The Best Funk Music Instrumentals

This article is a collaborative effort, crafted and edited by a team of dedicated professionals.

Contributors: Andranick Tanguiane, Fred Lerdahl,

This blog is dedicated to the best funk music instrumentals. If you’re a fan of groovy bass lines and soulful melodies, then this is the blog for you!


Funk is a genre of music that was popularized in the 1970s. It is characterized by a strong groove, often created by a bassline that is played on a bass guitar or an electric bass. Funk also often includes elements of soul, R&B, and jazz.

There are many different funk music instrumentals that have been composed over the years, and it can be hard to choose which ones are the best. However, there are a few that stand out above the rest. Here are five of the best funk music instrumentals:

1. “Mama Said Knock You Out” by LL Cool J
2. “The Ghetto” by Isaac Hayes
3. “Superfly” by Curtis Mayfield
4. “I Want You (She’s So Heavy)” by The Beatles
5. “Get Up (I Feel Like Being A) Sex Machine” by James Brown

What is Funk Music?

Funk is a genre of music that originated in the late 1960s and early 1970s. It is characterized by a strong rhythm section, often made up of electric bass, drums, and guitar. The lead melody is usually played by horns or keyboards. Funk music often has a groove that is created by the interaction between the rhythm section and the lead instruments.

The history of funk music can be traced back to the African-American communities of New Orleans and Louisiana. Funk music was influenced by other genres such as jazz, soul, and R&B. Funk bands began to gain popularity in the 1970s with groups like Parliament-Funkadelic and Sly and the Family Stone. In the 1980s, artists like Prince and Michael Jackson helped to bring funk music to a wider audience.

Today, funk music is enjoyed by people all over the world. It continues to be popular in both live concerts and recorded albums. Many modern musicians have been influenced by funk music, including Bruno Mars, Justin Timberlake, and Pharrell Williams.

The Origins of Funk Music

In the 1960s, James Brown and other soul musicians began to develop a new style of music, which came to be known as funk. Funk is a style of music that is characterized by a strong groove, often created by the use of extended improvised sections. Funk music often makes use ofsyncopated rhythms, and it typically has a strong backbeat.

Funk music originated in the African-American community, and it has been influenced by various genres, including jazz, R&B, and rock. Funk songs often have witty or humorous lyrics, and they often deal with themes of social importance, such as political issues or civil rights.

Funk music became popular in the 1970s, and it has remaine popular ever since. Some of the most well-known funk songs include “Get Up (I Feel Like Being a) Sex Machine” by James Brown, “Super Freak” by Rick James, and “Let’s Get It On” by Marvin Gaye.

The Funk Music Scene Today

The funk music scene is stronger than ever, with artists like Vulfpeck, Lettuce, and The Meters keeping the sound alive. While the original pioneers of funk may no longer be with us, their legacy continues on through the music of today.

If you’re looking for some great funk instrumentals to listen to, you can’t go wrong with any of the tracks on this list. From classic funk jams to modern takes on the genre, these tracks are sure to get your head nodding and your feet moving. So turn up the volume and get ready to get down!

The Best Funk Music Instrumentals

Music is a very important part of our lives. It can help us relax, it can help us feel happy, and it can even help us get motivated. There are all sorts of genres of music, and each one has its own benefits. Today, we’re going to take a look at funk music and some of the best funk music instrumentals.

“Super Freak” by Rick James

“Super Freak” is a song by Rick James, released in 1981 as a single from the album Street Songs. The song features guest vocals by MC Hammer. It peaked at number 16 on the Billboard Hot 100 chart in the United States, making it James’ third consecutive top 20 hit from Street Songs and fourth overall. Internationally, “Super Freak” reached number two in Canada and number three in the United Kingdom. In 1998, Yolanda Adams covered “Super Freak” for her album Mountain High…Valley Low. In 2002, Lil’ Mo sampled the song for her single “Gangsta (Love 4 the Streets)”, which featured Ja Rule. In 2007, a cover version by British singer Joss Stone was included on her album Introducing Joss Stone.

“Kiss” by Prince

“Kiss” is a song by American musician Prince, from his 1986 album Parade. The song also served as the lead single from the album in the United States, peaking at number one on the Billboard Hot 100. “Kiss” was ranked number 468 on Rolling Stone’s 500 Greatest Songs of All Time list in 2004, and was inducted into the Grammy Hall of Fame in 2007. The Rock and Roll Hall of Fame added the song to its list of “500 Songs That Shaped Rock and Roll”.

“Get Up (I Feel Like Being a) Sex Machine” by James Brown

“Get Up (I Feel Like Being a) Sex Machine” is a song recorded by James Brown with Bobby Byrd on backing vocals. It was released in August 1970 as a two-part single on People Records. The song was produced by James Brown and Alfred “Pee Wee” Ellis and written by James Brown, Bobby Byrd, and Ronald Lenhoff. The song’s chorus is based on the 1870s gospel song “Get up in Jesus’ name”.

The single reached number one on the Soul singles chart and number two on the Billboard Hot 100 chart. In the UK, it peaked at number six on the UK Singles Chart. In 2004, it was ranked number324 on Rolling Stone magazine’s list of the 500 greatest songs of all time. In 2003, the TV network VH1 named it the 73rd greatest song of all time.

“Give Up the Funk (Tear the Roof off the Sucker)” by Parliament

“Give Up the Funk (Tear the Roof off the Sucker)” is a song by Parliament. It was released in 1976 as the lead single from their album Mothership Connection. The song features a mix of funk, rock, and disco. The lyrics tell the story of a group of people who are trying to get the party started. Parliament’s use of synthesizers and distorted guitars helped to pioneer the funk-rock sound of the 1970s.

“Flash Light” by Parliament

“Flash Light” by Parliament is one of the best funk music instrumentals of all time. The song was released in 1977 and was instantly popular, reaching #1 on the R&B charts. The song is driven by a catchy bass line and features intricate guitar work and a funky drumbeat. The song is perfect for dancing and is sure to get your feet moving.

“Atomic Dog” by George Clinton

“Atomic Dog” is a song by George Clinton from the album Computer Games. It was released as a single in 1982 and became one of Clinton’s most popular songs. The song is built around a sample of “Good Old Music” by Funkadelic, which itself was built around a sample of “Amen, Brother” by the Winstons. The song was inducted into the Grammy Hall of Fame in 2016.

“One Nation Under a Groove” by Funkadelic

“One Nation Under a Groove” is a 1978 hit single by the American funk band Funkadelic. The song was written by bandleader George Clinton and produced by Clinton and Collins. It was released as the lead single from the album of the same name, and became one of their most popular and enduring songs.

The song features a simple, catchy bassline played by Bootsy Collins and a groove-oriented guitar line provided by DeWayne McKnight. The lyrics are based on a positive message of unity, with Clinton singing that “we have to funk it up / I want to get funked up”. The song has been praised for its positive message and catchy groove, and has been described as “one of the most influential funk songs of all time”.

“One Nation Under a Groove” was a commercial success, peaking at number 28 on the Billboard Hot 100 chart in the United States and number three on the Hot Soul Singles chart. The song has been sampled or covered by numerous artists, including Cypress Hill, Red Hot Chili Peppers, Beastie Boys, Arrested Development, and George Clinton himself. In 2005, Rolling Stone magazine ranked it #275 on their list of the 500 Greatest Songs of All Time.

“Can You Get to That” by Funkadelic

“Can You Get to That” is a song by the American band Funkadelic, from their album Maggot Brain (1971). The song was written by George Clinton, Eddie Hazel, and Billy Nelson, and features Hazel on lead guitar.

The song is a funk track with psychedelic elements. It features a simple guitar riff played by Hazel over a bassline by Nelson. The track also features horns and keyboards. Clinton sings in a falsetto voice throughout the song.

The lyrics of “Can You Get to That” are about getting to a higher state of consciousness. Clinton has said that the lyrics were inspired by his experiences with LSD.

“Ain’t Nothing But a Party” by Parliament

“Ain’t Nothing But a Party” is a song by the American funk band Parliament. It was released as the lead single from their eighth studio album, The Clones of Dr. Funkenstein (1976). The song was written by Parliament’s frontman George Clinton and bassist Bootsy Collins, and it was produced by Collins and Clinton.

The song peaked at number eight on the Billboard Hot Soul Singles chart in 1977. It has been praised by music critics for its party-like atmosphere and its use of funk percussion.

“Tear the Roof off the Sucker (Reprise)” by Parliament

“Tear the Roof off the Sucker (Reprise)” is a funk instrumental by Parliament. The song was originally released on the album Mothership Connection (1975) and later appeared on the live album Parliament Live: P-Funk Earth Tour (1977).

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