What is a Movement in Classical Music?

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

A movement is a self-contained part of a musical composition or musical work. These sections are typically composed of one or more musical episodes or “cells” that are “complete in themselves.”

Introduction

In classical music, a movement is a larger section or division of a work that typically consists of several smaller sections or segments (e.g. themes, melody units, episodes, variations, etc.). Movements are often characterised by their tempo and mood. A given piece may be divided into several movements, each with a different tempo, atmosphere or feeling. For example, Beethoven’s Symphony No. 5 has four distinct movements: an opening sonata-form Allegro con brio, followed by an Andante cantabile con moto in ternary form, a Scherzo: Allegro in minuet and trio form and finally a Rondo: Allegro in sonata rondo form.

The term “movement” is generally used to refer to sections in works from the Classical period onwards. In earlier works such as the Middle Ages and the Renaissance, larger divisions of pieces were often called “parts” (e.g. Partita) or “books” (e.g. Lute Book). The term “movement” also has a specific meaning when applied to works for solo piano: see Piano Sonata#Movements for more on this usage.

What is a Movement?

A movement is a section or a self-contained part of a longer musical composition. In sonata form, for example, the first movement is typically in sonata allegro form, the second movement is usually in slow tempi and the third is in minuet and trio form or in scherzo and trio form.

Definition

In music, a movement is a self-contained part of a larger work or musical composition. These pieces are usually distinct sections of an extended work that are combined to create the overall work. For example, a symphony may be composed of four movements: an opening sonata, a slow central adagio, a minuet and trio, and a final allegro. Each movement is usually quite different from the others in terms of tempo, melody, harmony, and/or form.

Examples

There are many ways to create movement within a piece of classical music. The most common method is to simply have different sections playing different parts at the same time. This is called contrapuntal movement, and it is used extensively in pieces like Bach’s “The Art of Fugue.” However, there are other methods that can be used as well, such as having a single melody played over and over again in different voices or instruments. This is called monophonic movement, and it is often used in Gregorian chants.

The Three Movement Structure

Most classical pieces are in three movements. The first movement is usually the longest and the strongest. It establishes the key, or the tonality, of the piece. The second movement is usually shorter and lighter in mood. The third movement is usually the shortest and most lively.

Sonata Form

Most classical pieces are in three movements, with each movement having its own distinct character. The terminology used to describe these movements can be confusing, so let’s take a look at the three most common types of movement structure found in classical music.

The first type of movement is sonata form. A sonata is a work for one or two instruments, usually in three movements. The first movement is in sonata form, which means that it has two sections, the exposition and the development. The exposition is where the main themes of the piece are introduced, and the development is where these themes are developed and expanded upon. The second and third movements are usually in a different form, such as a rondo or minuet.

The second type of movement structure is rondo form. A rondo is a piece that has a main theme that returns multiple times throughout the piece, interspersed with different episodes or sections. The main theme (or “A” section) will usually appear at the beginning and end of the piece, and sometimes in the middle as well (this middle appearance is called the “coda”). Rondos can be either simple or complex, but they always have this main theme that recurs throughout.

The third type of movement structure is variation form. A variations piece features a main theme that is repeated multiple times, each time with slight changes made to it. These changes can be anything from small embellishments to completely changing the melody or harmony. Sometimes, multiple variations will be grouped together into larger sections (such as theme and variations), but each variation stands on its own as well.

Rondo Form

In rondo form, a principal theme (A) alternates with one or more contrasting themes, each played several times. When all the themes have been repeated, the music returns to the opening idea (A), often in a shortened or slightly altered form to create closure. A typical rondo pattern looks like this: A B A C A D A E A B A. The letters represent different musical ideas, and the numerals represent how many times each one is repeated. In this example, theme A is repeated four times, while themes B, C, D and E are each repeated once.

Concerto Form

Most well known classical pieces are in sonata form, which is a three movement structure. The first movement is in sonata form, the second is usually a slow movement, and the third is a minuet and trio or a rondo.

Concerto Form
The first movement of a concerto is in Sonata Form, with the addition of a solo part for the featured instrument. The second movement is usually a slow movement in ABA form. The third movement is generally in Rondeau Form.

Conclusion

In conclusion, a movement is a section of a larger work that is self-contained musically. It usually has its own melody, harmony, and sometimes even its own tempo and form. Movements are usually categorized by their tempo, which can be fast, moderate, or slow. However, there are other ways to divide up movements, such as by mood or form.

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