Romanian Folk Dances for Bartok Violin Sheet Music
Contents
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Introduction
Romanian Folk Dances for Bartok Violin Sheet Music is a collection of six short pieces based on Romanian folk tunes. The keys are mostly major, and the time signatures are all simple. The first, “Jocul cu bâtă” (“The Stick Game”), is in 3/4 time and is in the key of A major. The second, “Brâul” (“The Sash”), is also in 3/4 time, but it is in the key of D major. “Pe loc” (“In One Spot”), the third dance, is in 2/4 time and is in G major. “Buciumeana” (“The Bukovina”), the fourth dance, returns to 3/4 time, but it is in F major. The fifth dance, “Poarga Românească” (“The Romanian Hornpipe”), is also in 3/4 time and F Major. The sixth and final dance, “Marunelul” (“The Little Drummer”), changes things up by being in 9/8 time, but it remains in F Major.
All six dances are meant to be played together as a suite, but they can also be played individually. They each range in difficulty from pretty easy (Jocul cu bâtă) to somewhat difficult (Marunelul).
The Three Types of Romanian Folk Dances
The Romanian folk dances are some of the most beautiful and intriguing dances in the world. There are three types of Romanian folk dances: the doina, the hora, and the sarba. The doina is a slow, lyrical dance that is often compared to the blues. The hora is a fast, lively dance that is similar to a square dance. The sarba is a slower, more graceful version of the hora.
The Hora
The name “hora” is derived from the Greek word “Choros” meaning space or circle. The hora is danced in a large ring and is usually the first dance performed at a wedding or other big Romanian celebrations. This dance is also popular among non-Romanians, as evidenced by its inclusion in Zorba the Greek, a film set in Greece but with very little actual Greek folk dancing.
The Sârba
The Sârba is a slower and more elegant folk dance, similar to the Viennese waltz. It is usually danced in a circle, with the dancers holding hands. The music is in 3/4 time, and is played on the accordion or fiddle.
The Sârba originated in the town of Sârbi, in the region of Wallachia. It was first mentioned in print in 1788, and was popularized by the composer Eugen Doga, who wrote a famous piece called “Sârba lui Talent”.
The Brâul
The Brâul is a folk dance from Romania typically performed in pairs. The dancers stand facing each other and hold each other’s right hand, with their left hand on the shoulder of the person in front of them.
The dance involves stepping side to side and turning clockwise. It is often done to music with a fast tempo and a 4/4 time signature.
The Characteristics of Romanian Folk Dances
Romanian Folk Dances are divided into three distinct categories: work dances, play dances, and ceremonial dances. The work dances are characterized by their endurance, while the play dances are characterized by their liveliness and spirit. Ceremonial dances are characterized by their grandiose gestures and movements.
The Music
Romanian folk music is extremely varied, from the lyrical and philosophical tunes of the doina, to the hyperactive rhythms of the hora. The dances are also just as varied, from the slow and sensual grace of the sarba, to the energetic stomping of the brâu.
Romanian folk music is largely based onCallback function for checking File API supportdefining rhythm, rather than melody. This is due to the fact that folk dances are generally danced in a circle (or chain), with dancers joining hands. The dancing is often accompanied by a type of fiddle called a tulnic, as well as by other traditional instruments such as piping (nai), drums (toba), zongora and accordion.
The doina is one of the most distinctive Romanian folk tunes. It is a slow and lyrical melody, often played on a pan flute or violin. The doina can be either sad or happy in nature, and sometimes both at the same time. The hora is another popular Romanian folk dance, characterised by its fast pace and energetic movements.
The sarba is a slower and more sensual dance, often used as an expression of love. The brâu is another lively dance, which involves stomping and clapping in time to the music.
The Steps
The basic steps for Romanian folk dances are quite simple, but the challenge lies in the quick, intricate footwork. Dancers must be able to execute coordinated movements with split-second timing while maintaining their balance and stability. The steps themselves are primarily done in place, with the feet either parallel or slightly apart. There are also many small hops and skips involved. The arms are often used for balance and sometimes for decoration, but they do not play a major role in the steps themselves.
One of the most distinctive features of Romanian folk dance is the use of the head and shoulders to create an undulating movement known as “the wave.” This can be done either by itself or in combination with thesteps. It is thought to add a fluidity and gracefulness to the dance, and it is often used as a transition between steps or as an embellishment.
The Costumes
The costumes worn by the dancers are usually colorful and vary depending on the region where the dance originates. The most common colors are red, green, and black, which are believed to bring good luck. The most important part of the costume is the belt, which is often decorated with coins or other objects that jingle when the dancer moves.
The shirts worn by the men are usually white and have long sleeves, while the women’s shirts are usually brightly colored and have short sleeves. The skirts worn by both genders are also usually brightly colored. In some regions, both men and women wear skirts that are decorated with ribbons or fringe.
The shoes worn by Romanian folk dancers are typically made of soft leather and have no heels. This allows the dancers to move quickly and easily while they’re performing.
Conclusion
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