The Top Ten Dubstep Songs of All Time

A countdown of the top ten dubstep songs of all time, as decided by the fans.

What is Dubstep?

Dubstep is a genre of electronic music that originated in South London in the late 1990s. It is generally characterized by sparse, syncopated rhythmic patterns with bass lines that contain prominent sub-bass frequencies. The style emerged as an offshoot of UK garage, drawing on a lineage of related styles such as 2-step and dub reggae. In the early 2000s, dubstep began to achieve mainstream popularity in nightclubs, especially those in London.

The Origins of Dubstep

Originating in South London in the late 1990s, dubstep emerged as a new genre of electronic dance music. The style is characterized by heavy basslines and synth sounds, as well as sparse, punctuated rhythms. Over the years, dubstep has evolved and changed, but the characteristic sound remains the same.

Today, dubstep is popular all over the world, with fans of all ages. If you’re new to the genre, or just looking for some good tunes, check out our list of the top ten dubstep songs of all time.

The Top Ten Dubstep Songs of All Time

Are you a fan of dubstep? Do you love the heavy bass and fast tempo? If so, you’ll love this list of the top ten dubstep songs of all time. From classics like “Scary Monsters and Nice Sprites” to more recent hits like “Get Low,” there’s something for everyone.

“Benga Beats” – Benga

Benga is one of the most well-known and respected dubstep artists out there. His song “Benga Beats” is a true classic in the genre. The song features a simple, yet catchy melody that will stay in your head for days. The bassline is absolutely huge, and the drops are absolutely massive. This is one of those songs that you just have to hear to believe.

“Scary Monsters and Nice Sprites” – Skrillex

“Scary Monsters and Nice Sprites” is a song by American record producer Skrillex. It was released as a single on October 22, 2010, and on the Week of October 28, 2010, it debuted at number 58 on the Billboard Hot 100. The following week, it rose to number 16, making it his highest-charting single yet. As of December 2016, the song has sold 3 million copies in the United States.

“Get Free” – Major Lazer

“Get Free” is a song by American electronic music group Major Lazer from their second studio album Free the Universe (2013). The song was written by Diplo, Amber Coffman, and Pharrell Williams, and produced by Major Lazer and Bad Royale. It was released as a single on June 18, 2012.

The song’s composition contains elements of reggae and dancehall, while the lyrics evoke themes of freedom and emancipation. “Get Free” received positive reviews from critics, with many lauding its production and lyrics. The song peaked at number 79 on the UK Singles Chart, making it Major Lazer’s highest-charting single in the country to date.

A music video for the track was released on June 18, 2012. It features an array of cultural references including ancient Egyptian hieroglyphics, Ancient Greek statues, and Aboriginal Australian art. The video ends with a dedication to Trayvon Martin.

“Alive” – Krewella

“Alive” is a song by American electronic dance music group Krewella. It was released on June 18, 2013 as the lead single from their debut studio album Play Hard (2013). The song was written by group members Jahan Yousaf, Yasmine Yousaf and Kris Trindl, and produced by Rain Man. Musically, “Alive” is an electro house and dubstep song with elements of trance and drum and bass. The song peaked at number thirty-two on the US Billboard Hot 100 and entered the top ten of the dance/electronic songs chart. It also became a top five hit in Australia, New Zealand, Poland and the United Kingdom.

“Rudeboy” – Flux Pavilion

“Rudeboy” is a song by British dubstep producer Flux Pavilion. It was released as a single on 27 June 2011, and peaked at number fifty-nine on the UK Singles Chart. The song was included on his debut album, Lines in Wax.

“Bass Cannon” – Doctor P

“Bass Cannon” is a song by English dubstep producer Doctor P. It was released on 26 September 2011 as a single from his second studio album, Tetris. The song peaked at number 41 on the UK Singles Chart.

The song’s title and sound are a reference to the Nintendo game Super Smash Bros. Brawl, in which one of the items that can be used is a Bass Cannon, which fires a large bass-clef symbol that damages anyone it comes into contact with.

“Tetris” – Knife Party

“Tetris” is a song by Australian electronic music duo Knife Party. It was released via digital download on 28 August 2012 as the second single from their extended play (EP) Rage Valley (2012). The song peaked at number 59 on the UK Singles Chart.

“Cinema” – Skrillex

Released in 2011, “Cinema” is a Dubstep song by American DJ and record producer Skrillex. The song features British singer and songwriter Gary Go on vocals. “Cinema” was released as a single on Beatport on June 7, 2011, and was later included as a bonus track on Skrillex’s debut studio album, Bangarang (2011).

“Cinema” received generally positive reviews from critics. The song peaked at number 79 on the UK Singles Chart, making it Skrillex’s highest-charting single in the United Kingdom at the time. In the United States, “Cinema” peaked at number 64 on the Billboard Hot 100 chart, becoming his second consecutive top 100 hit in that country following the success of his previous single, “Scary Monsters and Nice Sprites”.

“Bonfire” – Knife Party

“Bonfire” is a song by Australian electronic music duo Knife Party. The song was released on 21 May 2012 as a single from their debut studio album, Rage Valley (2012). The song peaked at number 56 on the UK Singles Chart and number 45 on the US Billboard Hot Dance Club Songs chart.

“Levels” – Avicii

“Levels” is a song by Swedish DJ and producer Avicii, released as a single in October 2011. The song was written by Avicii, Etta James and Leroy Kirkland, and produced by Avicii. It samples the 1962 soul song “Something’s Got a Hold on Me” by Etta James. “Levels” reached the top ten in over ten countries including Belgium, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, the Netherlands and Sweden. In the UK, the song peaked at number four on the UK Singles Chart, making it Avicii’s highest-charting single in the UK.