When Did American Folk Music Start?

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Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

American folk music is a musical tradition that includes all music made in the United States. This includes songs that have been handed down orally, as well as those that have been written or composed by American musicians.

The Origins of Folk Music

Folk music is a style of music that is deeply rooted in the history and culture of the United States. It is a type of music that is typically passed down from generation to generation, and it often has a strong connection to the land and the people who live on it. Folk music has been around for centuries, and it shows no signs of slowing down.

The British Isles

Though often thought of as a distinctly American genre, folk music actually has its roots in the music of the British Isles. Folk music is generally defined as music that is passed down orally, with no formal compositional structure. This means that the songs are usually very simple, and often about everyday life. ballads about love, loss, and betrayal were particularly popular, as they were easy to remember and pass down. Many of these songs made their way to America with the early settlers, and eventually became codified as American folk songs.

The United States

Folk music of the United States is often considered Americana music. American folk music is a musical tradition that consists of songs originating from the United States. This type of music is often considered roots music because it consists of various environs of styles, including grunge, country, blues, and rock.

The term “folk music” can be used to refer to a wide variety of musical genres, including traditional folk music, Celtic music, bluegrass music, and old-timey music. American folk music has been influenced by a wide range of cultures, including English, Scottish, Irish, African American, and Native American cultures. Folk songs can be about any subject; they are often story songs or love songs. Many folk songs are about the history or struggles of the working class.

The First American Folk Songs

American folk music is music passed down by everyday people, typically not professional musicians. It includes songs that were created for various purposes, such as work, love, church, and dance. The first American folk songs can be traced back to the 18th century. Some of the earliest folk songs were about the Revolutionary War, while others were about love and loss.

The British Ballads

The first American folk songs were brought over by the British in the 1600s. These songs, known as ballads, were originally written in England and Scotland. Many of them told stories of love and loss, of heroes and villains, of ships and storms. These songs were part of the oral tradition, passed down from singer to singer. Some of the best-known ballads include “Barbara Allen,” “Lord Thomas and Fair Annet,” and “The Wife of Usher’s Well.”

The Negro Spirituals

The first American folk songs were the Negro spirituals. These songs were originally sung by slaves in the southern United States. They were written to help slaves escape from their difficult lives. The songs were passed down from generation to generation, and they are still sung today.

The Negro spirituals are a type of Christian song. They often tell stories from the Bible. The spirituals also talk about the hard lives of slaves and their hope for freedom. Some of the most famous Negro spirituals are “Swing Low, Sweet Chariot,” “Amazing Grace,” and “Go Down, Moses.”

The Rise of Folk Music

Folk music has been around for centuries, but it started to become popular in the United States in the early 20th century. The rise of folk music was spurred by the mass migration of people from the countryside to the cities. This migration brought with it a new kind of music that was influenced by the cultures of the people who were moving.

The Folk Revival of the 1920s and 1930s

The 1920s and 1930s saw a revival of interest in American folk music, led by performers such as Woody Guthrie, Pete Seeger, and Lead Belly. This new wave of folk music was heavily influenced by leftist politics, and many of the artists involved were associated with the Communist Party or other left-wing organizations. The folk revival coincided with the rise of the labor movement and the Great Depression, and many of the songs that came out of this period were concerned with social justice and labor rights.

The Folk Revival of the 1950s and 1960s

The American folk-music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Burl Ives, Woody Guthrie, Leadbelly, Josh White, Cisco Houston, John Jacob Niles, Ellison else were popularizers of traditional songs. The Great Depression of the 1930s produced a new blast of social protest in American folk music with songs about labor rights, economic hardship and Dust Bowl displacement; Woody Guthrie’s “I Ain’t Got No Home” (1940) was emblematic. Will Geer’s The Broadside Quartet popularized traditional tunes on records and radio during the 1930s–40s.

The Legacy of Folk Music

Folk music has been a part of the American experience for centuries. Its influences can be seen in the music of today, from country to rock and roll. Folk music has had a significant impact on American culture, shaping the country’s identity. Let’s take a look at the history of folk music in America.

The Folk Tradition in America

Folk music in America is as diverse as the people who create it. It encompasses songs passed down through families and communities, as well as new songs written in the folk tradition. While American folk music has its roots in the music of Europe, it has been shaped over the centuries by the musical traditions of many different cultures.

The first American folk music was brought to the continent by English and Irish immigrants in the 1600s. These immigrants brought with them a rich musical heritage that included ballads, hymns, and songs about love, loss, and rebellion. Folk music was also influenced by the music of African slaves and Native Americans. Over time, these cultures began to fuse, creating a truly American sound.

By the early 1800s, American folk music had begun to develop its own distinctly national character. The popularity of singing schools and shape-note hymnals helped spread folk music throughout the country. In 1820, Massachusetts printer Eben Tourjee published The New England Harmony, one of the first collections of American folk songs. Around the same time, New York City songwriter Stephen Foster began writing sentimental ballads about life in America. His songs, such as “Oh! Susanna” and “Beautiful Dreamer,” would become some of the most iconic folk songs in history.

In the late 19th and early 20th centuries, American folk music underwent a major transformation. The invention of recording technologies like phonograph and radio allowed folk musicians to reach a wider audience than ever before. At the same time, a new generation of songwriters began to draw on traditional folk melodies and themes to create working-class anthems like “Solidarity Forever” and “This Land Is Your Land.” This new breed of folksinger would come to be known as “protest singers,” and their songs would inspire social change throughout the world.

The Folk Tradition in Britain

In Britain, the folk tradition was at its most powerful in the eighteenth century. It is difficult to be sure when the tradition began, but there are references to it in Chaucer and Shakespeare, and there are many ballads which were probably collected in the sixteenth century. The folk tradition was originally oral-that is, it was passed on from person to person by word of mouth. Only later were folk songs written down and published.

There are three main types of folk song in Britain: ballads, love songs, and work songs. Ballads are usually about heroes and suitable for singing at fairs or markets. Love songs often deal with unrequited love, and work songs include sea shanties and agricultural songs. The most famous British folk song is ‘The Unnamed Soldier’, which was collected by Percy Grainger in 1923.

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