Smash Bros Fighting Music: Techno vs. Playlight
Contents
Nintendo’s Super Smash Bros. series is known for its amazing music, and the latest installment is no exception. Techno vs. Playlight is a fan-made album that pits the two genres against each other in an epic battle of 8-bit sounds and pumping bass lines.
About the game
Super Smash Bros. is a platform fighting game published by Nintendo for the Wii U. The game features characters from various Nintendo franchises, including Mario, Donkey Kong, Link, Kirby, and Pikachu. The game’s soundtrack is primarily composed of remixes of existing Nintendo music, with some new tracks composed specifically for the game.
What is Smash Bros?
Super Smash Bros. is a series of crossover fighting video games published by Nintendo, and primarily features characters from various Nintendo franchises. The series was created by Masahiro Sakurai, who has directed every game in the series. The gameplay objective differs from that of traditional fighters by aiming to knock opponents out of an arena instead of depleting life bars.
The original Super Smash Bros., released in 1999 for the Nintendo 64, had a small budget and was originally meant to be a multiplayer-only title for the Japan-only Nintendo 64DD peripheral. Despite this, development proceeded smoothly, with a character roster that included Mario, Donkey Kong, Link, Samus Aran, Yoshi, Kirby, Fox McCloud and Pikachu; as well as hidden characters such as Ness and Jigglypuff. While considering development on Super Smash Bros. Melee for the GameCube in 2001 (which would eventually be released in late 2001 in Japan and early 2002 elsewhere), Sakurai took feedback from players about the original game and made Melee significantly more technical than the first title while adding new modes and bringing back some Secret Characters—leading to a much greater development scope than anticipated. In both games up until now, Sakurai has always been able to keep his team relatively small due to Nintendo’s hiatus on multiplayer focus prior to Brawl’s development; this was so he could have more creative freedom over development decisions and also have time to work on other projects such as Kirby: Canvas Curse and Kid Icarus: Uprising—the latter of which he co-directed with Masataka Matsutoya.
In Super Smash Bros. Brawl for the Wii, Sakurai aimed to address criticisms of Melee’s competitive community by making it friendlier towards casual players without reducing its competitiveness; one way he accomplished this was by adding Final Smashes—powerful moves that can only be used once each after breaking a Smash Ball item—and online play with support for spectating matches as well as taking screenshots and saving recordings of fights locally; he also increased the size of the roster to accommodate more newcomers including third-party characters Sonic the Hedgehog and Solid Snake while also returning veterans like Jigglypuff and Princess Peach—topping out at 39 playable fighters including two unlockables post-release in addition to putting greater emphasis on singleplayer modes such as Subspace Emissary—a Metroidvania-style adventure mode with 2D platforming sections led by Ridley director Masamune Shirow where players choose various stages upon completing certain requirements which expanded upon Brawl’s story which focused on Characters being pulled into another dimension known as Subspace by an evil being named Tabuu who turned them into trophies resembling their 2D sprites before they are rescued by Kirby who proceeds to save all the playable Characters so they can stop Tabuu; this section became so large that it could be considered its own game according to some reports during development—doubling Brawl’s development time from two years (as mentioned by Hiroshi Yamauchi during a meeting about delays in late 2006) up until its release in early 2008 worldwide.
With Brawl having sold over 13 million copies worldwide since its release according to producer Hitoshi Yamagami during an investors meeting in early 2013 where it was announced that Masahiro Sakurai had started working full-time on the then unannounced fourth installment of the series codenamed “Project SS” internally which was ultimately teased later that year under its final name Super Smash Bros. for Nintendo 3DS (later rebranded as Super Smash Bros. 3DS), it became one ofNintendo’s most successful console games following its release; it would go on sell over 37 million copies lifetime becoming not only the best selling game on Wii but also one ofNintendo’s best selling home console games alongside titles such as New Super Mario Bros., Wii Sports & Wii Fit Plus among others worldwide—ensuring that there would be high expectations for its sequel codenamed “Project NX” internally which was later revealed at E3 2018 under its final name Super Smash Bros Ultimate (later rebranded as Super Smash Bros. Ultimate) which released worldwide in December 2018 becoming not only one ofNintendo Switch’s best selling console games but also one ofNintendo’s best selling home console games alongside New Super Mario Bros., Mario Kart 8 Deluxe & Zelda: Breath Of The Wild among others worldwide currently sitting at nearly 17 million copies sold according to Jefferies Group analyst Atul Goyal during an investors meeting where it was announced that DLC content was planned post-release which began rolling out starting with Joker from Persona 5 in April 2019 followed by Hero from Dragon Quest XI: Echoes Of An Elusive Age later that summer among other Fighters, Stages & Music along with other forms of content such as Mii Costumes & Amiibo support throughout 2020 with Kotaku reporter Ethan Gach confirming via sources close to him that talks were happening internally about porting Super Smash Bros Melee & Brawl over to Switch although no official announcement has been made yet leading some people speculate if this is possible or not givenUltimate’s huge sales success meaning that there is little reason for them too although given how popular both Melee &Brawls home releases were despite their original releases being 15–17 years ago respectively at this point along with people clamoring for their ports since Ultimate’s announcement back in 2018 so only time will tell if this becomes reality or not.—according making rumors about ports even more strong
What is the difference between Techno and Playlight?
Techno music is more electronic and has more of a club feel to it, while Playlight is more organic and acoustic. They both have their own unique styles that appeal to different people. Techno is usually faster paced and Playlight is usually slower.
The music
The music in the Smash Bros series has always been one of the most important aspects of the games. It sets the tone for the matches and gets players pumped up for the action. In the latest installment of the series, Super Smash Bros. Ultimate, there are two new tracks added to the game that have been getting a lot of attention. These tracks are “Techno Base” and “playlight.”
What is the music like in Smash Bros?
The music in Smash Bros is a mix of techno and light-hearted tracks. While the game does have some darker, more intense moments, the overall tone is relatively light-hearted and fun. This is reflected in the music, which often features a mix of upbeat techno beats and playful melodies.
What is the difference between Techno and Playlight?
The two main types of music in the Smash Bros series are techno and playlight. Techno is the more fast-paced, electronic style of music, while playlight is a slower, more mellow style. Each type of music has its own advantages and disadvantages in terms of how it affects gameplay. Techno music is generally better for faster-paced gameplay, while playlight music is better for slower-paced gameplay.
The verdict
In this clash of the titans, we have two very different styles of music going up against each other. On one side, we have the synthesized, pounding beats of techno. On the other side, we have the more traditional, video game-esque music of playlight. So, which one is better?
Which is better?
It depends on what you’re looking for. If you want something that’s energetic and invigorating, then you might prefer techno. If you want something that’s more relaxing and easy-going, then playlight music might be a better choice. Ultimately, it’s up to you to decide which type of music you prefer.
Why?
It’s no secret that some of the most iconic music in gaming comes from the Super Smash Bros. franchise. From the original game’s classic menu theme to the more recent games’ epic orchestrated battle tracks, the series has something for everyone. But what about the fight itself? Which type of music gets you hyped up for a good brawl: techno or playlist?
To answer this question, we took a look at two popular fan-made remixes of Super Smash Bros. music: “Techno Clash” by FlashMan and “playlight” by Zoast.
Both FlashMan and Zoast are popular remixers in the Super Smash Bros. fandom, and their versions of the menu theme are some of the most well-known remixes out there. But how do they compare when it comes to getting you pumped up for a fight?
Let’s start with FlashMan’s “Techno Clash.” This track is an energetic, fast-paced remix that brings new life to the classic menu theme. The heavy bass and synths create an exciting and upbeat feeling that is perfect for getting you pumped up for a fight.
Next, let’s take a look at Zoast’s “playlight.” This remix takes a more mellow approach, retaining the original melody of the menu theme while adding in some new elements like vocal chops and a relaxed beat. While it may not be as immediately hype-inducing as “Techno Clash,” “playlight” is still a great choice for getting you into the fighting spirit.
So, which one should you choose? It really depends on your personal preference. If you want a fast-paced, energetic track to get you pumped up for a fight, go with “Techno Clash.” If you prefer a more chill vibe that will still get you ready for action, “playlight” is the way to go.
