The Best Saxophone Jazz Music Sheets

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

Looking for the best saxophone jazz music sheets? Check out our top picks, including charts for beginners and pros.


If you are a saxophone player, you know that playing jazz music can be a lot of fun. But what if you don’t know how to read music? Don’t worry – there are plenty of great resources out there that can help you learn.

One of the best things about learning to play jazz saxophone is that there is a wide variety of music to choose from. You can find everything from easy-to-learn melodies to complex improvisational pieces. And because saxophone is such a versatile instrument, you can also find music that is suitable for any skill level.

If you are just starting out, it’s a good idea to look for music that is specifically designed for beginners. This way, you can be sure that the sheet music is not too difficult and that it will sound good on your saxophone. There are also many books and online resources that offer tips and tricks for learning to play jazz saxophone.

Once you have a few basic tunes under your belt, you can start exploring the wide world of jazz saxophone sheet music. There are endless possibilities when it comes to finding new and interesting pieces to play. You can search for sheet music by specific artists or genres, or you can browse through collections of popular songs. No matter what your taste in music, you’re sure to find something that you’ll enjoy playing on your saxophone.

The Best Tenor Saxophone Jazz Music Sheets

If you’re looking for the best tenor saxophone jazz music sheets, you’ve come to the right place. In this article, we’ll be discussing the top ten saxophone jazz music sheets that you can find. We’ll also be providing a brief overview of each sheet so that you can decide if it’s the right one for you.

“Take the ‘A’ Train” by Duke Ellington

“Take the ‘A’ Train” is a 1941 jazz standard composed by Billy Strayhorn. It is perhaps the most recognizable of all Duke Ellington’s pieces, and is considered to be one of the greatest jazz compositions of all time. The tune was originally written for Ellington’s vocalist Al Hibbler, who recorded it with the band in 1941. It first appeared on record as an instrumental in the same year, played by Barney Bigard and his Jazzopators.

“Take the ‘A’ Train” quickly became a signature piece for the Ellington band, appearing on a number of live and studio recordings over the years. The tune also became popular with other bands and musicians, and has been recorded by many artists, including Dizzy Gillespie, Coleman Hawkins, Johnny Hodges, Charlie Parker, Oscar Peterson, Art Tatum, McCoy Tyner, and Stan Getz.

“My Funny Valentine” by Richard Rodgers

“My Funny Valentine” is a popular song written by Richard Rodgers and Lorenz Hart in 1937. It was introduced in the musical Babes in Arms, and has become a standard ballad. The song is a great example of the challenges involved in writing a successful jazz standard. The melody is simple, but the harmonies are complex, and the lyrics are often misinterpreted.

The best recordings of “My Funny Valentine” are by Miles Davis, Chet Baker, and Sonny Rollins. The Miles Davis version, from his 1958 album Miles Ahead, is one of the most popular jazz recordings of all time. Chet Baker’s version, from his 1955 album Chet Baker Sings My Funny Valentine, is a classic of cool jazz. Sonny Rollins’ recording, from his 1957 album Saxophone Colossus, is considered one of the greatest saxophone solos of all time.

“Body and Soul” by Edward Heyman

“Body and Soul” is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton, and music by Johnny Green. It was published in 1930 by Bourne Co. Music Publishers (New York) and British Music Publishers (London), and simultaneously released in the US as a sheet music edition by Edward B. Marks Music Company (New York) and in the UK by Chappell & Co. Ltd. (London).

The song was introduced in the 1930 Broadway revue Three’s a Crowd by Clifton Webb, who sang it with Ruth Etting. The first big-band/jazz recording was made on October 16, 1930, by Tommy Dorsey and his Orchestra with vocals by Smith Ballew. The greatest popularity for “Body and Soul” came in the fall of 1940, when Coleman Hawkins’s tenor saxophone solo recording (a 78-rpm single release) became one of the biggest hits of Coleman Hawkins’s career.”

“Body and Soul” was inducted into the Grammy Hall of Fame in 1998.

“Misty” by Erroll Garner

This jazz standard was originally composed by Erroll Garner in 1954, and has since been performed by many different artists. It is a beautiful ballad that features the saxophone prominently.

“Summertime” by George Gershwin

This jazz standard was composed by George Gershwin in summer of 1934. The lyrics were written by DuBose Heyward and published in his novel “Porgy” in 1925. “Summertime” quickly became a favorite among jazz musicians and has been recorded by many artists over the years.

The melody is simple and catchy, making it a great choice for beginners. The chord progression is also fairly simple, so it’s a good piece to practice improvising over. You can find many different versions of “Summertime” to play, from easy to advanced.

“St. Thomas” by Sonny Rollins

“St. Thomas” is a tune composed by Sonny Rollins. It is one of the most popular jazz standards and is often used as a vehicle for improvisation. The melody is based on a nursery rhyme from the Virgin Islands called “You Can Get It If You Really Want It”.

“All the Things You Are” by Jerome Kern

One of the most well-known and beloved jazz standards, “All the Things You Are” was composed by Jerome Kern in 1939. The song has since been recorded by many artists, including Miles Davis, Duke Ellington, Ella Fitzgerald, and Charles Mingus. “All the Things You Are” is a beautiful ballad that features a memorable melody and chord progression.

“Straight, No Chaser” by Thelonious Monk

One of the most influential figures in jazz, Thelonious Monk’s “Straight, No Chaser” is a 12-bar blues with a catchy melody and an unforgettable chord progression. Like many of Monk’s tunes, “Straight, No Chaser” has become a jazz standard, and has been recorded by a who’s who of jazz musicians.

“Night in Tunisia” by Dizzy Gillespie

“Night in Tunisia” is a tune composed by Dizzy Gillespie. It is one of the most popular and well-known jazz standards. The melody was originally written as a riff for Gillespie’s big band, but it quickly became a hit with saxophone players all over the world.

“So What” by Miles Davis

“So What” is a jazz composition by Miles Davis first appearing as the title track of his 1959 album Kind of Blue. It has been recorded by many other artists including John Coltrane, Kenny Garrett, Stanley Turrentine, Wes Montgomery, and Wayne Shorter.

The piece is in the key of D♭ major and advancing to thedominant G♭ major in the third measure. The composition’s chord progression is Cm7-F7-B♭7-E♭7. Its melody features octaves in measures one and three, and features Davis’s characteristic ” blues licks” in measures four and eight.


In conclusion, the three saxophone jazz music sheets mentioned above are all great choices for any level of musician. They offer a wide range of styles and difficulty levels, so you can find the perfect one for your needs. If you’re just starting out, the Essential Elements for Jazz Ensemble is a great place to start. For more experienced players, the Charlie Parker Omnibook and the Jamey Aebersold Play-Alongs are both excellent choices. Whichever one you choose, you’re sure to enjoy hours of enjoyment playing along with your favorite tunes.

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