The Harmonic Range of Electronic Dance Music

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Contents

The harmonic range of electronic dance music is one of its most important aspects. By understanding and utilizing this range, producers and DJs can create more interesting and dynamic tracks. In this article, we’ll explore the harmonic range of EDM and how it can be used to create more interesting music.

Introduction

Electronic dance music (EDM) is a genre of music that is typically characterized by a strong beat and a noticeable lack of harmonic content. The term “EDM” was first coined in the early 1990s, but the genre has its roots in earlier forms of electronic music such as house and techno.

While EDM is often criticized for its lack of musicality, there is a great deal of variety within the genre, and many EDM tracks do contain harmonic elements. In fact, the harmonic range of EDM can be quite wide, encompassing everything from simple two-chord progressions to complex polyphonic textures.

In this article, we’ll take a closer look at the harmonic range of EDM and explore some of the different ways that producers create harmony in their tracks. We’ll also touch on some of the challenges that EDM producers face when trying to create harmonically rich music.

The History of Electronic Dance Music

Electronic Dance Music, or EDM for short, is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. EDM is generally produced for playback by DJs who create seamless selections of tracks, called a mix, by segueing from one recording to another.

Early Electronic Dance Music

The first electronic dance music was created in the early 1920s, when composers began using electronic instruments to create new, experimental sounds. This new type of music was different from anything that had been heard before, and it quickly gained popularity among young people.

In the late 1940s and early 1950s, a style of music called “musique concrete” began to gain popularity in France. Musique concrete is an early form of electronic music that uses recorded sounds as its primary musical element. This style of music was influential in the development of later electronic dance music genres such as techno and house.

In the 1960s, German composer Karlheinz Stockhausen created a type of electronic music called “electronic sound synthesis.” Thisnew form of music used a variety of electronic devices to create sounds that had never been heard before. Stockhausen’s work was influential in the development of subsequent electronic dance music genres such as trance and drum and bass.

In the 1970s and 1980s, a style of electronic dance music called “disco” became popular in nightclubs around the world. Disco is a genre of dance music that is characterized by its heavy use of synthesizers and drum machines. The popularity of disco led to the development of other electronic dance music genres such as house and techno.

The First Wave of Electronic Dance Music

The first wave of electronic dance music appeared in the late 1950s and early 1960s, with pioneers likeexperimenting with new ways to create and manipulate sounds using electronic devices. This led to the development of new genres like musique concrète and tape music, which paved the way for subsequent electronic music genres.

In the 1970s, disco began to dominate the club scene, and electronic dance music began to develop into a more distinct genre. Key figures in this era include Giorgio Moroder, who produced pioneering disco hits like “I Feel Love,” and Kraftwerk, who created influential electronic pop songs like “Autobahn.”

During the 1980s, electronic dance music was further developed by a new generation of musicians who were influenced by both disco and punk. These artists experimented with synthesizers and drum machines to create bold new sounds that were perfect for dancing. This era saw the rise of genres like house and techno, which would come to define the sound of club culture in the decades that followed.

The Second Wave of Electronic Dance Music

During the 1990s, a second wave of electronic dance music emerged. This time, the focus was on a new kind of dance music known as trance. Trance DJs like Paul Oakenfold and Sasha heavily influenced by progressive house and techno. They took the layered, complex structure of progressive house and techno and distilled it down to its essence. The result was a style of music that was more accessible and easy to dance to. By the mid-1990s, trance had become one of the most popular forms of electronic dance music in the world.

The Third Wave of Electronic Dance Music

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The Third Wave of Electronic Dance Music, also known as EDM, began in the early 1990s. This wave was characterized by the use of synthesizers and drum machines to create a new type of music. EDM was influenced by previous waves of electronic music, such as house and techno. However, it was also influenced by other genres of music, such as pop and rock.

EDM became popular in the United States in the late 1990s and early 2000s. In the United States, EDM is often associated with clubs and parties. In Europe, EDM is more often associated with festivals.

There are many different subgenres of EDM, such as trance, techno, house, electronica, and others.

The Characteristics of Electronic Dance Music

Electronic Dance Music, also known as EDM, is a type of music that is produced using electronic instruments and equipment. The music is characterized by its fast tempo, often between 120 and 150 beats per minute. It is also typically very loud, with a heavy bass line and synthesized sounds.

The Tempo of Electronic Dance Music

The tempo of electronic dance music is usually between 120 and 160 beats per minute (bpm), with a significant proportion of tracks in the range 130-140 bpm.130 bpm is a very commonly used tempo in EDM, as it offers a good balance between being fast enough to create excitement, but not so fast that it becomes difficult to dance to. However, many slowertracks are also becoming popular, with tempos as low as 100 bpm.

The Harmonic Range of Electronic Dance Music

The harmonic range of electronic dance music (EDM) is one of its most distinctive and easily recognizable features. The term “harmonic range” refers to the number of different pitches that are used in a piece of music. In EDM, the harmonic range is often quite limited, with only a few different pitches being used throughout the entire track. This can give the music a very “static” sound, which can be both bracing and hypnotic. It also contributes to the often-noted feeling of “ease” that listeners experience when listening to EDM.

The Rhythmic Structure of Electronic Dance Music

The rhythmic structure of electronic dance music is characterized by a four-on-the-floor beat, which is often accentuated by a bass drum on the first and third beats. The tempo is usually between 120 and 150 beats per minute, although some genres may be faster or slower. The chord progressions are often simple and repetitive, and the melodies are often hook-oriented.

Conclusion

In conclusion, the harmonic range of electronic dance music is fascinating. From the light and airy vibes of trance to the hard-hitting drops of dubstep, there is something for everyone. The best way to find out what you like is to experiment with different genres and sub-genres. Who knows, you may even find a new favorite!

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