Psychedelic Rock Solos That Will Blow Your Mind

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

Looking for some psychedelic rock solos that will blow your mind? Look no further! In this blog post, we’ll share some of the best examples of this style of soloing.

Jimi Hendrix – “All Along the Watchtower”

From the opening howl of an electric guitar, “All Along the Watchtower” is an electrifying experience. Jimi Hendrix took Bob Dylan’s original folk song and turned it into a hard-rocking masterpiece. The original recording is amazing, but Hendrix’s live versions are even more mind-blowing. He was a true virtuoso who could make his guitar sing, cry and wail. If you want to hear a guitar solo that will blow your mind, listen to Jimi Hendrix play “All Along the Watchtower.”

Carlos Santana – “Black Magic Woman”

Santana’s instantly recognizable opening riff is like a shot of adrenaline followed by a smooth dose of guitar magic. His use of vibrato and bends is otherworldly, and his solo is the perfect complement to this classic song.

Steve Vai – “For the Love of God”

From the album Passion and Warfare, this song showcases Vai’s technical abilities in a way that is both jaw-dropping and moving. The solo is one of the most iconic in rock history, and has been imitated by countless guitarists since its release.

Eddie Van Halen – “Eruption”

There are few guitar solos as iconic and mind-blowing as Eddie Van Halen’s “Eruption.” The solo is fast, furious, and full of fire, and it perfectly captures the spirit of ‘70s hard rock. It’s also a perfect example of how to use feedback to create a psychedelic sound.

Slash – “Sweet Child O’ Mine”

Slash is best known as the former guitarist of Guns N’ Roses, but he’s also done some solo work that is just as impressive. One of his most famous solos is “Sweet Child O’ Mine” from the album Appetite for Destruction. The solo starts at around 2:45 and is a perfect example of Slash’s style. It’s a bit bluesy with some minor pentatonic licks mixed in. It’s also a great example of how to use vibrato to add feeling to your playing.

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