When Was Post-Dubstep Arrived on the Music Scene?

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Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

The post-dubstep scene is a relatively new one, having only arrived on the music scene within the last decade or so. That said, the genre has already made a big impact, with its unique blend of dubstep, grime, and electronica.

Origins

Post-dubstep is a musical genre that emerged from the British electronic music scene in the late 2000s. The earliest use of the term “post-dubstep” was in 2007, when an article in The Guardian used it to describe the work of producers such as Burial and Mount Kimbie.

Where did post-dubstep come from?

Post-dubstep is a genre of electronic music that evolved from dubstep, using elements of various other styles such as 2-step, garage, grime and techno. The style emerged in the early 2010s and was pioneered by artists such as James Blake, Mount Kimbie and Joy Orbison.

Who were the key pioneers?

Post-dubstep is a genre of electronic dance music that emerged in the late 2000s. It is characterized by complex rhythmic patterns, often with syncopated basslines, and bold synthesizer melodies. The style often incorporates elements of other genres, such as rap, grime, 2-step garage, and dubstep.

The key pioneers of post-dubstep include Burial, Mount Kimbie, James Blake, and SBTRKT. These artists took the foundation laid by early dubstep artists such as Skream and Benga, and built upon it to create a new sound.

While post-dubstep did not achieve the mainstream success of other electronic dance music genres, it has had a significant impact on the underground scene. The genre has spawned a number of subgenres and offshoots, including wonky, future garage, and Neurofunk.

Characteristics

Post-dubstep is a musical genre that developed out of the London-based dubstep scene in the late 2000s. It is characterized by elements of dubstep and 2-step garage, as well as other electronic genres such as house, techno, wonky, and electronica.

What are the key characteristics of post-dubstep?

In its broadest sense, post-dubstep is a catch-all term for anything following in the lineage of dubstep that isn’t simply more dubstep. This can include artists who adopt elements of dubstep into other genres like techno, grime, house, Drum and Bass, and even pop music.

The key characteristics of post-dubstep are a focus on melody and atmospherics, rather than simply on basslines and syncopated rhythms. Post-dubstep tracks often have a much slower tempo than regular dubstep, and may even border on ambient or chilled out territory. This emphasis on melody often leads to post-dubstep being compared to shoegaze music, or to the early work of dubstep pioneers Burial and Mount Kimbie.

How does it differ from dubstep?

Post-dubstep is a genre of electronic music that emerged in the late 2000s, following the meteoric rise of dubstep. The term originally referred to a style of music that built on the foundation laid by dubstep, but was lighter and airier, with more space between the beats. In recent years, the term has come to encompass a wide range of styles, including those with little or no connection to dubstep.

While post-dubstep shares some sonic similarities with dubstep – including syncopated rhythms, deep basslines and sparse arrangements – it is typically chara

The Scene

Post-dubstep is a subgenre of dubstep that emerged in the late 2000s. It is characterized by dubstep’s polyrhythmic musical structures and often features guest vocalists. Post-dubstep is often experimental and draws influence from other genres such as 2-step garage, grime, and house.

When did post-dubstep arrive on the music scene?

Post-dubstep is a subgenre of dubstep that emerged in the late 2000s. The style is typified by sparse, minimal half-time beats and often features low-pitched, filtered bassline synthesizers. It further incorporates elements from IDM, footwork, and 2-step garage.

In 2010, Resident Advisor said post-dubstep “represented a continuation of the ideas initiated by dubstep’s early pioneers [such as] Burial and Kode9.” By late 2012, sites like Pitchfork and Fact began to use “post-dubstep” more frequently to describe artists like Mount Kimbie and James Blake. In 2013, Musically, post-dubstep was described as “the natural progression” from dubstep; Spin said it was “steadily moving away from club culture.”

What has been its impact?

The impact of post-dubstep on the music scene has been both widespread and hugely influential. In the past decade, the genre has seen a massive surge in popularity, becoming one of the most popular and well-known genres of electronic music. Its impact has been felt across the globe, with artists from all corners of the world embracing its unique sound.

Post-dubstep has often been credited with breathing new life into the electronic music scene, introducing a new generation of fans to the genre. Its popularity has also seen it cross over into other genres, with many post-dubstep tracks becoming global hits. In recent years, the genre has continued to grow in popularity, with more and more artists experimenting with its sound. As it continues to evolve, there’s no doubt that post-dubstep will continue to have a huge impact on the music scene for years to come.

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