YouTube Italian Opera Music: The Best Instrumental Songs

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

Looking for some great Italian opera music to help you relax or get pumped up? Check out our list of the best instrumental songs from some of the biggest names in the genre!

Introduction

YouTube has become a go-to source for all kinds of music, including opera. If you’re looking for the best Italian opera music, you can find it on YouTube.

There are a number of great channels that feature nothing but Italian opera music, and we’ve compiled a list of our favorites. So whether you’re looking for the best arias or the best instrumental pieces, these channels have you covered.

The Best Instrumental Songs

YouTube offers a wide variety of Italian opera music that can be enjoyed by everyone. The best instrumental songs will be those that are timeless and appeal to a wide audience. They should be easy to listen to and provide a good listening experience.

“Nessun Dorma”

The best-known instrumental piece from Italian opera is “Nessun Dorma” from Giacomo Puccini’s Turandot. The aria is sung by the character Calaf, who has fallen in love with the Chinese princess Turandot and must prove his worthiness to marry her. The aria’s most famous line, “Nessun dorma!” (“None shall sleep!”), is an appeal to the gods to grant him strength for the challenge ahead.

“Con te partirò”

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“Funiculì funiculà”

“Funiculì funiculà” is a popular Neapolitan song written by Luigi Denza to commemorate the opening of the first funicular railway on Mount Vesuvius. The song was first performed on February 8, 1880, and quickly became a huge success. It has been covered by many artists over the years, including Enrico Caruso, Mario Lanza, and Luciano Pavarotti.

“La donna è mobile”

“La donna è mobile” is an aria from Giuseppe Verdi’s opera Rigoletto. It is one of the best-known pieces of Italian opera music. The aria is sung by the Duke of Mantua, a womanizing nobleman, in the third act of the opera. The aria’s popularity has led to its use in many other works of popular culture, including movies and television shows.

Conclusion

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