The Best Instrumental Music on Hindi YouTube

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Contributors: Andranick Tanguiane, Fred Lerdahl,


The Best Instrumental Music on Hindi YouTube. If you are looking for the best instrumental music to relax and unwind, look no further. We have collected the best Hindi instrumental music videos from YouTube for you to enjoy.

Best Instrumental Music on Hindi YouTube

Indian classical music is one of the oldest forms of music in the world. It has its roots in the Vedic traditions of India and has been a part of Indian culture for over 3000 years. Indian classical music is a complex and beautiful art form that is based on the principles of raga and tala.

Raag Kafi- Ustad Vilayat Khan

One of the best instrumental music on Hindi YouTube is Raag Kafi by Ustad Vilayat Khan. This particular song is very soothing and calming, making it perfect for studying or working. The raag is based on the second Prahar of Kafi, which is a late-night melody. Ustad Vilayat Khan’s performance is simply flawless, and the video itself has beautiful visuals that make it a pleasure to watch.

Raga Mishra Piloo- Ustad Bismillah Khan

Raga Mishra Piloo is one of the most popular classical instrumental music on Hindi YouTube. It is played on shehnai, a traditional wind instrument of India. The music is composed by Ustad Bismillah Khan, who is one of the most famous classical musicians of India.

Raga Jog- Pt. Ravi Shankar

Raga Jog is a beautiful composition by Pt. Ravi Shankar, originally composed in Raag Jogiya. The video features Pt. Ravi Shankar on sitar, with Ustad Alla Rakha on tabla.

Raga Sindhi Bhairavi- Pt. Vishwanath

Raga Sindhi Bhairavi is a Hindustani instrumental music composition in the Sindhi Bhairavi raga. The composition is set to the Teentala tala and is commonly performed on the sitar, although it can be played on any melodic instrument.

The composition is attributed to the Sindhi musician Vishwanath, who is considered one of the greatest sitar players of all time.

Best Instrumental Music on Indian Classical Music

India has a rich and diverse culture, and one of the things that makes it so special is its music. Indian classical music is one of the oldest and most beautiful forms of music in the world. Indian music is divided into two main types: Hindustani and Carnatic. Hindustani music is from the northern part of India and is more popular in Pakistan, while Carnatic music is from the southern part of India and is more popular in Tamil Nadu and Karnataka.

Raga Bageshree- Ustad Ali Akbar Khan

Ustad Ali Akbar Khan (1922-2009) was an Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. He belonged to a family of musicians who traced their roots with the Veena player, Vishnu Narayan Bhatkhande.

Khan was born in Shibpur, Nadiad taluka, Kheda district, Gujarat, India. His father, Hafiz Ali Khan, and his grandfather, Biddu Khan, were both accomplished sarod players. He began his musical training at a very young age with his father and soon gave his first public performance at the age of six. He gave his first radio performance at the age of twelve.

Khan’s style of playing was marked by a clear and flowing tone, clarity of attack and phrasing, bombastic Meend playing (long slides), rapid fire Taans (cyclic patterns), philosophical lyrics set to complex ragas (melodic scales), as well as a deep understanding and insight into the nature of each Raga he played.

Raga Durga- Pt. Hariprasad Chaurasia

Raga Durga is a late-night raga, to be played between 10 pm and 2 am. Chaurasia chose to use a 6-hole flute instead of the usual 7, which gives the raga a unique sound.

Raga Mishra Gara- Pt. Shivkumar Sharma

Raga Mishra Gara is a beautiful composition by Pt. Shivkumar Sharma. This performance is by him and his son Shri. Rahul Sharma. The duo creates a scintillating atmosphere with their soulful music.

Raga Simhendramadhyamam- Dr. L. Subramaniam

Raga Simhendramadhyamam is a Carnatic raga. Its melakarta equivalent is the 10th, Shankarabharanam. It is a janya raga of the 22nd Melakarta parent scale Shankarabharanam, though not commonly heard in its pure form.

This raga is unique in that it uses all twelve notes of the octave in equal measure, without any emphasis on any specific note. The scale thus derived is called madhyama sruti shuddha sampurna. ragas that use all twelve notes in this way are quite rare, and Simhendramadhyamam is one of the most popular ones.

The scale of Simhendramadhyamam can be described as follows:

S R1 G3 P D2 N3
S’ – – – M1 – –
G2 R2 – – – G3 M1
P D1 N2 S’ – –

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