The Techno Music of the Social Network Movie

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

The Social Network movie is the story of Facebook. In the film, Trent Reznor and Atticus Ross created an amazing score that helped to capture the feel of the film.

Introduction

The Social Network is a 2010 American biographical drama film directed by David Fincher and written by Aaron Sorkin. Adapted from Ben Mezrich’s 2009 book The Accidental Billionaires, it portrays the founding of social networking website Facebook and the resulting lawsuits. It stars Jesse Eisenberg as founder Mark Zuckerberg, along with Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, and Armie Hammer as twins Cameron and Tyler Winklevoss.

The film’s soundtrack featured a mix of techno and electronic music, which included tracks from Nine Inch Nails, Pendulum, Boyfriemd Birthday Massacre, Records Made to be Broken and more.

What is Techno Music?

Techno music originated in the mid-1980s in Detroit, Michigan. It is a style of electronic dance music that is characterized by a repetitive 4/4 beat and often contains elements of techno, house, and acid music.

Characteristics of Techno Music

Techno is a type of electronic dance music that originated in Detroit, Michigan in the 1980s. It is characterized by a repetitive 4/4 beat, often with hi-hat cymbals on every quarter note and bass drums on the second and fourth beats. Techno is generally produced for use in nightclubs, rave parties, and festivals.

The History of Techno Music

Techno music is a type of electronic dance music that originated in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word “techno” in reference to a specific genre of music was in 1988. Many styles of techno now exist, but they all share a common lineage traceable back to the original techno parties held in Detroit clubs during the late 1980s.

The Techno Music in the Social Network Movie

The techno music of the social network movie is a great addition to the film. The techno music really helps set the tone for the film and makes it more exciting. It also helps to keep the audience engaged and focused on the action.

The Opening Scene

The Social Network is a 2010 American drama film directed by David Fincher and written by Aaron Sorkin. Adapted from Ben Mezrich’s 2009 book The Accidental Billionaires, it chronicles the founding of social networking website Facebook and the resulting lawsuits. It stars Jesse Eisenberg as founder Mark Zuckerberg, along with Andrew Garfield as Eduardo Saverin.

The film’s score was composed by Trent Reznor and Atticus Ross of Nine Inch Nails, who received the Academy Award for Best Original Score for their work on the film. The opening scene features the track “Hand Covers Bruise” playing over shots of Harvard Yard in the fall of 2003. The scene then cuts to Zuckerberg typing code for Thefacebook in his dorm room. As he types, a techno version of Edvard Grieg’s “In the Hall of the Mountain King” begins to play, which becomes more intense as Zuckerberg continues working.

The Club Scene

The Club Scene features several techno songs, most notably “Intro” by Swedish House Mafia. This song builds up slowly with a simple melody and a heavy beat, before breaking into a complex drop with multiple layers of sound. The song perfectly sets the tone for the club scene, which is full of energy and excitement.

Other techno songs featured in the movie include “Animal” by Miike Snow, “F * ck With Myself” by Perturbator, and “Rubicon” by Trifonic. These songs all have a similar sound to “Intro”, with heavy beats and complex drops. They create an exciting and intense atmosphere that perfectly matches the club scene in the movie.

The Final Scene

The final scene of the Social Network movie is one of the most memorable and talked about scenes in the movie. It features Mark Zuckerberg (Jesse Eisenberg) preparing to give a deposition in the Harvard University courtroom. As he walks through the halls, he is bombarded by questions from reporters. One of the questions he is asked is what his favorite music is. He responds by saying “techno”.

This answer surprises everyone, as they expected him to say something more “serious” or “intellectual”. However, it makes perfect sense when you consider that Zuckerberg is a computer nerd who loves to code. The music that he loves is fast-paced and energetic, just like his life.

The song that plays during this scene is “In The Hall of the Mountain King” by Edvard Grieg. It is a classical piece that has been used in many different movies and TV shows over the years. However, it has never been used in such a memorable and powerful way as it is in this scene.

As soon as the song starts playing, you can feel the tension in the room intensifying. Zuckerberg’s face becomes more serious and focused. The music builds up to a climax as he enters the courtroom, and then suddenly cuts off as he sits down at the witness stand.

This choice of music perfectly sets up the mood for what is about to happen in the scene. We know that Zuckerberg is about to be put under intense scrutiny, and we can feel his anxiety rising along with the music. The sudden cut-off at the end of the song leaves us feeling just as tense and on edge as Zuckerberg himself.

Conclusion

In conclusion, the techno music used in The Social Network movie was very effective in setting the tone and atmosphere of the film. It helped to create a sense of unease and tension between the characters, and also aided in conveying the fast-paced, cut-throat nature of the tech industry. The use of techno music was a key factor in making The Social Network a great movie.

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