Psychedelic Rock Dtoners Dan

Dtoners Dan is a psychedelic rock band from Brooklyn, New York.

Psychedelic Rock

Psychedelic rock, also referred to as simply psychedelia, is a wide-ranging style of rock music characterized by the use of distorted guitars, amplifiers, and other effects, sometimes accompanied by sitar and tabla. The style is most notable for its embrace of extended improvisation and experimentation.

The Beatles

The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the greatest and most influential act of the rock era. Inspired by the music of Chuck Berry and Little Richard, as well as Bob Dylan and the Byrds, they began experimenting with drugs,first marijuana and then LSD, which greatly influenced their creativity and songwriting. They helped to pioneer the genre of psychedelic rock with their 1966 album Revolver, which featured the tracks “Taxman”, “Eleanor Rigby”, and “Yellow Submarine”.

The Rolling Stones

The Rolling Stones are an English rock band formed in London, England, in 1962. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals, harmonica), Keith Richards (guitar, vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued to work with the band as a contracted musician until his death in 1985. The band’s primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group’s manager. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and has been on guitar in tandem with Richards ever since. Since Wyman’s departure in 1993, Darryl Jones has served as touring bassist. The Stones have not had an official keyboardist since 1963; however, they have employed occasional pianists throughout their career.

The Rolling Stones were at the forefront of the British Invasion of bands that became popular in the United States in 1964 and were identified with the youthful and rebellious counterculture of the 1960s. They were instrumental in making blues a major part of rock and roll,[3][4] and of changing the worldwide focus of blues culture from Chicago to Britain.[5] The band members wrote most of their own hits[6] and they are credited with having generated “an explosive cultural shift” that influenced music all over the world.[7][8][9] They were inducted into the Rock and Roll Hall of Fame on 18 January 1989[10]FILE:MICK JAGGER 1967 ROLLING STONES RECORDING ON LOCATION FOR THEIR ALBUM THEIR SATANIC MAJESTIES REQUEST IN WEYBRIDGE SURREY ENGLAND..jpgJagger performing with The Rolling Stones during their 1972 European TourMick Jagger – lead vocals, harmonicaKeith Richards – guitar Charlie Watts – drumsRonnie Wood – guitar;Richards – guitarDarryl Jones – bass

The Rolling Stones were inducted into the UK Music Hall of Fame for their outstanding contribution to British music and international recognition.[11] They have released 30 studio albums, 23 live albums and numerous compilations.[12][13] Let It Bleed (1969) marked their first appearance on LP chart in the United Kingdom for four years,[14][15] while Exile on Main St. (1972) returned them to Billboard 200 chart for 32 weeks,[16]. Four of their studio albums have ranked among Billboard 200’s top 10: Out of Our Heads ((1965)), Aftermath ((1966)), Beggars Banquet ((1968)) em>Let it Bleed ((1969)). Their estimated sales are above 250 million.[17][18] In 1989 they were inducted into Rock Her duu’ ette Stone Temple Pilots duo Chester Bennington(left)and Robert DeLeo(right)in 1992In 1968-69 Dean DeLeo was a member of Stone Temple Pilots India where he played sitar on four tracks including “The Embryo” from The Beatles album Abbey Road
DeLeo is seen here playing at Lollapalooza festival with Stone Temple Pilots 2007

The Kinks

The Kinks, often cited as one of the most important and influential rock bands of the 1960s, were formed in Muswell Hill, north London, in 1964 by brothers Ray Davies and Dave Davies. With their distinctive three-part vocal harmonies and clever wordplay, the Kinks crafted a string of well-loved hits such as “You Really Got Me,” “All Day and All of the Night,” and “Lola.” The band’s sound was often imitated but never duplicated; they are truly one of a kind.

Psychedelic Dtoners

Psychedelic Dtoners are a type of rock that emerged in the late 1960s. This type of rock is known for its use of feedback, extended solos, and complex song structures. Psychedelic Dtoners typically use heavily distorted guitars and experiment with different sound effects to create a “trippy” sound. If you’re a fan of classic rock, then you’re sure to enjoy psychedelic Dtoners.

The Grateful Dead

The Grateful Dead was an American rock band formed in 1965 in San Francisco. The band is known for its eclectic style, which fused elements of folk, blues, country, jazz, bluegrass, and rock. They are also known for their extended improvisations and live performances. The band was inducted into the Rock and Roll Hall of Fame in 1994.

The Doors

The Doors were an American rock band formed in 1965 in Los Angeles, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were unique and among the most controversial and influential rock acts of the 1960s, mostly because of Morrison’s lyrics and his erratic, charismatic stage persona. After the first album, they released four more studio albums in quick succession: Strange Days (1967), Waiting for the Sun (1968), The Soft Parade (1969), and Morrison Hotel (1970). All of these albums sold well and contain a wealth of well-known songs, including “Light My Fire”, “Break On Through”, “The Crystal Ship”, “People Are Strange”, “Love Me Two Times”, “Alabama Song”, “Riders on the Storm” and “L.A. Woman”.

Jimi Hendrix

Hendrix is often considered one of the greatest and most influential guitarists in history. His mainstream career only spanned four years, but his influence on rock music and guitar playing was and remains immeasurable. His innovative style combined elements of blues, jazz, R&B, and rock, creating a sound that was completely new and unique. He was also one of the first guitarists to make widespread use of feedback and distortion.

Psychedelic Folk

Psychedelic Folk is a subgenre of Folk music that originated in the 1960s. It is characterized by its use of electronic instruments and effects, and its experimental and avant-garde approach.

Donovan

Donovan was one of the most successful folk-rock artists of the 1960s. His hits included “Sunshine Superman,” “Mellow Yellow,” and “Hurdy Gurdy Man.” Donovan’s music was deeply influenced by the Beatles, Bob Dylan, and Bert Jansch. He is often credited with popularizing the use of sitar in Western pop music.

The Byrds

The Byrds were a leading psychedelic folk rock band of the 1960s. The band was known for their harmonies, as well as their use of electric guitars and social commentary in their music. The Byrds are often cited as a major influence on the development of both psychedelic rock and country rock.

Jefferson Airplane

Though they emerged from the San Francisco scene in the mid-’60s, Jefferson Airplane were considered part of the counterculture even as they became one of the first American mega-platinum bands. Their formal blend of folk-rock, psychedelia, and blues was as ambitious as it was influential, and it reflected both the utopian dreams and the dark underbelly of the psychedelic experience. With their 1967 album Surrealistic Pillow — which featured their two biggest hits, “Somebody to Love” and “White Rabbit” — Jefferson Airplane became overnight sensations. The band’s popularity only increased with subsequent releases, particularly 1969’s Volunteers, an impassioned response to the Cold War and the conflict in Vietnam. Despite their success, interpersonal tensions within Jefferson Airplane led to an acrimonious split at the end of the decade; these tensions exploded on tape during 1970’s Bless Its Pointed Little Head, a document of a particularly ragged live performance.