Who Did the Music for the Movie Soul?
We take a look at the composer behind the music for the movie Soul – Trent Reznor of Nine Inch Nails fame.
Music in the Movie Soul
The music for the movie Soul was done by composer Trent Reznor and Atticus Ross. The movie Soul is a Pixar movie about a jazz musician named Joe Gardner. The music in the movie is very important to the story.
Themes of the movie
The movie Soul is a work of fiction, but its music is based in reality. Composer Trent Reznor and music supervisor Kier Lehman wanted the film to feel like a love letter to jazz, so they worked with renowned musicians to create an original score that would pay tribute to the genre while also feeling fresh and new. The result is a beautiful and complex tapestry of sounds that are both familiar and new.
The film’s primary theme is “the pursuit of excellence,” which is reflected in the music. The score features traditional jazz instrumentation and harmonies, but the compositions are also filled with invention and creativity. Themes of family, community, and self-discovery are also woven into the music.
In addition to the original score, the movie features over 20 classic jazz recordings from artists like Miles Davis, John Coltrane, Nina Simone, and Ella Fitzgerald. These songs help to create a rich and authentic feeling for the world of the film.
Use of music in the movie
The use of music in the movie Soul is significant due to the way in which it diegetically and non-diegetically works to create meaning and affect the emotions of the viewer. The music within the film can be separated into three categories: source music (music originating from diegetic sources within the film’s world), needle drops (pieces of non-diegetic music that are diegetically sourced), and original score (non-diegetic music composed specifically for the film).
Source music is used sparingly throughout the film, with most of it coming in the form of interval training montages scored to upbeat jazz tracks. These scenes work both diegetically and non-diegetically – diegetically, they show our protagonist(s) working hard to achieve their goals, while non-diegetically they pump up the viewer and get them invested in the characters’ success.
Needle drops are used to great effect in a number of scenes, most notably in Joe’s interactions with 22. The first time we hear a needle drop is when Joe puts on some record he likes in an attempt to connect with 22. The second time is during their “date night” where they go see a jazz performance together. In both of these cases, the needle drops serve to underscore Joe’s emotional state – his initial awkwardness around 22, his elation at finally connecting with her, etc.
The original score for Soul was composed by Trent Reznor and Atticus Ross, and it consists mostly of mellow piano pieces that reinforce the film’s themes of introspection and longing. One particular standout is the main theme, which plays over the film’s credits and bookends Joe’s journey with a sense of hopefulness and possibility.
The Composer
The music for the movie Soul was composed by nine-time Grammy Award winner Trent Reznor and Atticus Ross. The movie’s score was Reznor and Ross’ first feature film score.
Who is the composer?
The composer of the music for the movie Soul is none other than Pete Docter, one of the directors of the movie. Docter has been a part of many Pixar movies in the past, such as Up, Inside Out, and Monsters Inc.
What is the composer’s background?
The composer of the score for the Pixar movie “Soul” is Trent Reznor, best known as the frontman for the industrial rock band Nine Inch Nails. Reznor has been composing music for films and television since 2000, when he worked on the David Fincher film “The Social Network.” He has since gone on to collaborate with Atticus Ross on scores for films like “The Girl with the Dragon Tattoo,” “Gone Girl,” and “The Irishman.”
What other movies has the composer worked on?
The composer for the movie Soul is Jon Batiste. Jon Batiste is an American musician, composer, bandleader, and television and film actor. He is the Music Director of The Late Show with Stephen Colbert, and a member of the rock band Stay Human. Jon has also worked on the following movies:
-Buckwheat’s Groove
-The Black Godfather
-The Greatest Showman
-Reel in the Clams
The Music
Grammy- winning jazz pianist Jon Batiste did the music for the movie Soul. He was born in Kenner, Louisiana, and grew up in a musical family. His father, Michael Batiste, is a bassist, and his grandfather, Walter “Wolfman” Batiste, was a drummer. Batiste started playing piano when he was five years old.
What type of music is in the movie?
The music in the movie Soul is a mix of jazz, gospel, and R&B.
What are some of the songs in the movie?
The movie Soul features an original score by Trent Reznor, Atticus Ross and Jon Batiste. It also includes a number of classic and contemporary songs, including:
“God Bless the Child” – Billie Holiday
“Cantique de Noël (O Holy Night)” – Nat King Cole
” Eclipse” – Charles Mingus
“Sunny Side of the Street” – Louis Armstrong
“La-La-Means I Love You” – The Delfonics
“Runnin’ ” -Pharoah Sanders
How does the music fit the themes of the movie?
The music in Soul is integral to the plot and themes of the movie. The film is about a jazz musician named Joe Gardner, who is struggling to find his purpose in life. The music helps to convey Joe’s emotional journey, as well as the film’s themes of hope, identity, and finding one’s true passion in life.
The film opens with a scene of Joe playing jazz at a club. The music is lively and upbeat, reflecting Joe’s love for music and his joy in playing it. As the film progresses, Joe experiences a series of setbacks and disappointments that cause him to question his place in the world. The music becomes more introspective and reflective during these scenes, conveying Joe’s uncertainty and internal conflict.
Near the end of the film, Joe has a moment of epiphany that allows him to see his life in a new light. The music swells and becomes uplifting at this point, conveying Joe’s newfound hope and sense of purpose. This final sequence is one of the most memorable moments in the film, thanks in large part to its moving and beautifully orchestrated score.
