 and was their second album

The Kingston Trio’s second album, _At Large_, was released in 1958. The album included their cover of “Tom Dooley”, which went on to become one of their most well-known songs. The album peaked at #2 on the Billboard 200 chart and was certified Gold by the RIAA.

The New Lost City Ramblers-The New Lost City Ramblers

The New Lost City Ramblers were a seminal force in the 1960s folk music revival. They popularized traditional songs from the Appalachian Mountains and recorded with some of the most influential folk and country musicians of the era. The New Lost City Ramblers’ self-titled debut album is a essential part of any folk music collection.

The New Lost City Ramblers was an American old-timey and bluegrass band

The New Lost City Ramblers was an American old-timey and bluegrass band which recorded and performed together from 1958 to 2009. The band was instrumental in the American folk music revival of the late 1950s and early 1960s, and helped to spur the rise of the genre of folk rock. The Ramblers’ repertoire included songs collected from traditional musicians such as Wade Ward, Hobart Smith, and Gaither Carlton, as well as original compositions by members of the group. They occasionally performed songs in other genres, such as blues, gospel music, and tin pan alley pop tunes.

The New Lost City Ramblers were founded in 1958 by John Cohen, Mike Seeger, and Tom Paley. all three of whom were music students at the time. The trio began performing together informally, playing a mix of old-timey music, bluegrass, and traditional folk songs. They took their name from an obscure string band led by fiddler Lawrence Gellert in the 1920s and 1930s. The New Lost City Ramblers made their first public appearance at a square dance in Greenwich Village in May 1958.

In 1959, they released their eponymous debut album on Folkways Records to critical acclaim. The album featured a mix of traditional songs and original compositions, performed on a variety of traditional instruments including guitar, banjo, mandolin, fiddle, and autoharp. The New Lost City Ramblers quickly became popular performers on the folk circuit, appearing at festivals and clubs throughout the United States and Canada.

The group continued to release albums throughout the 1960s and 1970s on Folkways Records as well as other labels such as Vanguard Records. They also toured extensively during this period, both domestically and internationally. In 1963 they became the first American folk group to tour the Soviet Union.

The New Lost City Ramblers disbanded in 1973 but later reunited several times over the next few decades for reunion concerts and tours. A trio consisting of Cohen, Paley, and Tracy Schwarz recorded three albums together between 1980 and 1985 before Schwarz left the group to pursue other projects. Paley left the group in 1998 but Cohen continued to perform with various lineups of The New Lost City Ramblers until his death in 2009.

They were one of the most influential bands of the 1950s and 1960s

The New Lost City Ramblers were a progressive bluegrass band, based in New York City, that helped to revitalize American old-time music during the 1950s and 1960s. They were one of the most influential bands of the 1950s and 1960s.

The original lineup of the New Lost City Ramblers consisted of John Cohen (banjo), Mike Seeger (guitar, mandolin, fiddle), and Tom Paley (guitar, fiddle). The group was founded in 1958 and named after a 1934 bluegrass song by Bascom Lamar Lunsford.

This album was released in 1960 and was their third album

The New Lost City Ramblers was a highly influential old-time band, formed in New York City in 1958 by Mike Seeger, John Cohen, and Tom Paley. The trio specialized in music from the 1920s and 1930s (which they called old-time music or Appalachian music). They helped to revive both the musical style and the genre’s popularity. Their concerts, recordings, lectures, and writings did much to bring authentic traditional music to urban audiences throughout the United States.

The Byrds-Sweetheart of the Rodeo

There are a lot of great PBS folk music CDs out there, but one that you definitely need in your collection is The Byrds-Sweetheart of the Rodeo. This album is considered one of the most important and influential records in country rock history.

The Byrds was an American rock band

The Byrds was an American rock band formed in Los Angeles, California in 1964. The band is considered one of the most influential American rock bands of the 1960s. The original lineup of the band included Roger McGuinn (lead vocals, guitar), Gene Clark (tambourine, vocals), David Crosby (rhythm guitar, vocals), Chris Hillman (bass guitar, vocals), and Michael Clarke (drums).

The Byrds released their debut album, Mr. Tambourine Man, in 1965. The album reached number 1 on the Billboard 200 chart and spawned the hit single of the same name. The Byrds continued to release successful albums throughout the remainder of the 1960s including The Notorious Byrd Brothers (1968) and Sweetheart of the Rodeo (1968). The band broke up in 1973 but reunited in 1988 for a reunion tour. The Byrds were inducted into the Rock and Roll Hall of Fame in 1991.

They were one of the most influential bands of the 1960s

The Byrds were one of the most influential bands of the 1960s, helping to pioneer the genre of folk rock. The band was formed in Los Angeles in 1964, and their debut album, Mr. Tambourine Man, was released in 1965. The album featured the band’s signature sound: a mix of folk and rock music with close harmonies and jangly guitars. The album was a massive commercial success, reaching #1 on the Billboard charts and spawning the hit single “Mr. Tambourine Man.”

The Byrds continued to experiment with their sound on subsequent albums, incorporating elements of country music on Sweetheart of the Rodeo (1968) and psychedelic rock on The Notorious Byrd Brothers (1968). The band’s final album, Untitled (1970), featured a more stripped-down sound. The Byrds disbanded in 1973, but reunited briefly in the late 1980s and again in the 2000s.

This album was released in 1968 and was their sixth album

This album was released in 1968 and was their sixth album. It is often cited as one of the first country rock albums. The album features Gram Parsons who wrote or co-wrote half of the songs on the album. The Byrds were able to take country music and blend it with their own style of rock music. This album is a must have for any folk music fan.

The Flying Burrito Brothers-The Gilded Palace of Sin

Described by Gram Parsons as “Cosmic American Music”, The Flying Burrito Brothers’ debut album sets the standard for the country-rock genre. The Gilded Palace of Sin is a perfect blend of Parsons’ country roots and his love for the Rolling Stones. With hits like “Wild Horses” and “Do Right Woman”, The Gilded Palace of Sin is a must-have for any folk music fan.

The Flying Burrito Brothers was an American country rock band

The Flying Burrito Brothers was an American country rock band, formed in 1968 in Los Angeles, California. The original members were Gram Parsons (vocals, guitar), Chris Hillman (bass guitar, vocals), Michael Clarke (drums) andBernie Leadon (guitar, vocals). The group toured and recorded their first album, The Gilded Palace of Sin, in 1969 with Parsons acting as the main songwriter and producer.

The album was not a commercial success but is now recognized as a landmark of the country rock genre. Following Parsons’ departure in late 1969, the Flying Burrito Brothers released two more albums without him: Burrito Deluxe in 1970 and AIRborne in 1971. These albums failed to match the critical or commercial success of The Gilded Palace of Sin but were nevertheless influential in the development of country rock.

By 1972, Hillman and Leadon had left the band to join forces with Roger McGuinn as the new members of the Byrds. Keyboardist Al Perkins also became a member of the Byrds during this period. Clarke left shortly thereafter and was replaced by Kenny Wertz. The band continued to tour and release records sporadically through the 1970s with various personnel changes before finally disbanding in 1980.

They were one of the most influential bands of the 1970s

The Flying Burrito Brothers were one of the most influential bands of the 1970s, and their debut album, The Gilded Palace of Sin, is often cited as one of the greatest albums in country rock history. The album features the band’s signature sound – a mix of country, blues, and rock & roll – and includes such classic tracks as “Sin City”, ” Joshua Gone Barbados”, and “Mystic Eyes”. If you’re a fan of country rock or simply looking for a great album to add to your collection, The Gilded Palace of Sin is an essential addition.

This album was released in 1969 and was their debut album

The Flying Burrito Brothers-The Gilded Palace of Sin – (The Best PBS Folk Music CDs You Need in Your Collection)

This album was released in 1969 and was their debut album. It is a mix of country, rock and roll, and blues. The album was produced by Gram Parsons. Some of the tracks on the album are “Sin City”, “Dark End of the Street”, and “Do Right Woman, Do Right Man”.

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