The Phantom of the Opera: Complete Musical Music Sheets
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Introduction
‘The Phantom of the Opera: Complete Musical Music Sheets’ is a compilation of music sheets from Andrew Lloyd Webber’s ‘The Phantom of the Opera’. The compilation includes songs such as ‘Think of Me’, ‘Angel of Music’, ‘The Phantom of the Opera’, and ‘The Point of No Return’.
History of the Opera
The Phantom of the Opera is a French novel by Gaston Leroux. It was first published in 1909. The novel has been adapted into many different forms, including an opera, a musical, and several films.
The Original Novel
The Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialization in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in book form in 1910 by Pierre Lafitte and rapidly became an international bestseller. Its title refers to the opera house of the novel’s main character, Erik.
The novel has been adapted into countless film and stage productions, most notably Andrew Lloyd Webber’s Tony Award-winning musical, which has been running on Broadway since 1988.
The novel tells the story of Erik, a frightening figure who lives beneath the Paris Opera House. He falls in love with the young soprano Christine Daae, and their relationship is fraught with jealousy, obsession, and tragedy.
The First Stage Adaptation
The first stage adaptation of Gaston Leroux’s novel The Phantom of the Opera was produced by Jacques Rouché for the Palais Garnier in 1909. On 29 January, 1909, Rouché announced in Le Figaro that a new grand opera by André Messager based on Leroux’s novel would premiere at the Palais Garnier on 15 October. Rouché’s adaptation was not a success. The first night was attended by President Fallières, Prime Minister Georges Clemenceau, and other notables. At the end of act 2, boos and hisses were heard from many members of the audience. In his memoirs, Clemenceau reported that he himself joined in the booing.
Rouché retired from his position as intendant of the Opéra shortly thereafter and was succeeded by Abel Decaux. Decaux commissioned a new adaptation from Messager, which premiered on 5 January 1911. This production was also a failure; it closed after only sixteen performances.
Decaux then asked Philippe Gille to create a third adaptation, which premiered on 28 April 1913 and was considerably more successful than either of its predecessors, lasting for 230 performances. It featured designs by Paul signac and Édouard Detaille. This production toured France and Belgium before being presented at Covent Garden in London in 1914 with Margaret Halstan in the role of Carlotta Guidicelli and Clara Butt as La Carlotta.
The First Film Adaptation
The first film adaptation of The Phantom of the Opera was released in 1925. The movie starred Lon Chaney, Sr. as the Phantom, and Mary Philbin as Christine Daaé. The film was directed by Rupert Julian and is considered one of the most influential films of the silent era.
The story is set in Paris in the late 1800s, and follows the Phantom as he becomes fixated on Christine, a young opera singer. He proceeds to stalk and terrorize her, and eventually kidnaps her. The film culminates in a dramatic confrontation between the Phantom and Christine’s fiancé Raoul, during which the Phantom is killed.
While the film was not a box office success at the time of its release, it has since gained a cult following and is now widely considered to be a classic.
The Broadway Musical
The Broadway musical The Phantom of the Opera premiered on January 26, 1988, at the Majestic Theatre. The musical was directed by Harold Prince and produced by Robert Stigwood. The original cast included Michael Crawford as the Phantom, Sarah Brightman as Christine Daaé, Steve Barton as Raoul de Chagny, and Judith Anderson as Madame Giry.
The Broadway production won seven Tony Awards, including Best Musical, and was also nominated for the 1988 Pulitzer Prize for Drama. The musical went on to have a successful run of over 13 years, playing a total of 5,461 performances. The Phantom of the Opera was also turned into a successful film in 2004, directed by Joel Schumacher and starring Gerard Butler as the Phantom and Emmy Rossum as Christine Daaé.
The Music of the Opera
The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart and Richard Stilgoe. Based on the French novel Le Fantôme de l’Opéra by Gaston Leroux, its central character is a masked figure who, because of a tragic past, habitually hides in the sewers of the Paris Opera House. And because of his love for the beautiful soprano Christine Daaé, he becomes her guardian angel and helps her become a great success at the expense of the careers of others.
The Opening Sequence
The opening sequence of The Phantom of the Opera is one of the most iconic and well-known pieces of musical theatre ever written. It is instantly recognisable and has been covered by many artists over the years.
The music was written by Andrew Lloyd Webber and the lyrics are by Charles Hart. It is sung by Sarah Brightman and Steve Harley in the original production.
The opening sequence starts with a lone piano playing a simple melody which is then joined by a full orchestra. The music builds to a crescendo as the phantom’s voice is heard singing “The Phantom of the Opera is here, inside your mind”.
This is followed by a section where the phantom’s voice is heard speaking, asking Christine to “Think of me, unafraid”. The music then swells again as Christine begins to sing about her love for the phantom.
The final section of the opening sequence is known as the ” notes” section. This is where the piano plays a series of high-pitched notes which underpin Christine’s vocals. The music then fades out as Christine sings the final line “Phantom, please, come home”.
The “Angel of Music”
The “Angel of Music” is a character in The Phantom of the Opera. He is a spirit who tutors Christine Daaé and gives her musical inspiration. The Angel is really the Phantom in disguise. In the musical, the Phantom’s costume for this guise consists of a mask, cape, and feathered hat.
The “Little Lotte” Sequence
The “Little Lotte” sequence is one of the most important musical pieces in The Phantom of the Opera. It is the first time we hear the character of Christine Daae, and it is also the first time we see the Phantom’s face.
The sequence begins with an instrumental piece called “The Mirror Maze.” This sets the mood for the scene, which takes place in a dark and mysterious part of the opera house. We then hear Christine’s voice as she sings a beautiful but haunting melody called “Little Lotte.” The Phantom joins her for a duet, and we finally see his face as he sings to her.
The music in this sequence is some of the most beautiful and haunting in all of opera. It sets the stage for the rest of the story, and it introduces us to two of the main characters.
The “All I Ask of You” Sequence
The “All I Ask of You” sequence is one of the most iconic and memorable moments in The Phantom of the Opera. In this scene, the Phantom shows his true feelings for Christine by asking her to stay with him forever in theOpera Populaire. The music is incredibly beautiful and haunting, and has been beloved by fans of the musical for decades.
This piece of music is actually a combination of two different songs, both written by Andrew Lloyd Webber. The first part is entitled “angel of music”, and is sung by the character of Christine. The second part is called “The Point of No Return”, and is sung by the Phantom himself.
The two pieces of music are blended together perfectly in the stage production, and create an unforgettable moment in the show. If you’re a fan of The Phantom of the Opera, then this is definitely a piece of music that you need in your collection!
The “Point of No Return” Sequence
The “Point of No Return” sequence is the climax of The Phantom of the Opera. It is a turning point for both the Phantom and Christine, and their relationship. In this sequence, the Phantom finally shows his true self to Christine, and she realizes that she loves him.
The music in this sequence is some of the most beautiful in the entire opera. It starts with a reprise of “The Phantom of the Opera” theme, which has been playing throughout the entire opera. This time, however, it is played on a solo violin, and it is very haunting and beautiful.
The music then turns to a new theme, which is very passionate and intense. This is the theme of love between the Phantom and Christine. It is played on a solo violin at first, but then it is joined by the entire orchestra. This part of the music represents the Phantom’s love for Christine, and how he is finally showing his true self to her.
After this, there is a short section of music that represents Christine’s shock at seeing the Phantom’s true face. This part of the music is very short, but it is very powerful. It represented Christine’s feelings of shock and horror at seeing the man she loves for the first time.
Finally, the music turns back to the “Point of No Return” theme from earlier in the opera. This time, however, it is played on a solo piano, and it is much slower and more sad than before. This part of the music represents both characters’ realization that they can never go back to how things were before; their relationship has changed forever.
The Legacy of the Opera
The Phantom of the Opera is a novel by French writer Gaston Leroux. The novel has been adapted into various media, including film, television, and Broadway musicals. The most well-known adaptation is the Andrew Lloyd Webber musical, which has been running on Broadway for over 30 years. The musical has spawned numerous productions around the world, including in the West End and on tour.
The Broadway Musical Revival
The Broadway musical revival began in the 1970s, and The Phantom of the Opera was one of the first musicals to be revived. The original production opened in 1988 and ran for 7 years, making it the longest-running show in Broadway history. The musical has been revived several times since then, and it is now considered a classic.
The Film Adaptation Sequel
The film adaptation sequel of The Phantom of the Opera was released in 2004. It starred Gerard Butler as the Phantom and Emmy Rossum as Christine. The movie was a box office success, grossing over $154 million worldwide.
The film’s story is loosely based on Gaston Leroux’s novel, with some elements from the Broadway musical by Andrew Lloyd Webber. The setting is moved from Paris, France to New York City in the late 19th century. The Phantom is no longer disfigured, but he still wears a mask to conceal his identity.
The sequel focuses on the love triangle between the Phantom, Christine, and Raoul (played by Patrick Wilson). The Phantom is obsessed with Christine and will do anything to make her love him. He tries to sabotage her relationship with Raoul and even kidnaps her at one point. Ultimately, Christine chooses Raoul over the Phantom and she leaves with him.
The film received mixed reviews from critics. Some praised the acting, particularly Butler’s performance as the Phantom, while others criticized the film for being too different from Leroux’s novel and Lloyd Webber’s musical.
Conclusion
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The Phantom of the Opera: Complete Musical Music Sheets
