Rock Music Critics Weigh In

See what well-known rock music critics have to say about the latest album releases.

Who are the top rock music critics?

In the world of rock music, there are a handful of critics whose opinions are highly respected. These critics have helped shape the sound and direction of rock music over the years, and their reviews and commentary are often quoted in other publications. Here are five of the most influential rock music critics of all time.

1. Lester Bangs: A former editor at Rolling Stone, Lester Bangs was known for his passionate and often abrasive reviews. He was not afraid to give negative reviews, and he was one of the first critics to embrace punk rock. Bangs died in 1982, but his legacy as one of the most important voices in rock criticism continues to this day.

2. Greil Marcus: A prolific writer and historian, Greil Marcus is best known for his work onBob Dylan’s “Blood on the Tracks.” His book “Mystery Train” is considered one of the most important works of rock criticism ever written. Marcus is still writing today, and his opinions on music continue to be highly respected by fans and critics alike.

3. Robert Christgau: One of the most respected voices in music criticism, Robert Christgau has been writing about music for over 50 years. He is best known for his work as the chief music critic for The Village Voice, where he coined the term “consumer guide.” Christgau remains an active voice in music criticism, and his review archive is an invaluable resource for fans and scholars alike.

4. Dave Marsh: A former editor at Rolling Stone and Creem, Dave Marsh is one of the most respected voices in rock criticism. He is best known for his work on Bruce Springsteen, whom he has championed since the early days of his career. Marsh is also a noted historian, and his books on rock music are essential reading for any fan of the genre.

5. Steve Albini: A musician as well as a critic, Steve Albini is best known for his work with Nirvana on their album “In Utero.” He has also been a prolific writer on a wide variety of topics, including music, politics, and popular culture. Albini’s opinions on music are always thought-provoking and worth reading, regardless of whether you agree with them or not.

What do they have to say about the current state of rock music?

As the lines between genres continue to blur, rock music has seen a resurgence in popularity in recent years. But what do the critics have to say about the current state of rock music?

“There’s a lot of good stuff out there,” says Jim DeRogatis, music critic for the Chicago Sun-Times. “I think people are rediscovering that rock can be smart and challenging and rewarding on a number of levels.”

DeRogatis cites bands like Wilco and TV on the Radio as proof that rock music is still relevant and exciting. “These are bands that are making ambitious, interesting records that don’t sound like anything else on the radio,” he says.

Other critics agree that there is a lot to like about the current state of rock music. But some say that the genre is in danger of becoming too commercialized and losing its edge.

“The problem with rock music today is that it’s too safe,” says David Daley, editor of Salon.com. “There’s very little risk taking going on.”

Daley points to bands like One Direction and Imagine Dragons as evidence that rock music has become too polished and mainstream. “These are sanitized, assembly-line products designed to appeal to the lowest common denominator,” he says. “They’re not challenging or interesting or even particularly good.”

So, what do you think? Is rock music better than ever, or has it lost its way?

Who are some of the most influential rock music critics?

In recent years, there has been a resurgence in the popularity of rock music. This has led to a new generation of rock music critics. Here are some of the most influential rock music critics:

Pitchfork is a website that is devoted to independent music. They are one of the most influential voices in the world of rock music. Their reviews are respected by both fans and musicians alike.

Rolling Stone is one of the most venerable names in the world of music criticism. They have been around for over 50 years and their reviews carry a lot of weight.

NPR Music is a website that is devoted to all things musical. They have a section devoted to rock music. Their reviews are fair and unbiased.

What makes a good rock music critic?

What makes a good rock music critic? This is a question that has been debated by many people over the years. There are a few key traits that most people agree make a great rock critic.

First, a good rock critic needs to have a vast knowledge of music. They should know about different genres and subgenres, as well as the history of rock music. Additionally, they should be familiar with the work of both popular and obscure artists.

Second, a good rock critic must be able to communicate their thoughts and opinions clearly. They should be able to write well and articulate their thoughts in a way that is easy for readers to understand.

Finally, a good rock critic must be objective and open-minded. They should be able to look at all sides of an issue and consider all points of view. Additionally, they should be willing to change their opinion if new evidence arises.

What are some of the most common criticisms of rock music?

Rock music has been often criticized for being too loud, aggressive, and for its supposed lack of musicality. Critics have also accused rock music of being a breeding ground for promiscuity and drug use. Others have accused rock music of having a negative influence on young people, with some even going so far as to call it “the devil’s music.”

Is rock music in decline?

In recent years, there has been much discussion about the state of rock music. Some say that the genre is in decline, while others believe that it is just evolving. Critics have weighed in on both sides of the debate.

On one side, it is argued that rock music is no longer as popular as it once was. Album sales have declined, and radio stations are less likely to play rock music. Furthermore, many young people are not familiar with classic rock bands such as Led Zeppelin and Pink Floyd.

On the other side, it is argued that rock music is still popular, but it has become more niche. There are fewer mainstream rock bands, but there are many more niche bands catering to specific audiences. It is also argued that classic rock bands are still popular and relevant today.

It is clear that there is much debate about the state of rock music. However, it remains one of the most popular genres of music, and it does not appear to be going anywhere anytime soon.

What is the future of rock music?

Rock music has long been a favorite genre of music among fans and critics alike. However, in recent years, there has been a decline in its popularity. Many believe that this is due to the rise of other genres such as pop and hip-hop. Some argue that rock is no longer relevant in today’s society. However, others believe that it still has a place in the music industry. So, what is the future of rock music?

Critics have mixed opinions on the matter. Some believe that rock music will make a comeback in the next few years. Others believe that it will continue to decline in popularity. Some argue that the future of rock music lies in its ability to evolve and adapt to the changing needs of society. Only time will tell what the future holds for this popular genre of music.

How do rock music critics feel about the current state of the music industry?

In recent years, the music industry has been through a lot of changes. With the rise of streaming services and the declining sales of physical albums, it’s no wonder that many people in the industry are feeling unsure about the future. But what do those who listen to and write about music for a living think? We asked a few rock music critics to weigh in on the current state of affairs.

“There’s no doubt that streaming services have changed the way we consume music,” said one critic. “It’s easier than ever to just throw on a playlist and let it play in the background while we’re doing other things. But I think that’s made us lose something in the process. We’re not really sitting down and listening to whole albums anymore, and I think that’s a shame.”

Another critic said that while she understands why some people are hesitant to pay for music when they can just stream it for free, she believes that there’s still value in supporting artists financially. “I think people underestimate how hard it is to make a living as a musician,” she said. “If we want to keep getting new music from our favourite artists, we need to be willing to pay for it.”

In general, it seems like critics are cautiously optimistic about the current state of the music industry. While there are some challenges that need to be addressed, they believe that there is still plenty of room for good music to thrive.

Are there any new rock music critics on the scene?

In recent years, it seems as if the amount of critics churning out content on rock music has slowed to a trickle. With the death of Pitchfork’s legendary founder Ryan Schreiber in 2018, and sites like consequenceofsound.net and stereogum.com scaling back their rock criticism sections, it’s easy to feel like the days of substantive long-form writing on guitar-based music are behind us.

What do rock music critics think about the current state of the music industry?

Rock music has been around for decades, and it doesn’t seem to be going anywhere anytime soon. But what do critics think about the current state of the industry?

“The current state of the rock music industry is fascinating,” says Jim DeRogatis, a rock music critic for The Chicago Sun-Times. “On one hand, you have a handful of huge superstars who are selling out arenas and stadiums around the world. On the other hand, you have a long tail of niche artists who are struggle to sell even a few thousand records.”

DeRogatis says that the superstars are successful because they’ve managed to tap into something that speaks to a wide audience, while the niche artists are appealing to more specific tastes. “It’s always been this way to some extent,” he explains, “but I think it’s more pronounced now than it ever has been.”

While DeRogatis believes that there’s still room for both types of artists in the industry, he admits that it can be tough for niche acts to get noticed. “It’s harder than ever for them to break through,” he says. “But I think that’s just a sign of the times we’re living in.”