What is the Funk Music Used in the Trolls Movie?

If you’re a fan of the Trolls movie, then you’re probably wondering what that funky music is all about. Well, wonder no more! In this blog post, we’ll take a closer look at the history and origins of the funk genre, and how it’s used in the Trolls movie.

Introduction

The Funk Music Used in the Trolls Movie is a form of popular music that developed in the United States in the early 1970s. It has its roots in African American soul music and funk. The genre is characterized by a strong groove and electric basslines.

The trolls movie features many funk-styled songs such as “Can’t Stop the Feeling!” and “Get Back Up Again”. These two tracks are performed by Justin Timberlake and Anna Kendrick respectively. The film’s soundtrack also includes contributions from other artists such as Gwen Stefani, Ariana Grande, and Earth, Wind & Fire.

The troll’s movie soundtrack won the Grammy Award for Best Compilation Soundtrack for Visual Media at the 59th annual ceremony.

The History of Funk Music

The Funk music used in the Trolls movie is a style of music that originated in the mid-1960s. It is a combination of African-American rhythms with psychedelic rock. Funk is characterized by a strong bass line, elaborate drumming, and often has a horn section. The goal of funk music is to get people moving and dancing.

James Brown and the Birth of Funk

Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground.

The word funk initially referred to a strong odor. It is derived from Latin fumigare (“to smoke”) via Old French fungiere and, in this sense, was first attested in English in 1620. In 1784, it was used to describe a sweet wine imported from Germany. By the early 19th century, funk was used as a slang term for offensive odor or something that wasmusty.

The first use of the word funk to refer to music occurred in an article published on October 20, 1914, in the Detroit Sunday Tribune. In it, author RobetÍÍtel described koslovski, a “Polish dance with African rhythms” that had been brought to Detroit by Polish immigrants. The article noted that koslovski “funked up the place” and “brought the house down.”

In the late 1960s and early 1970s, Parliament-Funkadelic (often shortened to P-Funk) became one of the most popular Funk bands. Formed by George Clinton, Parliament-Funkadelic developed a unique style that blended elements of Soul, Rock, R&B, Psychedelia, and Funk. Clinton’s vision for Parliament-Funkadelic was ambitious—he envisioned it as “a multimedia funktronic spaceship” that would take Funk music to new levels of popularity.

And indeed Parliament-Funkadelic did help bring Funk music to new levels of popularity in the 1970s. With their distinctive mix of Funk, Soul, Rock, R&B, and Psychedelia, Parliament-Funkadelic created some of the most innovative and groundbreaking music of the decade. They also had a huge impact on fashion and style—their flamboyant stage costumes and outrageous hair served as an inspiration for many Hip Hop and R&B artists who would come later.

While Parliament-Funkadelic may have been one of the most popular Funk bands of the 1970s, they were by no means the only ones making great Funk music during this time period. Other notable Funk bands from this era include Sly & The Family Stone, Kool & The Gang, Ohio Players, Maceo Parker.,Bootsy’s Rubber Band And The Meters . Futhermore , George Clinton would also go on to produce solo albums under his own name as well as with Parliament , which featured songs like “Atomic Dog” .

George Clinton and Parliament-Funkadelic

George Clinton and Parliament-Funkadelic (which he led) was a highly influential American musical collective of the late 20th century that began as a psychedelic rock band and eventually morphed into a funk and soul powerhouse. One of the band’s most popular songs, “Flash Light,” was featured in the 2016 movie Trolls.

Clinton was born in Kannapolis, North Carolina, in 1941. He moved to Plainfield, New Jersey, as a teenager, where he formed several doo-wop groups before striking out on his own with The Parliaments, an R&B outfit that had minor success with the singles “(I Wanna) Testify” and “I Can Feel Your Pain.” In 1967, Clinton began experimenting with a more psychedelic sound, adding keyboardist Bernie Worrell and bassist Bootsy Collins to The Parliaments. The new direction yielded the album Maggot Brain (1971), widely considered one of the greatest psychedelic rock albums ever made.

As Clinton’s sonic experiments became increasingly ambitious—and successful—he began billing his bands as Parliament and Funkadelic (or P-Funk), two separate but interconnected ensembles that would soon become one of the most groundbreaking and prolific recording acts of all time. Highlights from Parliament’s catalog include the landmark hits “Up for the Down Stroke” (1974), “Give Up the Funk (Tear the Roof Off the Sucker)” (1975), and “Flash Light” (1978). Funkadelic’s inventive blend of funk, soul, rock, and psychedelia yielded such classic albums as One Nation Under a Groove (1978) and Uncle Jam Wants You (1979).

In the 1980s, Clinton streamlined Parliament-Funkadelic into a more compact unit known simply as The P-Funk All-Stars. This incarnation of the band enjoyed considerable success with such platinum albums as Urban Dancefloor Guerillas (1983) and Electric Spanking of War Babies (1986). In recent years, Clinton has continued to record and tour with various members of Parliament-Funkadelic; he was inducted into the Rock & Roll Hall of Fame in 1997.

Bootsy Collins

Bootsy Collins is a legendary bass player, singer and songwriter who has been a driving force in the funk music scene since the 1970s. He is best known for his work with Parliament-Funkadelic, but has also played with James Brown, Bootsy’s New Rubber Band and his own group, Bootsy’s Rubbert Band. He is considered one of the most influential bass guitarists of all time, and his unique style has been adopted by many other players.

The G-Funk Era

In the early 1990s, rappers in Compton, California, and Long Beach, California, created a subgenre known as G-funk (or gangsta-funk), which blended the sounds of 1970s Soul with modern Hip Hop. G-funk songs often feature slow and sexually charged rhythms, synthesizers, and clean bass guitar lines. Lyrics often focus on themes such as drug use, urban poverty, and gang home life. West Coast G-funk artists such as Dr. Dre and Snoop Dogg helped make Hip Hop a commercial success in the early to mid-1990s.

The Use of Funk Music in the Trolls Movie

Funk music was used extensively in the Trolls movie to create a fun and light-hearted atmosphere. The use of funk music helped to create an upbeat and positive mood, which was perfect for the film’s target audience. Funk music is often associated with parties and dancing, which made it the perfect choice for a movie like Trolls.

The Opening Scene

The opening scene of the movie Trolls features the song “Get Back Up Again” by Anna Kendrick. The song is a re-recorded version of the original song by Lionel Richie. This particular scene uses funk music to set the tone for the rest of the movie. The use of funk music in this opening scene coincides with the energy and positivity that is later conveyed throughout the film.

Funk is a style of music that originated in the 1960s and 1970s. It is characterized by a groove-oriented sound and often features electric bass and horns. Funk poems often focus on topics such as dancing, love, and social issues. The use of funk music in Trolls helps to create an upbeat and fun atmosphere for viewers.

The “Can’t Stop the Feeling” Dance Sequence

The “Can’t Stop the Feeling” dance sequence in the movie Trolls is set to the song of the same name by Justin Timberlake. The dance is performed by the characters of Poppy and Branch, who are voiced by Anna Kendrick and Justin Timberlake respectively. The sequence features the two characters dancing together in an apartment, with Poppy teaching Branch how to do the “Funk” dance. The dance itself is a mix of various styles, including popping and hip-hop.

The song “Can’t Stop the Feeling” was released as a single in May 2016, ahead of the release of the Trolls soundtrack. It was a commercial success, reaching number one in several countries including the United States, Australia, and Canada. The song won a Grammy Award for Best Pop Solo Performance at the 59th Annual Grammy Awards.

The “Get Back Up Again” Sequence

In the “Get Back Up Again” sequence, Poppy and her friends are singing and dancing along to what sounds like a classic funk song. The song is actually a cover of the 1971 hit “I Want You Back” by The Jackson 5, performed by Justin Timberlake (who also voices one of the characters in the movie).

The use of funk music in this scene is significant because it helps to set the tone and atmosphere of the movie. The upbeat tempo and positive lyrics of the song help to create a happy and uplifting mood, which is perfect for a movie that is all about celebrating friendship and individuality.

Conclusion

Based on what we’ve heard in the movie so far, it’s fair to say that the funk music used in Trolls is a mix of classic and modern funk. While some of the tracks are clearly inspired by the likes of James Brown and Parliament-Funkadelic, others have a more contemporary feel. Whether you’re a fan of the old school or the new school, there’s something for everyone in the Trolls soundtrack.